With the US midterms approaching, we’re joined by New York Times political reporter and host of The Run-Up, Astead Herndon. We start by examining this “relentlessly disorienting time” in America (5:10), where the pendulum of democracy (7:40) will be swung by four voting blocs this November: The Skeptical Trump voter (9:50), The Young Voter (13:15), The Disillusioned Democrat, and The NON-MAGA Republican (15:47). 

In the back half: what Democrats previously believed to be “demographic destiny” (21:48), the media’s oversimplification of the electorate (24:02), and why President Biden has recently moved away from his message of unity (29:50). To close, Herndon outlines the importance of grassroots reporting (38:05), a potential autopsy for the Democratic Party (43:16), and how democracy itself is on the ballot this November (47:12).

With the US midterms approaching, we’re joined by New York Times political reporter and host of The Run-Up, Astead Herndon. We start by examining this “relentlessly disorienting time” in America (5:10), where the pendulum of democracy (7:40) will be swung by four voting blocs this November: The Skeptical Trump voter (9:50), The Young Voter (13:15), The Disillusioned Democrat, and The NON-MAGA Republican (15:47). 
In the back half: what Democrats previously believed to be “demographic destiny” (21:48), the media’s oversimplification of the electorate (24:02), and why President Biden has recently moved away from his message of unity (29:50). To close, Herndon outlines the importance of grassroots reporting (38:05), a potential autopsy for the Democratic Party (43:16), and how democracy itself is on the ballot this November (47:12).

Talk Easy with Sam Fragoso is a weekly series of intimate conversations with artists, activists, and politicians. Where people sound like people. Hosted by Sam Fragoso. New episodes every Sunday.

Where people sound like people, since 2016.

Talk Easy with Sam Fragoso

Understanding the Midterms with Reporter Astead Herndon (The New York Times)

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/2a60a3d5-055d-4350-b376-af1e004f7012/transcript

Actor Jeff Daniels is always writing. Plays, songs, a script or two. Even in interviews you get the sense the Michigan native is trying to relay the stories of his life in a way he’d find compelling as a reader, or listener. Bystander — as a viewer. 

He joins us this week around the latest chapter of his crime series American Rust(12:30), reprising his role as Police Chief Del Harris. It’s a performance inspired by his midwestern upbringing in Chelsea, Michigan (16:06) and the formative teachings of theater director Marshall W. Mason (21:20). Then, Daniels reflects on his arrival to New York City in 1976 (24:06), performing in Lanford Wilson’s play Fifth of July (27:20), and his early on-screen roles in Jonathan Demme’s Something Wild (31:10), Woody Allen’s The Purple Rose of Cairo (34:20), and Noah Baumbach’s The Squid and the Whale (44:20).

On the back-half, we walk through his years making The Newsroom (51:48), working with screenwriter (and then playwright) Aaron Sorkin (53:20), and how the two of them reimagined Atticus Finch and To Kill a Mockingbird for both Broadway (59:49) and what he calls “a country at a crossroads” (1:05:33). To close, we sit with the utility of good writing in this fraught era (1:10:30), and a musical tribute to his late father, Robert (1:15:32).

For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com. 

Actor Jeff Daniels is always writing. Plays, songs, a script or two. Even in interviews you get the sense the Michigan native is trying to relay the stories of his life in a way he’d find compelling as a reader, or listener. Bystander — as a viewer. 
He joins us this week around the latest chapter of his crime series <a href="https://www.amazon.com/gp/video/detail/amzn1.dv.gti.ed5c00e5-14c1-4c8a-b7fb-907f1a3872be?autoplay=0&amp;ref_=atv_cf_strg_wb">American Rust</a> (12:30), reprising his role as Police Chief Del Harris. It’s a performance inspired by his midwestern upbringing in Chelsea, Michigan (16:06) and the formative teachings of theater director Marshall W. Mason (21:20). Then, Daniels reflects on his arrival to New York City in 1976 (24:06), performing in Lanford Wilson’s play Fifth of July (27:20), and his early on-screen roles in Jonathan Demme’s Something Wild (31:10), Woody Allen’s The Purple Rose of Cairo (34:20), and Noah Baumbach’s The Squid and the Whale (44:20).
On the back-half, we walk through his years making The Newsroom (51:48), working with screenwriter (and then playwright) Aaron Sorkin (53:20), and how the two of them reimagined Atticus Finch and To Kill a Mockingbird for both Broadway (59:49) and what he calls “a country at a crossroads” (1:05:33). To close, we sit with the utility of good writing in this fraught era (1:10:30), and a musical tribute to his late father, Robert (1:15:32).
For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com.

