Stuff You Missed in History ClassThis 2022 episode covers Theda Bara, often referenced as the first sex symbol. Photos of her are synonymous with the word vamp, and 100 years later, still have a certain mysterious appeal. But what was she really like?
Happy Saturday. On Unearthed.
This week we talked about some graffiti that might be a depiction of Theta Barra if you thought while listening to Unearthed, who's that and what does the word vamp have to do with it? Today's Saturday Classic, we'll solve that mystery. This originally came out May fourth, twenty twenty two. Enjoy Welcome to Stuff You Missed in History Class, a production of iHeartRadio. Hello, and welcome to the podcast. I'm Holly Fryne and I'm Tracy V.
Wilson.
Today we are going to talk about someone I love in history, which is Theda Bara, who is often referenced as the first sex symbol or the first celebrity to have an entire persona crafted by a PR team. Photos of her are pretty synonymous with the word vamp. I know. Tracy mentioned to me that she didn't have any name recognition, but the second she saw a picture, she's like, oh that's.
Oh that person yep.
And one hundred years later, pictures of her still have a certain mysterious appeal. But she was a very different person, I think than most people might know. And it always cracks me up a little when people kind of model their look after her, and I'm like, yeah, but you know, she was actually pretty tame. So today I thought it would be interesting to look at how this early film celebrity was basically created through careful planning by a PR team, and how the real woman was a whole lot different from that faux persona that they made up. Yeah, to start with totally different name. She was born Theodosia Goodman in Cincinnati, Ohio, on July twenty ninth, eighteen eighty five. Her parents were Bernard Goodman and Pauline Louis friends was Dick Cope. Bernard was originally from Jorsela, Poland and worked as a tailor. Pauline's father was French. Her mother was German, although she had been born and grew up in Switzerland and worked as a wig maker. Bernard and Pauline got married in eighteen eighty two, and Theodosia was their first child. Then in eighteen eighty eight they had a son named Mark, and then in eighteen ninety seven, Bernard and Pauline had another daughter named Esther, who would eventually go by Laurie. Theodosia was named after Aaron Burr's daughter, who we have an episode on. Yeah, she's some versions of her name. You'll see Burr as a middle name, and I never was able to verify whether that was true or maybe a little confused when people noted that she was named for Theodosia, br Auto completed that middle name right. Her childhood, though, was a pretty comfortable one. The good Men's lived in an affluent neighborhood, and Theodosia, Mark, and Laurie were all quite close. They had two women who worked for them as house staff named Anna Tusenig and Ida day Birth and Theodosia loved to read, and she would often opt to do that over any other activity. But she was not a quiet, bookish child, because she could also be a handful. She frequently pilfered her mother's closet to create elaborate dress up ensembles, and she was prone to getting all dressed up in those and then running away from home. She was so likely to run off when she was still quite small that her parents had to have a new tall fence specially installed around their yard. As she grew up, Theodosia's love for dress up evolved into a desire to stage tableau and that was a popular parlor entertainment at the time. She would recreate scene after scene and perform recitations to go with these scenes there with no surprise. This led her to want to get involved in acting. Soon she was staging her own productions in a neighbor's barn. She continued to act as she grew into her teenage years. She read everything she could about the actors of the day. She was really focused on this. I find this very charming as somebody who put on plays in the basement of the family home. Oh yeah, oh icnned teachers into letting me do full blown, like multi act puppet shows in elementary school. So it's interesting because she was obsessed with the idea of actors and acting at a time when, like stage actors were really the thing, but there was some transition going on to film, and she apparently read like every article she could about everything they did in their day to day lives. Like she was that kid that was like could tell you everything that like any given actor of the day, like to eat, like to wear.
Oh wow, Yeah, she was that kid.
