Faliero was the 55th Doge of Venice, a man who was, at least for a time, well respected. But his legacy is that he was the only doge decapitated for treason.  

Research: 
"Marino Faliero." Encyclopedia of World Biography Online, vol. 34, Gale, 2014. Gale In Context: U.S. History, link.gale.com/apps/doc/K1631010079/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=796d4353. Accessed 31 May 2022.
Cavendish, Richard. "Execution of Marin Falier, doge of Venice: April 18th, 1355." History Today, vol. 55, no. 4, Apr. 2005, p. 53. Gale In Context: U.S. History, link.gale.com/apps/doc/A131363600/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=4773db7e. Accessed 31 May 2022.
Ruggiero, Guido. "Venice." Dictionary of the Middle Ages, edited by Joseph R. Strayer, Charles Scribner's Sons, 1989. Gale In Context: World History, link.gale.com/apps/doc/BT2353203009/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=62ef4af1. Accessed 31 May 2022.
Gardner, John. "Hobhouse, Cato Street and Marino Faliero." Byron Journal, vol. 30, no. 1, annual 2002, pp. 23+. Gale Academic OneFile, link.gale.com/apps/doc/A299760811/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=b49771eb. Accessed 31 May 2022.
Marijke Jonker, “‘Crowned, and Discrowned and Decapitated’: Delacroix’s The Execution of the Doge Marino Faliero and its Critics,” Nineteenth-Century Art Worldwide 9, no. 2 (Autumn 2010), http://www.19thc-artworldwide.org/autumn10/delacroixs-execution-of-the-doge-marino-faliero-and-its-critics (accessed June 2, 2022).
Byron, George Gordon. “Marino Faliero, Doge of Venice : an historical tragedy, in five acts : with notes ; The prophecy of Dante : a poem.” London. 1821. https://archive.org/details/marinofalierodog01byro
Richardson, Jerusha D. and Mrs. Aubrey Richardson. “The Doges of Venice.” London, 1914. https://archive.org/details/cu31924030932812/
Robey, Tracy E. “"Damnatio memoriae": The Rebirth of Condemnation of Memory in Renaissance Florence.” Renaissance and Reformation. Vol. 36, No.3.  Via JSTOR. https://www.jstor.org/stable/43446248
Strathern, Paul. “The Spirit of Venice: From Marco Polo to Casanova.” London. Jonathan Cape. 2012.

Faliero was the 55th Doge of Venice, a man who was, at least for a time, well respected. But his legacy is that he was the only doge decapitated for treason. &nbsp;
Research:&nbsp;
<ul>
<li>"Marino Faliero." Encyclopedia of World Biography Online, vol. 34, Gale, 2014. Gale In Context: U.S. History, link.gale.com/apps/doc/K1631010079/GPS?u=mlin_n_melpub&amp;sid=bookmark-GPS&amp;xid=796d4353. Accessed 31 May 2022.</li>
<li>Cavendish, Richard. "Execution of Marin Falier, doge of Venice: April 18th, 1355." History Today, vol. 55, no. 4, Apr. 2005, p. 53. Gale In Context: U.S. History, link.gale.com/apps/doc/A131363600/GPS?u=mlin_n_melpub&amp;sid=bookmark-GPS&amp;xid=4773db7e. Accessed 31 May 2022.</li>
<li>Ruggiero, Guido. "Venice." Dictionary of the Middle Ages, edited by Joseph R. Strayer, Charles Scribner's Sons, 1989. Gale In Context: World History, link.gale.com/apps/doc/BT2353203009/GPS?u=mlin_n_melpub&amp;sid=bookmark-GPS&amp;xid=62ef4af1. Accessed 31 May 2022.</li>
<li>Gardner, John. "Hobhouse, Cato Street and Marino Faliero." Byron Journal, vol. 30, no. 1, annual 2002, pp. 23+. Gale Academic OneFile, link.gale.com/apps/doc/A299760811/GPS?u=mlin_n_melpub&amp;sid=bookmark-GPS&amp;xid=b49771eb. Accessed 31 May 2022.</li>
<li>Marijke Jonker, &ldquo;&lsquo;Crowned, and Discrowned and Decapitated&rsquo;: Delacroix&rsquo;s The Execution of the Doge Marino Faliero and its Critics,&rdquo; Nineteenth-Century Art Worldwide 9, no. 2 (Autumn 2010), http://www.19thc-artworldwide.org/autumn10/delacroixs-execution-of-the-doge-marino-faliero-and-its-critics (accessed June 2, 2022).</li>
<li>Byron, George Gordon. &ldquo;Marino Faliero, Doge of Venice : an historical tragedy, in five acts : with notes ; The prophecy of Dante : a poem.&rdquo; London. 1821. https://archive.org/details/marinofalierodog01byro</li>
<li>Richardson, Jerusha D. and Mrs. Aubrey Richardson. &ldquo;The Doges of Venice.&rdquo; London, 1914. https://archive.org/details/cu31924030932812/</li>
<li>Robey, Tracy E. &ldquo;"Damnatio memoriae": The Rebirth of Condemnation of Memory in Renaissance Florence.&rdquo; Renaissance and Reformation. Vol. 36, No.3.&nbsp; Via JSTOR. https://www.jstor.org/stable/43446248</li>
<li>Strathern, Paul. &ldquo;The Spirit of Venice: From Marco Polo to Casanova.&rdquo; London. Jonathan Cape. 2012.</li>
</ul>

