Since his directorial debut in 2006, Jason Reitman has made the kind of films they say Hollywood doesn’t make anymore.

Today, we sit to discuss his latest project Saturday Night (9:09), the influence of 1970s movies like Michael Ritchie’s The Candidate (12:46), and the details Reitman and his co-writer Gil Kenan collected from dozens of interviews leading up to production (17:45). Then, Jason describes the dynamic between Lorne Michaels and his father, the late director Ivan Reitman (21:55), his formative years at the movie theater (25:50), and the filmmakers that shaped his early work: Alexander Payne, Kevin Smith, Spike Jonze, and Richard Linklater (31:03).

On the back-half, we talk about Reitman’s debut film Thank You For Smoking (39:06), the collaborators that shaped Juno (42:50), his personal connection to Up in the Air (43:10), and lessons from making Young Adult (49:43) and Labor Day (51:08). To close, a story about fatherhood (53:00) and the joy of directing (58:58).

Thoughts or future guest ideas? Email us at sf@talkeasypod.com.

Since his directorial debut in 2006, Jason Reitman has made the kind of films they say Hollywood doesn’t make anymore.
Today, we sit to discuss his latest project <a href="https://saturdaynight.movie/">Saturday Night</a> (9:09), the influence of 1970s movies like Michael Ritchie’s The Candidate (12:46), and the details Reitman and his co-writer Gil Kenan collected from dozens of interviews leading up to production (17:45). Then, Jason describes the dynamic between Lorne Michaels and his father, the late director Ivan Reitman (21:55), his formative years at the movie theater (25:50), and the filmmakers that shaped his early work: Alexander Payne, Kevin Smith, Spike Jonze, and Richard Linklater (31:03).
On the back-half, we talk about Reitman’s debut film Thank You For Smoking (39:06), the collaborators that shaped Juno (42:50), his personal connection to Up in the Air (43:10), and lessons from making Young Adult (49:43) and Labor Day (51:08). To close, a story about fatherhood (53:00) and the joy of directing (58:58).
Thoughts or future guest ideas? Email us at <a href="mailto:sf@talkeasypod.com">sf@talkeasypod.com</a>.

Talk Easy with Sam Fragoso is a weekly series of intimate conversations with artists, activists, and politicians. Where people sound like people. Hosted by Sam Fragoso. New episodes every Sunday.

Where people sound like people, since 2016.

Talk Easy with Sam Fragoso

Director Jason Reitman’s Love Letter to ‘Saturday Night’

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/78f11229-0b1e-4968-9c15-b208006699df/transcript

Since the turn of the century, actor Josh Brolin has had quite a run. From No Country for Old Men and Hail, Caesar! from the Coen Brothers, to Inherent Vice from Paul Thomas Anderson, to Sicario and the Dune films from Denis Villeneuve.

His new memoir, From Under the Truck, contains stories about the life in between. We discuss his upbringing bouncing from Paso Robles to Santa Barbara (8:49), the influence of his mother (10:05), and his entry to writing (19:40). Then, Brolin reflects on his vivid early adulthood in the 80s (26:14), the power of a story (32:30), and what actor Anthony Hopkins illuminated about sobriety (34:35).

On the back-half, we get into his collaborations with the Coen Brothers (38:48), his challenging relationship to drinking (50:50), and why finally, after three decades of playing characters on screen, it was time to fill in some of the backstory (1:07:13).

This conversation was recorded at Spotify Studios. Thoughts or future guest ideas? Email us at sf@talkeasypod.com.

Since the turn of the century, actor Josh Brolin has had quite a run. From No Country for Old Men and Hail, Caesar! from the Coen Brothers, to Inherent Vice from Paul Thomas Anderson, to Sicario and the Dune films from Denis Villeneuve.
His new memoir, From Under the Truck, contains stories about the life in between. We discuss his upbringing bouncing from Paso Robles to Santa Barbara (8:49), the influence of his mother (10:05), and his entry to writing (19:40). Then, Brolin reflects on his vivid early adulthood in the 80s (26:14), the power of a story (32:30), and what actor Anthony Hopkins illuminated about sobriety (34:35).
On the back-half, we get into his collaborations with the Coen Brothers (38:48), his challenging relationship to drinking (50:50), and why finally, after three decades of playing characters on screen, it was time to fill in some of the backstory (1:07:13).
This conversation was recorded at Spotify Studios. Thoughts or future guest ideas? Email us at <a href="mailto:sf@talkeasypod.com">sf@talkeasypod.com</a>.