Theodosia, who was known to her friends largely as Theo, attended Walnut Hills high school. Starting in eighteen ninety nine, she worked on the school paper, and she joined the drama club, and she was known always for her ambition to go into acting as a career. After graduating high school in nineteen oh three, she attended University of Cincinnati for two years, but at that point she was starting to feel frustrated glee club, which she was a part of, did not offer her the theatrical outlet that she really longed for. She frankly wanted more than she felt like Cincinnati had to offer, So in nineteen oh five, the age of twenty, Theo decided to pursue a career on the stage. In that effort, she moved to New York City, and her father was reportedly not pleased with any of this. Once she got to New York, Theodosa changed her last name from Goodman to her mother's maiden name of de Coppet. She would later riff off of this name. She would change out the vowels, try out different variations. We know that she lived in Greenwich Village in an apartment just off Washington Square, but beyond that we don't know a whole lot in terms of the specifics of her first couple of years of New York. The first play she's documented as having been cast in was the nineteen oh eight summer production of The Devil. She was a minor character in that one. After that, There's another Gap, and then she was part of the second string touring company for a musical called The Quaker Girl. She was paid twenty five dollars a week initially, although after some pretty bad reviews her salary was reduced to eighteen dollars a week, and then she left the troop. Those reviews were quite scathing, things about how really abysmal her French accent was, and how even like a five year old wouldn't be confused or convinced they were mean. Theo continued to pursue acting, and she kept taking parts in touring companies, but that was not at all to her liking life on the road. The tight quarters shared with other performers and the decidedly non luxurious accommodations were things that she would later describe as quote unpleasant associations. This was just not the acting career she had envisioned. She left a touring company that was running a farce called Us Like John in nineteen twelve and At that point, she went back to New York. Her mother, Pauline, and her teenage sister Laurie soon joined her there. And just as she was feeling her most frustrated and dejected over what seemed like a career that would never happen, another bad thing happened, which is at the apartment she shared with her mother and sister had a fire and it basically was unlivable. It burned out. They were able to get by thanks to insurance money, but there was this very real concern kind of looming over the whole thing that Theodosia's dreams were just not going to work out. In late nineteen fourteen, Theo was approached by a man who asked her if she might want to try being in movies. The man who approached her was Frank Powell. Powell hailed from Ontario, Canada, and had become an actor himself before transitioning into the director's chair. He had worked for Pathay Pictures before Fox lured him away from them, and it was just before he started at Fox that he saw Theo and saw something in her that he thought might be great for film. There's no record of the specific place where the two of them had this first conversation. This was, of course a time when the movie industry was in its infancy, but it already had some established stars like Mary Pickford. A career in film was not really something Theodosia had been pursuing. According to her later accounts of being discovered, she saw herself as a stage actress. She wanted Broadway, and she was not particularly interested in jumping into the still fairly new medium of moving pictures. But at the same time she had to acknowledge that her theater career was not exactly going gangbusters. She was also thirty, so she was starting to hit the point where she was seen as too old for most of the lead roles that she wanted. Initially, she was curvy, and that figure had fallen out of favor. People were looking more for longer, leaner physique. So she gambled, and she took Fred Powell at his word on this. Yes, I want to talk about her as a curvy person in our behind the scenes. Yeah, because I really think she looks quite thin in most of her pictures.
But yeah.