Join Holly and Tracy as they bring you the greatest and strangest Stuff You Missed In History Class in this podcast by iHeartRadio.

Stuff You Missed in History Class

Faliero was the 55th Doge of Venice, a man who was, at least for a time, well respected. But his legacy is that he was the only doge decapitated for treason.

Marino Faliero, the Beheaded Doge

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/04b6a6f0-4906-4fa3-aae1-aeb3000afa14/transcript

Holly shares a quote from Daniela Lippi about the importance of ongoing learning in the restoration profession. There is then discussion of the nerve-racking construction of Disneyland.

Holly shares a quote from Daniela Lippi about the importance of ongoing learning in the restoration profession. There is then discussion of the nerve-racking construction of Disneyland.

Behind the Scenes Minis: Art and Theme Parks

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/892e9d9a-7e81-41fb-888a-b4520037f49d/transcript

Disneyland's opening seemed like an impossibility throughout the construction process. Holly interviews filmmaker Leslie Iwerks about her new film "Disneyland Handcrafted," which shares the journey from an empty dirt lot to the theme park we know today.

Disneyland's opening seemed like an impossibility throughout the construction process. Holly interviews filmmaker Leslie Iwerks about her new film "Disneyland Handcrafted," which shares the journey from an empty dirt lot to the theme park we know today.

Interview: Leslie Iwerks 

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/b9a0b6d5-dd93-4c1b-bf24-b4500023497d/transcript

In 1993, the Uffizi Gallery in Florence, Italy was damaged by a car bomb. But this story starts in the 16th century with painter Bartolomeo Manfredi, and reaches all the way to the 2000s with an extraordinary restoration project.

