Once Eugen Weidmann was in police custody, he confessed to Jean's murder as well as several others. As the trial and execution played out, public interest grew to such a frenzied state that authorities immediately reconsidered the practice of performing executions publicly.

Once Eugen Weidmann was in police custody, he confessed to Jean's murder as well as several others. As the trial and execution played out, public interest grew to such a frenzied state that authorities immediately reconsidered the practice of performing executions publicly.

Join Holly and Tracy as they bring you the greatest and strangest Stuff You Missed In History Class in this podcast by iHeartRadio.

Stuff You Missed in History Class

De Koven, Weidmann, and Public Execution in France (Pt. 2)

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/711f84b9-ee5a-479e-8555-ae550150e9cb/transcript

Holly shares a quote from Daniela Lippi about the importance of ongoing learning in the restoration profession. There is then discussion of the nerve-racking construction of Disneyland.

Holly shares a quote from Daniela Lippi about the importance of ongoing learning in the restoration profession. There is then discussion of the nerve-racking construction of Disneyland.

Behind the Scenes Minis: Art and Theme Parks

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/892e9d9a-7e81-41fb-888a-b4520037f49d/transcript

Disneyland's opening seemed like an impossibility throughout the construction process. Holly interviews filmmaker Leslie Iwerks about her new film "Disneyland Handcrafted," which shares the journey from an empty dirt lot to the theme park we know today.

Disneyland's opening seemed like an impossibility throughout the construction process. Holly interviews filmmaker Leslie Iwerks about her new film "Disneyland Handcrafted," which shares the journey from an empty dirt lot to the theme park we know today.

Interview: Leslie Iwerks 

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/b9a0b6d5-dd93-4c1b-bf24-b4500023497d/transcript

In 1993, the Uffizi Gallery in Florence, Italy was damaged by a car bomb. But this story starts in the 16th century with painter Bartolomeo Manfredi, and reaches all the way to the 2000s with an extraordinary restoration project.

Research:
“600 fragments and one photograph. The restoration of Bartolomeo Manfredi’s “Card Players.” Scala Archives. May 23, 2023. https://scalarchives.com/600-fragments-and-one-photograph-the-restoration-of-bartolomeo-manfredis-card-players/#:~:text=The%20Georgofili%20bombing%20also%20left,to%20have%20been%20destroyed%20forever.
Clough, Patricia. “Blast Tears Apart 400 Years of Italy’s Heritage.” The Independent. May 28, 1993. https://www.newspapers.com/image/718976357/?match=1&terms=uffizi
Cowell, Alan. “Italians Try to Place Blame For Bomb Damage at Uffizi.” New York Times. May 29, 1993. https://www.nytimes.com/1993/05/29/world/italians-try-to-place-blame-for-bomb-damage-at-uffizi.html
“Cupid Chastised.” Art Institute of Chicago. https://www.artic.edu/artworks/59847/cupid-chastised
“Documentation of the damage from the 1993 bombing in Via dei Georgofili.” Uffizi Galleries. https://www.uffizi.it/en/artworks/documentation-damage-1993-bombing-georgofili
Folkestad, William B. and Mark Miller. “Bomb Damages the Uffizi Gallery.” EBSCO. 2023. https://www.ebsco.com/research-starters/law/bomb-damages-uffizi-gallery
Follain, John. “Push Comes to Shove at Italy’s Uffizi.” Miami Herald. March 21, 1993. https://www.newspapers.com/image/637973344/?match=1&terms=uffizi
Gage, Frances. “Caravaggio’s Rumore: Fact, Fiction and Authority in Giovanni Baglione’s Lives of the Painters, Sculptors and Architects.” Past & Present. Volume 257, Issue Supplement_16, November 2022, Pages 111–140. https://doi.org/10.1093/pastj/gtac031
“History of the Uffizi Gallery.” https://www.visituffizi.org/museum/history/
Kimmelman, Michael. “Bombed Uffizi Begins Recovery.” Berkshire Eagle. June 20, 1993. https://www.newspapers.com/image/533051992/?match=1&terms=uffizi
Moir, Alfred. “An Examination of Bartolomeo Manfredi's ‘Cupid Chastised.’” Art Institute of Chicago Museum Studies , Spring, 1985, Vol. 11, No. 2 (Spring, 1985), pp. 156-167. https://www.jstor.org/stable/4108732
Morselli, Raffaella. “Bartolomeo Manfredi and Pomarancio: Some New Documents.” The Burlington Magazine, Vol. 129, No. 1015 (Oct., 1987), pp. 666-668. https://www.jstor.org/stable/883135
Nicolson, Benedict. “Caravaggesques in Florence.” The Burlington Magazine. Sep., 1970, Vol. 112, No. 810 (Sep., 1970), pp. 636+639- 641. https://www.jstor.org/stable/876434
Pianigiani, Gaia. “Florence’s Answer to Mafia Violence: A Painting’s Loving Restoration.” New York Times. May 25, 2018. https://www.nytimes.com/2018/05/25/world/europe/uffizi-florence-mafia-card-player.html
Robb, Peter. “M: The Man Who Became Caravaggio.” Henry Holt and Co. 2015.
“Uffizi: on display two masterpieces damaged by the 1993 Georgofili mafia attack.” Uffizi Galleries. https://www.uffizi.it/en/events/georgofili-commemoration-2024
Wakin, Daniel J. “Prosecutor Joins Italy Bomb Probe.” Florence Morning News. May 16, 1993. https://www.newspapers.com/image/985131856/?match=1&terms=%22Maurizio%20Costanzo%22
“World: Europe Mafia bosses jailed for life.” BBC. June 6, 1998. http://news.bbc.co.uk/2/hi/europe/108127.stm