The first project that Frank Powell put Theo in was actually a film called The Stain, which he made while he was still finishing up his contract at Patha. Theodosha was cast in just a tiny role. This was really her screen test. Powell made sure that she was positioned near the camera so that he could see how she played on screen, and he was very pleased after that. William Fox, the head of the studio, also reviewed the footage and liked it, and so sat down with THEO for an interview. Both men thought that she was right for a very unusual and difficult to cast role they were working on, and they offered her a five year contract at the studio at a rate of one hundred dollars per week. THEO negotiated that up to one hundred and fifty dollars per week before she signed, and that is how an unknown landed a leading role in the upcoming project called A Fool There Was for Fox Film Company. The studio, though also knew this was a gamble. Theodosia's co star in the picture was Edward Jose who was a famous Broadway actor at the time, so casting this complete newcomer to film was something that William Fox, who was the head of Fox Films, was concerned about. So the solution was to construct this really alluring persona for her, and her name had been the first to go. She was going by Theodosia de cape or to cop It or as we said, many other variations she tried out. None of them were really zinging, So after considering her nicknames of Theo and Teddy, which her family members also sometimes called her, they landed another nickname, Theta, and decided that was the one. And then for the last name, they wanted something far easier than any of the on Dakopit or Decape, and her maternal grandfather had been named Francois Berngais, and that last name was shortened to Bearra. As a quick aside, you'll see different versions of how this played out, how much of it was her idea versus the studios, which studio executives kept credit for which pieces, But I'm calling it a group effort because there are so many different versions. So once her name was figured out and rendered on that Fox contract, it was time to get to work, and we will talk about that. After a quick sponsor break in the autumn of nineteen fourteen, with the contract for Theta Bea in place, filming for a fool, there was could finally get under way. The picture was shot in part on location on the Florida coast at Saint Augustine, and right out of the gate there were some interesting problems. The cast and crew for the film were sent down to the location along the Atlantic coast on a steamer that was a German steamer. It was called the Essen, and because World War One was freshly underway, this raised some concern. They also were not flying a US flag, which apparently was part of the problem. The British Navy stopped them, and things got more tricky because Theda's co star, Edward jose answered questions that had been posed to him in German by also speaking German. He was fluent and that was just the natural way to do it. But this made the British utterly convinced that they had trapped a boatful, perhaps of spies or other operatives, and it took a lot of frantic explaining and finally a cable from the studio to get things smoothed over just so they could get to the shooting location. Even once they were on location and filming started, none of this project was the glamorous scenario that Theda had envisioned. There was a huge crowd of onlookers that had come to see a movie being made the pier where she shot her first scene. The early makeup for film was not something that looked good in real life, so she felt like she was being gawked at while also not feeling pretty at all. The whole thing was harrowing. Barra later said of the moment, quote, the whole world seemed to have turned into human eyes. I trembled, I shook, I all but died right there on the dock. She also had to wear a bathing suit in the film, and she was so mortified by that that she almost quit.
She didn't need to be worried, though.
Even though she wore this bathing suit for the shot, there were objections from the censors and that led to that scene being cut out. Yeah, that was a time where there were places you could still get arrested for wearing a bathing suit because it was seen as obscene. The entire transition into film acting was really incredibly stressful for Theda. She did not get to rehearse, and a lot of the earliest scenes she shot are kind of extra pantomimey because of course these are all silent. You can watch the film online easily enough and see for yourself. Even after filming, there was more work and more than Theda Bara had expected. As the film was being edited, Edward Jose got in a contract dispute with Fox, and he left the studio and refused to do any promotion For a fool there was so suddenly this total newcomer was the only person they had to promote the film as one of its leads. The studio had already been working on ways to turn Theda into a sensation, but.
Now all the eggs had to be in one.
Basket, So the studio created a whole biography of her. Uh. They had actually been working on it while filming was going on, and the story they ended up with was a doozy and it was completely captivating to kind of everyone but for various reasons. But they also didn't know if this was gonna work. At first. This was such an outlandish tape and it was so overboard in so many ways as you were going to see because we'll walk you through it, that there was concern that no one would buy it. It was just too sensational. So the PR department put together a press conference that was really a big stunt. So the framing of this bogus event was that it was for the first run of press before the premiere of a fool there was the studio is going to have an event in Chicago and invite a select group of reporters. The team turned a hotel meeting room into an Egyptian fantasy just to set the stage for the introduction of Theta.
Bara to the world.
Al Sellig and John Goldfrapp worked for the studio as its public relations team, and while mingling with the assembled reporters, they talked about how Borrow was the toast of Paris and what a fine she was, and how excited they were to be debuting her talent in the US. Again, she had never even been to Paris. According to their story, which was presented to members of the press before the introduction of Fox's new thrilling talent, her mother was a French actress named Theta Delize, and her father, Giuseppe Bara, was a sculptor from Italy. To give Theodosia's new persona an entirely new level of exoticism, she was born quote in the shadow of the Pyramids, This happened after her mother had met her father while touring in Egypt. Even the fake parent meet cute was sort of needlessly, in my opinion, dramatic. According to it, Delize had found the sculptor wandering and lost in the sands of Egypt, disoriented and having abandoned everything he had as he wandered the desert. Giuseppe was saved by Delze, and they fell in love, and they lived in a tent near the Sphinx.