Research:
“600 fragments and one photograph. The restoration of Bartolomeo Manfredi’s “Card Players.” Scala Archives. May 23, 2023. https://scalarchives.com/600-fragments-and-one-photograph-the-restoration-of-bartolomeo-manfredis-card-players/#:~:text=The%20Georgofili%20bombing%20also%20left,to%20have%20been%20destroyed%20forever.
Clough, Patricia. “Blast Tears Apart 400 Years of Italy’s Heritage.” The Independent. May 28, 1993. https://www.newspapers.com/image/718976357/?match=1&terms=uffizi
Cowell, Alan. “Italians Try to Place Blame For Bomb Damage at Uffizi.” New York Times. May 29, 1993. https://www.nytimes.com/1993/05/29/world/italians-try-to-place-blame-for-bomb-damage-at-uffizi.html
“Cupid Chastised.” Art Institute of Chicago. https://www.artic.edu/artworks/59847/cupid-chastised
“Documentation of the damage from the 1993 bombing in Via dei Georgofili.” Uffizi Galleries. https://www.uffizi.it/en/artworks/documentation-damage-1993-bombing-georgofili
Folkestad, William B. and Mark Miller. “Bomb Damages the Uffizi Gallery.” EBSCO. 2023. https://www.ebsco.com/research-starters/law/bomb-damages-uffizi-gallery
Follain, John. “Push Comes to Shove at Italy’s Uffizi.” Miami Herald. March 21, 1993. https://www.newspapers.com/image/637973344/?match=1&terms=uffizi
Gage, Frances. “Caravaggio’s Rumore: Fact, Fiction and Authority in Giovanni Baglione’s Lives of the Painters, Sculptors and Architects.” Past & Present. Volume 257, Issue Supplement_16, November 2022, Pages 111–140. https://doi.org/10.1093/pastj/gtac031
“History of the Uffizi Gallery.” https://www.visituffizi.org/museum/history/
Kimmelman, Michael. “Bombed Uffizi Begins Recovery.” Berkshire Eagle. June 20, 1993. https://www.newspapers.com/image/533051992/?match=1&terms=uffizi
Moir, Alfred. “An Examination of Bartolomeo Manfredi's ‘Cupid Chastised.’” Art Institute of Chicago Museum Studies , Spring, 1985, Vol. 11, No. 2 (Spring, 1985), pp. 156-167. https://www.jstor.org/stable/4108732
Morselli, Raffaella. “Bartolomeo Manfredi and Pomarancio: Some New Documents.” The Burlington Magazine, Vol. 129, No. 1015 (Oct., 1987), pp. 666-668. https://www.jstor.org/stable/883135
Nicolson, Benedict. “Caravaggesques in Florence.” The Burlington Magazine. Sep., 1970, Vol. 112, No. 810 (Sep., 1970), pp. 636+639- 641. https://www.jstor.org/stable/876434
Pianigiani, Gaia. “Florence’s Answer to Mafia Violence: A Painting’s Loving Restoration.” New York Times. May 25, 2018. https://www.nytimes.com/2018/05/25/world/europe/uffizi-florence-mafia-card-player.html
Robb, Peter. “M: The Man Who Became Caravaggio.” Henry Holt and Co. 2015.
“Uffizi: on display two masterpieces damaged by the 1993 Georgofili mafia attack.” Uffizi Galleries. https://www.uffizi.it/en/events/georgofili-commemoration-2024
Wakin, Daniel J. “Prosecutor Joins Italy Bomb Probe.” Florence Morning News. May 16, 1993. https://www.newspapers.com/image/985131856/?match=1&terms=%22Maurizio%20Costanzo%22
“World: Europe Mafia bosses jailed for life.” BBC. June 6, 1998. http://news.bbc.co.uk/2/hi/europe/108127.stm