The Stories of Actor Jeff Daniels

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/991fc592-db3c-43dd-981b-b15200576f82/transcript

Actor Dev Patel has pursued interesting, complex roles in Hollywood since his arrival in Slumdog Millionaire fifteen years ago. He joins us today to discuss Monkey Man, his directorial debut and most personal project to date.

At the top, we walk through the Hindu mythology that inspired the film (12:30), his decade-long fight to get the project greenlit (16:17), and the conditions of filming on an island during the pandemic (18:08). Then, Dev describes his intense creative process (27:02), how he landed his TV debut at sixteen as a sex-crazed teenager on Skins (28:33), and his life-changing role in Danny Boyle’s Slumdog Millionaire (35:40).

On the back-half, Patel reflects on his years in The Newsroom (47:24), the films that followed, including Garth Davis’ Lion (49:52) and David Lowery’s The Green Knight (51:30), and how director/producer Jordan Peele saved Monkey Man from oblivion (56:32).

For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com. 

Actor Dev Patel has pursued interesting, complex roles in Hollywood since his arrival in Slumdog Millionaire fifteen years ago. He joins us today to discuss <a href="https://www.monkeyman.movie/tickets/">Monkey Man</a>, his directorial debut and most personal project to date.
At the top, we walk through the Hindu mythology that inspired the film (12:30), his decade-long fight to get the project greenlit (16:17), and the conditions of filming on an island during the pandemic (18:08). Then, Dev describes his intense creative process (27:02), how he landed his TV debut at sixteen as a sex-crazed teenager on Skins (28:33), and his life-changing role in Danny Boyle’s Slumdog Millionaire (35:40).
On the back-half, Patel reflects on his years in The Newsroom (47:24), the films that followed, including Garth Davis’ Lion (49:52) and David Lowery’s The Green Knight (51:30), and how director/producer Jordan Peele saved Monkey Man from oblivion (56:32).
For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com.

Actor and Director Dev Patel is a Leading Man

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/7af15077-3a9e-42d9-b272-b14b004392fd/transcript

Today we're sharing two special conversations, featuring our friends at Revisionist History.

First, Malcolm Gladwell joins Sam to discuss "Development Hell," a new series about the untold stories of Hollywood that never left the page (2:00).

Then, we turn to Gladwell's recent sit-down with director M. Night Shyamalan (25:00). Before Shyamalan became a household name for his mind bending thrillers like “The Sixth Sense” and “Signs”, he was just a young screenwriter in love. And during those blissful early years of marriage he wrote a love story. The screenplay for “Labor of Love” sold right away, and over the next 30 years or so there would be numerous attempts to make it into a movie. There was a major studio, there were A-list directors, Shyamalan even found his perfect star. In this episode, M. Night Shyamalan reveals the script that haunts him.

To hear the full series from Revisionist History, listen here. For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com.

Today we're sharing two special conversations, featuring our friends at Revisionist History.
First, Malcolm Gladwell joins Sam to discuss "Development Hell," a new series about the untold stories of Hollywood that never left the page (2:00).
Then, we turn to Gladwell's recent sit-down with director M. Night Shyamalan (25:00). Before Shyamalan became a household name for his mind bending thrillers like “The Sixth Sense” and “Signs”, he was just a young screenwriter in love. And during those blissful early years of marriage he wrote a love story. The screenplay for “Labor of Love” sold right away, and over the next 30 years or so there would be numerous attempts to make it into a movie. There was a major studio, there were A-list directors, Shyamalan even found his perfect star. In this episode, M. Night Shyamalan reveals the script that haunts him.
To hear the full series from Revisionist History, listen <a href="https://www.pushkin.fm/podcasts/revisionist-history">here</a>. For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com.

Director M. Night Shyamalan: A Talk from 'Development Hell'

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/ef6d6ac2-f112-47ef-81c2-b144006757c4/transcript

Understanding the Midterms with Reporter Astead Herndon (The New York Times)

In 1 playlist(s)

Talk Easy with Sam Fragoso

Social links

Follow podcast

Recent clips