So if this sounds.
Ridiculous, brace yourselves, because this story went even further. There was a foolish account of Theda's early life in the desert, with dialogue written as though it had been captured by the actor. Wistfully remembering her childhood, describing their tent home as quote like the garden of Eden, she described how her mother had taught her about acting, while her father had educated her in art, and after describing this early, totally fictional homeschooling, she would end with quote and through the instruction of both, I learned the symphony of the soul. When Theda was still a child. According to this story, her parents moved from Egypt to Paris, and just for clarity, This is not her saying these things. These are press people claiming these quotes were from her. It was all very ridiculous. According to the studio story, Bara performed with all of the noteworthy theatrical companies of Paris, including with actor Jane Hadding at the Grand Guignot, which we have an entire episode on the gymnase and the te Flenttoine Cellig and Goldfrap just gushed to the attending members of the press that Theda had this massive following in Paris and that she had been discovered there by Frank Powell. Since this press event took place in January of nineteen fifteen, it offered the Fox pr team an opportunity to use the events of World War One to further elaborate on Bara's arrival in the United States. When Germany had declared war on Russia, France, and Belgium in August of nineteen fourteen, Powell had quickly moved to escape Paris, and he took this newly discovered talent with him. After all of this incredibly thrilling exposition to explain to reporters just who exactly they were about to meet this velvet curtain was opened, and there sat the enthralling Theda Bara, making her debut to the world. She was seated on a chaise lounge that was covered in tiger skins, and her incredibly pale skin and jet black hair made her look like she came from another country or culture, but also a little bit otherworldly in a more mystical sense, right in line with this vampiric character she was playing. In a fool there was. Although this was a presser, there was no Q and a session. Theda Bara gave a series of statements for reporters to quote, and these statements were very, very well worded, more than one might anticipate from an actor who had only just moved to the United States and supposedly didn't grow up speaking English. That did not seem to trouble the attendees, though Theda said things like, quote, I hope I have succeeded in depicting the complex emotions of this woman as vividly as they have appealed to me.
Ah.
But there was this whole double angle being played by Sellig and Goldfrap in all of this. Once Theda had given all of these statements, the press conference ended and the room was cleared. However, one carefully selected reporter was allowed to stay like just under the guise of like, they didn't rush her out, and that was Luella Parsons, who, of course would go on to become a very famous Hollywood gossip columnist. But that day, when she was still a CUB reporter, they kind of picked her because she was green, and she got to witness Theda Bara whipping off all of the heavy velvets and furs and veils that she had been wearing as part of this act and running to a window to throw it open, and dropping the accent she had been using throughout the presser as she groaned.
Give me air.
