This 2017 episode covers an American sculptor who was a celebrated artist in her day, but receded from the spotlight; her final years remained a mystery for quite some time. Her marble works are striking examples of the neoclassical style popular at the end of the 19th century.

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This 2017 episode covers an American sculptor who was a celebrated artist in her day, but receded from the spotlight; her final years remained a mystery for quite some time. Her marble works are striking examples of the neoclassical style popular at the end of the 19th century. Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a>

Join Holly and Tracy as they bring you the greatest and strangest Stuff You Missed In History Class in this podcast by iHeartRadio.

Stuff You Missed in History Class

SYMHC Classics: Edmonia Lewis

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/8271ba0f-6054-41b7-8d5c-ae4800ea15f2/transcript

This 2022 episode covers Lucy Hobbs, later Lucy Hobbs Taylor, who pursued a career in dentistry before that was recognized as an acceptable vocation for a woman.

This 2022 episode covers Lucy Hobbs, later Lucy Hobbs Taylor, who pursued a career in dentistry before that was recognized as an acceptable vocation for a woman.

SYMHC Classics: Dr. Lucy Hobbs Taylor

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/d3b688e0-95aa-4220-9df1-b40b0021f638/transcript

Tracy talks about the mixed bag nature of Elizabeth Bisland, and the hosts talk about their own travel experiences. Holly shares the less-than-noble character trait that she shares with Flaubert.

Tracy talks about the mixed bag nature of Elizabeth Bisland, and the hosts talk about their own travel experiences. Holly shares the less-than-noble character trait that she shares with Flaubert.

Behind the Scenes Minis: Carry-on Bags

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/5ae870d8-f44d-465d-b84d-b40a015399e9/transcript

When Madame Bovary was written in the 1850s, it fell under the accusing eye of the French government for its perceived immorality. Flaubert recognized that the trial would only stoke interest, and that it would set the tone for his career.

Research:
Barzun, Jacques. “Gustave Flaubert.” Encylopedia Brittanica. https://www.britannica.com/biography/Gustave-Flaubert
Blakemore, Erin. “What Madame Bovary Revealed About the Freedom of the Press.” JSTOR Daily. Dec. 16, 2016. https://daily.jstor.org/what-madame-bovary-revealed-about-the-freedom-of-the-press/
Brown, Frederick. “Flaubert: A Biography.” Harvard University Press. 2007.
CREASY, MATTHEW. “INVERTED VOLUMES AND FANTASTIC LIBRARIES: ‘ULYSSES’ AND ‘BOUVARD ET PÉCUCHET.’” European Joyce Studies, vol. 19, 2011, pp. 112–27. JSTOR, http://www.jstor.org/stable/44871308
Flaubert, Gustave, and Christopher Moncrieff, tr. “Madame Bovary: Newly Translated and Annotated.” Alma Classics. 2010.
Haynes, Christine. “The Politics of Publishing During The Second Empire: The Trial of Madame Bovary Revisited.” French Politics, Culture & Society. Oxford Journals. June 1, 2005. https://doi.org/10.3167/153763705780980083
LaCapra, Dominick. “Madame Bovary on Trial.” Cornell University Press. 1982.
“The Public vs. M. Gustave Flaubert.” Project Gutenberg. https://www.gutenberg.org/cache/epub/10666/pg10666.txt
Steegmuller, Francis. “Flaubert and Madame Bovary: A Double Portrait.” New York Review of Books. 1966.
Steegmuller, Francis. “The Letters of Gustave Flaubert.” New York Review of Books. 1980.
Thurman, Judith. “A Unsimple Heart.” The New Yorker. April 29, 2002. https://www.newyorker.com/magazine/2002/05/06/an-unsimple-heart?_sp=0c026da2-f3c5-4709-9ac8-8214e0cc3278.1772403467294

 

 

When Madame Bovary was written in the 1850s, it fell under the accusing eye of the French government for its perceived immorality. Flaubert recognized that the trial would only stoke interest, and that it would set the tone for his career.
Research:
<ul>
<li>Barzun, Jacques. &ldquo;Gustave Flaubert.&rdquo; Encylopedia Brittanica. https://www.britannica.com/biography/Gustave-Flaubert</li>
<li>Blakemore, Erin. &ldquo;What Madame Bovary Revealed About the Freedom of the Press.&rdquo; JSTOR Daily. Dec. 16, 2016. https://daily.jstor.org/what-madame-bovary-revealed-about-the-freedom-of-the-press/</li>
<li>Brown, Frederick. &ldquo;Flaubert: A Biography.&rdquo; Harvard University Press. 2007.</li>
<li>CREASY, MATTHEW. &ldquo;INVERTED VOLUMES AND FANTASTIC LIBRARIES: &lsquo;ULYSSES&rsquo; AND &lsquo;BOUVARD ET P&Eacute;CUCHET.&rsquo;&rdquo;&nbsp;European Joyce Studies, vol. 19, 2011, pp. 112&ndash;27.&nbsp;JSTOR, http://www.jstor.org/stable/44871308</li>
<li>Flaubert, Gustave, and Christopher Moncrieff, tr. &ldquo;Madame Bovary: Newly Translated and Annotated.&rdquo; Alma Classics. 2010.</li>
<li>Haynes, Christine. &ldquo;The Politics of Publishing During The Second Empire: The Trial of Madame Bovary Revisited.&rdquo; French Politics, Culture &amp; Society. Oxford Journals. June 1, 2005. https://doi.org/10.3167/153763705780980083</li>
<li>LaCapra, Dominick. &ldquo;Madame Bovary on Trial.&rdquo; Cornell University Press. 1982.</li>
<li>&ldquo;The Public vs. M. Gustave Flaubert.&rdquo; Project Gutenberg. https://www.gutenberg.org/cache/epub/10666/pg10666.txt</li>
<li>Steegmuller, Francis. &ldquo;Flaubert and Madame Bovary: A Double Portrait.&rdquo; New York Review of Books. 1966.</li>
<li>Steegmuller, Francis. &ldquo;The Letters of Gustave Flaubert.&rdquo; New York Review of Books. 1980.</li>
<li>Thurman, Judith. &ldquo;A Unsimple Heart.&rdquo; The New Yorker. April 29, 2002. https://www.newyorker.com/magazine/2002/05/06/an-unsimple-heart?_sp=0c026da2-f3c5-4709-9ac8-8214e0cc3278.1772403467294</li>
</ul>
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When Madame Bovary was written in the 1850s, it fell under the accusing eye of the French government for its perceived immorality. Flaubert recognized that the trial would only stoke interest, and that it would set the tone for his career.

Gustave Flaubert and the ‘Madame Bovary’ Trial

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/63ede398-b685-47c9-ba52-b4090162768a/transcript

SYMHC Classics: Edmonia Lewis

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