Musician and composer Este Haim has had quite the year.

Today, she reflects on HAIM’s eventful summer as part of Taylor Swift’s The Eras Tour (5:45), her pivot into scoring feature films (8:40), including Netflix’s You Are So Not Invited to My Bat Mitzvah (13:12), growing up in a family band called Rockenhaim (17:46) and the formative musicians that inspired her and her sisters as teenagers in Los Angeles (21:41).

On the back-half, Este describes the early years of HAIM (29:30), the band’s collaboration with producer and composer Ludwig Göransson (33:08), their debut album Days Are Gone (37:55), and the misogyny embedded in the music industry (39:15) that fueled their third record, Women in Music Pt. III (43:55). To close, a love letter to LA (47:54) and a tribute to Talking Heads’ Tina Weymouth (56:00), and how both have shaped Este’s journey, on and off stage (1:00:55).

Musician and composer Este Haim has had quite the year.
Today, she reflects on HAIM’s eventful summer as part of Taylor Swift’s The Eras Tour (5:45), her pivot into scoring feature films (8:40), including Netflix’s You Are So Not Invited to My Bat Mitzvah (13:12), growing up in a family band called Rockenhaim (17:46) and the formative musicians that inspired her and her sisters as teenagers in Los Angeles (21:41).
On the back-half, Este describes the early years of HAIM (29:30), the band’s collaboration with producer and composer Ludwig Göransson (33:08), their debut album Days Are Gone (37:55), and the misogyny embedded in the music industry (39:15) that fueled their third record, Women in Music Pt. III (43:55). To close, a love letter to LA (47:54) and a tribute to Talking Heads’ Tina Weymouth (56:00), and how both have shaped Este’s journey, on and off stage (1:00:55).

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The Era(s) of Musician Este Haim

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/c841e1df-509e-44bd-ad9a-b06b00296374/transcript

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