This is a genius move on the part of Box's pr team. Seleig and Goldfrap knew that a lot of the old school reporters in the room would never buy this whole yarn they had spun regarding Bara's backstory. Some reporters even recognized her as Theodosia to cop it from her days in the theater. But simultaneously ensuring that world would get out that this was all an act, they kept Theda's name in the papers. Some papers ran straight stories that relayed the outlandish details they'd been told that day as though they were fact, while others mocked the papers that did that, and yet others wrote pieces pondering what the truth really was. So she became a celebrity before anyone even saw her film. So smart, So manipulative, but so smart. As an aside, this type of revising and rewriting of a person's life to create essentially a new character that they played as their public persona was actually pretty common. It was a very successful way to drum up public interest in stars and consequently to drive box office numbers up. But it was also done obviously with zero consideration or awareness of things like cultural appropriation. We mentioned earlier that this was really a play on like this penchant for exoticism that people had, where they really were not thinking about cultures as anything but kind of things they could pick and choose from as of interest. And just as Theda Bara was allegedly a blend of French and Arab characteristics as plucked not from reality but from the imaginations of studio executives, a lot of other actors had that same transformation. For example, Josephine M. Workman, a young woman from California, was re christened as Princess Mona Darkfeather by Bison Motion Pictures. While Workman's paternal grandmother was Taus Pueblo, it does not appear that any real cultural connection was ever integrated into that fictional persona of Dark Feather, Although Workman became the go to choice when a film needed to fill Native American roles for women. This is just one example, but there are so many similar stories in early film history. So while Theda Bara was one of the biggest stars to have such a transformation, she was really not an outlier in the least. The title card for Bara's debut film reads, William Fox presents a fo There was a psychological drama by Porter Emerson Brown. And then the next card features a poem that reads, a fool there was, and he made his prayer even as you and I to a rag and a bone and a hank of hair. We called her the woman who did not care, but the fool. He called her his lady fair, even as you and I. So though the author is not mentioned, that poem is the opening of a piece also called The Vampire, which was written by Rudyard Kipling. It was quite famous at the time, and that poem was written to a company a painting that had been made by Kipling's cousin, Philip Burne Jones, which was also called The Vampire. The painting, which was inspired by bram Stoker's Dracula, shows a dark haired woman sitting on the edge of a bed, leaning over a man who appears unconscious with his limbs splayed out, and that painting led to the poem, and then led to a play and a book by Porter Emerson Brown, and then to the screenplay, and the cast is introduced one by one in the opening credits at a pace that most modern viewers would find almost confusingly slow. I know, I've watched a couple of very old films lately where I've been like, man, this is taking so long. Yes, it's like, uh, they introduced the fool in Jose's character, and then it's like a full minute and a half of like his character like on a boat waving. Yeah, seems a little a little pokey by our usual editing today.
Yeah.
So miss Theda Bara is introduced as the vampire in her first shot, the one that was so challenging for her to film. She's wearing a striking outfit consisting of a black blouse and a dramatic striped skirt and an angled hat. She's paler than anyone else in the film. But though her character is called the Vampire, and based on that description that Tracy just gave, it might seem that she was being portrayed as an actual vampire. And though her victim goes just as mad as Renfield, this is not an actual vampire tale. Rather, it is the story of a woman who is so powerfully attractive and so void of compassion or morality that she drains men dry before moving on to the next To illustrate just how cold her character is, in one scene, a former lover she has recently left shows up where she is and dies by suicide in front of her. That actual death is not shown on screen. The film cuts abruptly, and then it's followed by a scene where two men are discussing how the woman laughed demonically when this young man took his life. The main plot of the film features a character who's a lawyer and a diplomat who has known both as the Fool and by his character's name John Skuyler, who's a good family man until he's lured away by the vampire, who steals him from his family in a calculated scheme. Skyler has chosen to be envoy to Great Britain, and his wife was set to go with him until her sister became ill in an accident, so this successful man was now traveling alone. When the vampire reads at this important trip being undertaken by an important man, she arranges to sail on the same