We might wear a mask to fit in, to fulfill someone else’s expectations, or to navigate a white-centric world. For Shin Yu, the mask was real. It was a white plaster mold of her face that hung on her in-laws’ wall, a reminder of all the “saving face” she has done trying to fit in. Last year, she decided to ask for the mask back. This is a personal interview with Shin Yu about learning how to let down the mask, while embracing vulnerability and our true selves. 



Ten Thousand Thingsis produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by Wild Pony.

And of course, we don't exist without listeners like you. Support Ten Thousand Things by donating to KUOW.

We might wear a mask to fit in, to fulfill someone else’s expectations, or to navigate a white-centric world. For Shin Yu, the mask was real. It was a white plaster mold of her face that hung on her in-laws’ wall, a reminder of all the “saving face” she has done trying to fit in. Last year, she decided to ask for the mask back. This is a personal interview with Shin Yu about learning how to let down the mask, while embracing vulnerability and our true selves. 
 
<a href="https://www.kuow.org/podcasts/bluesuit">Ten Thousand Things</a> is produced by KUOW in Seattle. Our host, writer, and creator is<a href="https://shinyupai.com/"> Shin Yu Pai</a>.<a href="https://kuow.org/authors/whitney-henry-lester"> Whitney Henry-Lester</a> produced this episode.<a href="https://www.kuow.org/authors/jim-gates"> Jim Gates</a> is our editor.<a href="https://www.tomonakayama.com/"> Tomo Nakayama</a> wrote our theme music. Additional music in this episode by Wild Pony.
And of course, we don't exist without listeners like you. Support Ten Thousand Things by<a href="https://www.kuow.org/donate/tenthousandthings"> donating to KUOW</a>.

An award-winning podcast about modern-day artifacts of Asian American life, hosted by poet and museologist Shin Yu Pai.

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