Actor Josh Brolin: A Life in Vivid Color

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/c377dc39-4e1a-4650-995d-b22b006b7570/transcript

It’s been a week. To help us through it, we’ve enlisted The New York Times political reporter Astead Herndon.

We start with election night 2024 versus election night 2016 (6:35), what Astead discovered about the electorate reporting across the U.S. on his podcastThe Run-Up (9:25), and how insider Democrats arrived at a second Biden run in 2023 (13:30). Then, we discuss politicians’ “lowercase racist” assumptions about Black and Latino voters (16:02), Herndon’s telling one on one interview with Vice President Harris (22:52), and the pervasive, nationwide sentiments that led to Donald Trump’s re-election (32:24).

On the back-half: where the Harris campaign fell short in its messaging to voters (38:48), the rise of the “podcast election” (44:48), a revealing window into the Biden administration (47:35), how quickly “good intentions” can turn power corrupted (53:01), and why the Democratic party must remake itself (1:00:55) as we begin to move forward from this election (1:06:00).

Thoughts or future guest ideas? Email us at sf@talkeasypod.com.

It’s been a week. To help us through it, we’ve enlisted The New York Times political reporter Astead Herndon.
We start with election night 2024 versus election night 2016 (6:35), what Astead discovered about the electorate reporting across the U.S. on his podcast<a href="https://podcasts.apple.com/us/podcast/the-run-up/id1142083165"> The Run-Up</a> (9:25), and how insider Democrats arrived at a second Biden run in 2023 (13:30). Then, we discuss politicians’ “lowercase racist” assumptions about Black and Latino voters (16:02), Herndon’s telling one on one interview with Vice President Harris (22:52), and the pervasive, nationwide sentiments that led to Donald Trump’s re-election (32:24).
On the back-half: where the Harris campaign fell short in its messaging to voters (38:48), the rise of the “podcast election” (44:48), a revealing window into the Biden administration (47:35), how quickly “good intentions” can turn power corrupted (53:01), and why the Democratic party must remake itself (1:00:55) as we begin to move forward from this election (1:06:00).
Thoughts or future guest ideas? Email us at <a href="mailto:sf@talkeasypod.com">sf@talkeasypod.com</a>.

What Can Be, Burdened By What Has Been (with Astead Herndon of NYT)

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/6cc86a44-f974-4d72-b477-b224007b6eeb/transcript

On the heels of his latest book The Message, author Ta-Nehisi Coates joins Sam for a conversation in Los Angeles.

At the top, we discuss how his Atlantic piece The Case for Reparations guided these three new essays (6:10), Coates’ early education growing up in West Baltimore (14:57), and his powerful dispatches from South Carolina (22:00) and the Middle East (29:30).

On the back-half, Coates unpacks why he believes the mainstream media prioritizes “factual complexity over self-evident morality” (37:47), his advocacy for Palestinian journalists (39:20), and his reflections about the U.S. election (47:28). To close, a formative passage from James Baldwin's The Lost Generation (52:38) and a story about love and writing (57:45).

Thoughts or future guest ideas? Email us at sf@talkeasypod.com.

On the heels of his latest book <a href="https://www.penguinrandomhouse.com/books/653438/the-message-by-ta-nehisi-coates/">The Message</a>, author Ta-Nehisi Coates joins Sam for a conversation in Los Angeles.
At the top, we discuss how his Atlantic piece <a href="https://www.theatlantic.com/magazine/archive/2014/06/the-case-for-reparations/361631/">The Case for Reparations</a> guided these three new essays (6:10), Coates’ early education growing up in West Baltimore (14:57), and his powerful dispatches from South Carolina (22:00) and the Middle East (29:30).
On the back-half, Coates unpacks why he believes the mainstream media prioritizes “factual complexity over self-evident morality” (37:47), his advocacy for Palestinian journalists (39:20), and his reflections about the U.S. election (47:28). To close, a formative passage from James Baldwin's The Lost Generation (52:38) and a story about love and writing (57:45).
Thoughts or future guest ideas? Email us at <a href="mailto:sf@talkeasypod.com">sf@talkeasypod.com</a>.

Ta-Nehisi Coates (‘The Message’) is Live in Los Angeles

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/e2af5342-8b38-49be-9176-b21d006c7169/transcript

Director Jason Reitman’s Love Letter to ‘Saturday Night’

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