ship, and that's where she draws him in. So the audience doesn't actually see anything especially sexual here, although for a time there's some flirting that was probably borderline scandalous at the time. Instead, after the two of them meet, the film jumps forward two months in time to see them living as a couple in Europe, and the plot plays out from there, with Skuyler's dutiful wife learning of this affair and Skyler very visibly losing his vitality and losing everything in his life, his job, his family, et cetera. Unable to tear himself away from the vampire, is shown drinking more and more heavily until he is barely recognizable as the man from the beginning of the sixty five minute picture. Theda is cool and glamorous throughout the picture, even as she does progressively uglier and uglier things. And her large eyes were rimmed with a halo of coal. And this was a look that became her trademarks throughout her career. And for all of this she was dressed exquisitely. We'll talk about the public and critical reception to the film and Theda after we hear from the sponsors that keeps stuffy missed in history class going when a Fool There was was released. Audiences loved Theda Bara. She intrigued them, she scared them, She enthralled them. It seems just as her character, the vampire had enthralled John Schuyler and critics were also very enthusiastic about this newcomer. The film was called bold and relentless by the New York Dramatic Mirror, and The New York Morning Telegraph wrote of Theda Bara that she had created quote the most revolting but fascinating character that has appeared upon the screen for some time. Another paper touted, ahead of its run of the film, quote it is said that her seductive beauty gives to the role a realism that is powerful to the extreme. She already had a degree of celebrity in the weeks leading up to the film's release, but once it was out, she was undeniably famous. The film also saved Fox Film Studio, which went from hosting a debt at the end of fiscal year nineteen fourteen to making several million dollars in nineteen fifteen and then clearing the year with more than half a million after expenses. Not everyone, we should point out, loved this new style of screen star, and there were definitely some complaints to the National Board of Censorship about this powerful woman who was using sexual as a weapon. There were also complaints about some of her very revealing costumes and subsequent pictures. That's something that seems a little bit funny, given how trepidacious she was to wear a bathing suit in her first film. If you go looking for photos of her online, there are some that are incredibly revealing. And then there were also people who just could not really separate film from reality and believed she was actually a professional home wrecker that had just been using her natural abilities to be caught on film, rather than being a very good actress, and after she received a letter to that effect from one viewer, she wrote back that if she were that type of woman, she would not have to work as an actor. She also told the press quote, the vampire that I play is the vengeance of my sex upon its exploiters. You see, I have the face of the vampire, but the heart of a feminist. Theta starred in forty films over the next four years, which is incredible to me. This included Salome, Cleopatra, Sin, the Serpent, and Destruction, among many others. Her specialty became the so called vamp role, which was a woman who would lead men to their ruin. That's still how the word is used today, and it was really Theda Bara who gave rise to that use. The first known use of a noun describing such a woman was in nineteen eighties, so that just was right in line with Barra's career. The pr team at Fox continued to feed stories about her to the press to maintain the mystique of the character of Theda Bara. For example, they planted a story that her name was an anagram for the words Arab death. This kind of sensationalism sometimes clashed with her real life, which was actually quite stable and pretty conventional. As her fortunes had improved, her brother Mark moved to New York to live with Theda Louri and their mother, Pauline. Their father, Bernard, stayed behind in Cincinnati to keep the tailor business going. But the problem here was that the studio couldn't have pressed to any interviews at Theda's apartment. It was not nearly dramatic enough. No one, they thought, wanted to see the devil woman of the screen surrounded by her loving, close knit family in a tastefully decorated apartment in Los Angeles. Though the studio arrived for her to have a house on West Adams Boulevard, which was decorated in a style to match her concocted persona. She allegedly hated that house and sold it as soon as she could. Yeah, she was no fool, though, and she played the part when she gave interviews. When a reporter visited the set of Carmen during filming, Bara allegedly went full bore in a scene that involved a fight with another actress, causing a nurse to have to attend to the co star it's not clear if this conflict was staged.
For the press.
The reporter asked questions about Barra's past, and the actor replied, quote, I live under the shadow of a tragedy.
I want to.
