One of America’s newest literary stars, Bryan Washington (Lot) looks to Haruki Murakami and other modern storytellers to explore how surreal elements enrich the narratives of everyday life and magnify its strangeness. He connects Murakami’s structurally loose novels (Kafka on the Shore) and those where he keeps a steady hand (Norwegian Wood) with contemporary stories on page and screen. He particularly focuses on those stories with minority protagonists – including Atlanta and Coco – where fantastical elements add feeling and weight.

One of America&rsquo;s newest literary stars, Bryan Washington (Lot) looks to Haruki Murakami and other modern storytellers to explore how surreal elements enrich the narratives of everyday life and magnify its strangeness. He connects Murakami&rsquo;s structurally loose novels (Kafka on the Shore) and those where he keeps a steady hand (Norwegian Wood) with contemporary stories on page and screen. He particularly focuses on those stories with minority protagonists &ndash; including&nbsp;Atlanta&nbsp;and&nbsp;Coco&nbsp;&ndash; where fantastical elements add feeling and weight.

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