In 1993, the Uffizi Gallery in Florence, Italy was damaged by a car bomb. But this story starts in the 16th century with painter Bartolomeo Manfredi, and reaches all the way to the 2000s with an extraordinary restoration project.
Research:
<ul>
<li>&ldquo;600 fragments and one photograph. The restoration of Bartolomeo Manfredi&rsquo;s &ldquo;Card Players.&rdquo; Scala Archives. May 23, 2023. https://scalarchives.com/600-fragments-and-one-photograph-the-restoration-of-bartolomeo-manfredis-card-players/#:~:text=The%20Georgofili%20bombing%20also%20left,to%20have%20been%20destroyed%20forever.</li>
<li>Clough, Patricia. &ldquo;Blast Tears Apart 400 Years of Italy&rsquo;s Heritage.&rdquo; The Independent. May 28, 1993. https://www.newspapers.com/image/718976357/?match=1&amp;terms=uffizi</li>
<li>Cowell, Alan. &ldquo;Italians Try to Place Blame For Bomb Damage at Uffizi.&rdquo; New York Times. May 29, 1993. https://www.nytimes.com/1993/05/29/world/italians-try-to-place-blame-for-bomb-damage-at-uffizi.html</li>
<li>&ldquo;Cupid Chastised.&rdquo; Art Institute of Chicago. https://www.artic.edu/artworks/59847/cupid-chastised</li>
<li>&ldquo;Documentation of the damage from the 1993 bombing in Via dei Georgofili.&rdquo; Uffizi Galleries. https://www.uffizi.it/en/artworks/documentation-damage-1993-bombing-georgofili</li>
<li>Folkestad, William B. and Mark Miller. &ldquo;Bomb Damages the Uffizi Gallery.&rdquo; EBSCO. 2023. https://www.ebsco.com/research-starters/law/bomb-damages-uffizi-gallery</li>
<li>Follain, John. &ldquo;Push Comes to Shove at Italy&rsquo;s Uffizi.&rdquo; Miami Herald. March 21, 1993. https://www.newspapers.com/image/637973344/?match=1&amp;terms=uffizi</li>
<li>Gage, Frances. &ldquo;Caravaggio&rsquo;s&nbsp;Rumore: Fact, Fiction and Authority in Giovanni Baglione&rsquo;s&nbsp;Lives of the Painters, Sculptors and Architects.&rdquo;&nbsp;Past &amp; Present. Volume 257, Issue Supplement_16, November 2022, Pages 111&ndash;140.&nbsp;https://doi.org/10.1093/pastj/gtac031</li>
<li>&ldquo;History of the Uffizi Gallery.&rdquo; https://www.visituffizi.org/museum/history/</li>
<li>Kimmelman, Michael. &ldquo;Bombed Uffizi Begins Recovery.&rdquo; Berkshire Eagle. June 20, 1993. https://www.newspapers.com/image/533051992/?match=1&amp;terms=uffizi</li>
<li>Moir, Alfred. &ldquo;An Examination of Bartolomeo Manfredi's &lsquo;Cupid Chastised.&rsquo;&rdquo; Art Institute of Chicago Museum Studies , Spring, 1985, Vol. 11, No. 2 (Spring, 1985), pp. 156-167. https://www.jstor.org/stable/4108732</li>
<li>Morselli, Raffaella. &ldquo;Bartolomeo Manfredi and Pomarancio: Some New Documents.&rdquo; The Burlington Magazine, Vol. 129, No. 1015 (Oct., 1987), pp. 666-668. https://www.jstor.org/stable/883135</li>
<li>Nicolson, Benedict. &ldquo;Caravaggesques in Florence.&rdquo; The Burlington Magazine. Sep., 1970, Vol. 112, No. 810 (Sep., 1970), pp. 636+639- 641. https://www.jstor.org/stable/876434</li>
<li>Pianigiani, Gaia. &ldquo;Florence&rsquo;s Answer to Mafia Violence: A Painting&rsquo;s Loving Restoration.&rdquo; New York Times. May 25, 2018. https://www.nytimes.com/2018/05/25/world/europe/uffizi-florence-mafia-card-player.html</li>
<li>Robb, Peter. &ldquo;M: The Man Who Became Caravaggio.&rdquo; Henry Holt and Co. 2015.</li>
<li>&ldquo;Uffizi: on display two masterpieces damaged by the 1993 Georgofili mafia attack.&rdquo; Uffizi Galleries. https://www.uffizi.it/en/events/georgofili-commemoration-2024</li>
<li>Wakin, Daniel J. &ldquo;Prosecutor Joins Italy Bomb Probe.&rdquo; Florence Morning News. May 16, 1993. https://www.newspapers.com/image/985131856/?match=1&amp;terms=%22Maurizio%20Costanzo%22</li>
<li>&ldquo;World: Europe Mafia bosses jailed for life.&rdquo; BBC. June 6, 1998. http://news.bbc.co.uk/2/hi/europe/108127.stm</li>
</ul>

In 1993, the Uffizi Gallery in Florence, Italy was damaged by a car bomb. But this story starts in the 16th century with painter Bartolomeo Manfredi, and reaches all the way to the 2000s with an extraordinary restoration project. 

Uffizi: A Painting, A Bombing, A Restoration

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/6a6a3191-6610-4969-a2f7-b44e0061abd9/transcript

Marino Faliero, the Beheaded Doge

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