Forget it, and I want the world I once knew to forget it. That is the reason I wished Theodebara to be unknown save for her pictures. Having learned Every Chicken the Book from Fox pr she told the same reporter, quote, it is predicted I shall die in nineteen twenty two. She's very good at doing her her public persona. She did not die in nineteen twenty two, but in nineteen nineteen her contract with Fox ended, and the mid rumors that negotiations were going quite poorly. The decision was made that it would not be renewed. You will see that reported as her decision or their decision, probably both. She did take a role in a stage play in nineteen twenty called The Blue Flame, which opened on Broadway in March of that year, but that play was very, very hokey, and it had flopped. Reviews of her performance were brutal. Critic Lewis Reid wrote that her performance was quote not really worth fifteen minutes of time and said the play was quote the most terrible play within the memory of the writer. This play was not a comedy, but people started going just to laugh at it, which felt terrible for everyone involved. Theda never managed to have the theatrical career that she had always dreamed of. In nineteen twenty one, Theda married English director Charles Braven in secret. They did not even publicly acknowledge the marriage for months. They went to Canada for their honeymoon, they fell in love with Nova Scotia, and later on they bought land there. Theta had been in the middle of a vaudeville tour when the two of them snuck away for the wedding, and then she did not sign up for another one. Charles and Theta did not always mesh when it came to their careers. Charles did not think that Theda should keep working, and he also hated attending public events with her. But they did seem to have a pretty good understanding of one another, and they respected one another's needs in their established careers. Often they would spend weeks at a time apart as one or the other raveled or worked, and then they would come back together and live quite happily, and that was a system that seemed to work really, really well for their dynamic. After the honeymoon, Thedo was ready to get back to work, but she had a hard time finding roles without a studio contract, and with the heyday of her Vamp persona having passed in favor of more conventional screen stars, Mara just couldn't get a gig. Finally, after several false starts on other projects, she made The Unchastened Woman in nineteen twenty five, but the comedy drama about married life didn't do very well. In nineteen twenty six, Thea made her last film, which was Matdam Mystery. This was a short directed by Richard Wallace and Stan Laurel. Thedo was actually quite good at comedy, it turned out, and producer Hal Roach wanted her for more in a series, but Charles didn't like the to doing these films and she didn't like it when she saw it, So that was that. With the contract canceled, Thedo was officially retired from acting, although she did a couple of radio plays in the nineteen thirties. You can still find Madame Mystery to watch online and see for yourself. She's got pretty good comedic timing. It's kind of a pity to me that she didn't like it, because I can only assume after having done a bunch of dramatic stuff, it just didn't feel right for her to see herself doing silly things.
But she's quite good.
You can also find a fool there was online easy to watch. However, beyond that, you're going to run into some problems because most of her films are lost. That's due to a fire at the Fox Film Vault in nineteen thirty seven. Compared to most celebrities of her time, Theda's private life was pretty uneventful. She never had any affair scandals, never any public mishaps where she drank too much and did something embarrassing.
She didn't blow all over fortune.
She was financially stable her entire life after her fame sort of tapered out. She seemed to love her husband, and they seemed genuinely pretty happy together, even though others found their periods of separation unconventional. After her retirement, she did as she pleased. She traveled sometimes with Charles, sometimes with her mother and her siblings. Yeah, there's not a lot of info about her retirement life because she was just kind of chill. And then she passed on April seventh, nineteen fifty five. She died of stomach cancer. Charles died two years later. To sum up the incredibly powerful allure of Theda Bara and nod to how much of it really was just great acting skill, Holly wanted to close with a quote from Luella Parsons, which she wrote in late nineteen fifteen, when Theda's fame was really cemented. Her hair is like the serpent's locks of Medusa. Her eyes have the cruel cunning of Lucrezia Borgia, till now held up as the world's wickedest woman. Her mouth is the mouth of the sinister, scheming Delilah, and her hands are those of the blood bathing Elizabeth Bathory, who slaughtered young girls that she might bathe in them the lifeblood and so retain her beauty. Can it be that fate has reincarnated in Theda Bara the souls of these monsters of medieval times? Scientists have questioned this most extraordinary of women to secure fresh evidence to support their half proved laws of transmigration of souls but the result has only been to prove that though Miss Barrah is greatest delineator of evil types on the stage or screen today, she is in real life a sweet, wholesome woman who detests the abnormal. I love that quote so much. When I stumbled across it, I was like, There's no way this isn't how this episode lands. It's a great way to sum up exactly what was going on there because people did call her the wickedest woman alive, and the studio, of course, wanted to keep all of that going. She's a fun one. Thanks so much for joining us on this Saturday. Since this episode is out of the archive, if you heard an email address or a Facebook RL or something similar over the course of the show, that could be obsolete now. Our current email address is History Podcast at iHeartRadio dot com. You can find us all over social media at missed Inhistory, and you can subscribe to our show on Apple podcasts, Google podcasts, the iHeartRadio app, and wherever else you listen to podcasts. Stuff you Missed in History Class is a production of iHeartRadio. For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple podcasts, or wherever you listen to your favorite shows