In 1993, the Uffizi Gallery in Florence, Italy was damaged by a car bomb. But this story starts in the 16th century with painter Bartolomeo Manfredi, and reaches all the way to the 2000s with an extraordinary restoration project.
Research:
<ul>
<li>&ldquo;600 fragments and one photograph. The restoration of Bartolomeo Manfredi&rsquo;s &ldquo;Card Players.&rdquo; Scala Archives. May 23, 2023. https://scalarchives.com/600-fragments-and-one-photograph-the-restoration-of-bartolomeo-manfredis-card-players/#:~:text=The%20Georgofili%20bombing%20also%20left,to%20have%20been%20destroyed%20forever.</li>
<li>Clough, Patricia. &ldquo;Blast Tears Apart 400 Years of Italy&rsquo;s Heritage.&rdquo; The Independent. May 28, 1993. https://www.newspapers.com/image/718976357/?match=1&amp;terms=uffizi</li>
<li>Cowell, Alan. &ldquo;Italians Try to Place Blame For Bomb Damage at Uffizi.&rdquo; New York Times. May 29, 1993. https://www.nytimes.com/1993/05/29/world/italians-try-to-place-blame-for-bomb-damage-at-uffizi.html</li>
<li>&ldquo;Cupid Chastised.&rdquo; Art Institute of Chicago. https://www.artic.edu/artworks/59847/cupid-chastised</li>
<li>&ldquo;Documentation of the damage from the 1993 bombing in Via dei Georgofili.&rdquo; Uffizi Galleries. https://www.uffizi.it/en/artworks/documentation-damage-1993-bombing-georgofili</li>
<li>Folkestad, William B. and Mark Miller. &ldquo;Bomb Damages the Uffizi Gallery.&rdquo; EBSCO. 2023. https://www.ebsco.com/research-starters/law/bomb-damages-uffizi-gallery</li>
<li>Follain, John. &ldquo;Push Comes to Shove at Italy&rsquo;s Uffizi.&rdquo; Miami Herald. March 21, 1993. https://www.newspapers.com/image/637973344/?match=1&amp;terms=uffizi</li>
<li>Gage, Frances. &ldquo;Caravaggio&rsquo;s&nbsp;Rumore: Fact, Fiction and Authority in Giovanni Baglione&rsquo;s&nbsp;Lives of the Painters, Sculptors and Architects.&rdquo;&nbsp;Past &amp; Present. Volume 257, Issue Supplement_16, November 2022, Pages 111&ndash;140.&nbsp;https://doi.org/10.1093/pastj/gtac031</li>
<li>&ldquo;History of the Uffizi Gallery.&rdquo; https://www.visituffizi.org/museum/history/</li>
<li>Kimmelman, Michael. &ldquo;Bombed Uffizi Begins Recovery.&rdquo; Berkshire Eagle. June 20, 1993. https://www.newspapers.com/image/533051992/?match=1&amp;terms=uffizi</li>
<li>Moir, Alfred. &ldquo;An Examination of Bartolomeo Manfredi's &lsquo;Cupid Chastised.&rsquo;&rdquo; Art Institute of Chicago Museum Studies , Spring, 1985, Vol. 11, No. 2 (Spring, 1985), pp. 156-167. https://www.jstor.org/stable/4108732</li>
<li>Morselli, Raffaella. &ldquo;Bartolomeo Manfredi and Pomarancio: Some New Documents.&rdquo; The Burlington Magazine, Vol. 129, No. 1015 (Oct., 1987), pp. 666-668. https://www.jstor.org/stable/883135</li>
<li>Nicolson, Benedict. &ldquo;Caravaggesques in Florence.&rdquo; The Burlington Magazine. Sep., 1970, Vol. 112, No. 810 (Sep., 1970), pp. 636+639- 641. https://www.jstor.org/stable/876434</li>
<li>Pianigiani, Gaia. &ldquo;Florence&rsquo;s Answer to Mafia Violence: A Painting&rsquo;s Loving Restoration.&rdquo; New York Times. May 25, 2018. https://www.nytimes.com/2018/05/25/world/europe/uffizi-florence-mafia-card-player.html</li>
<li>Robb, Peter. &ldquo;M: The Man Who Became Caravaggio.&rdquo; Henry Holt and Co. 2015.</li>
<li>&ldquo;Uffizi: on display two masterpieces damaged by the 1993 Georgofili mafia attack.&rdquo; Uffizi Galleries. https://www.uffizi.it/en/events/georgofili-commemoration-2024</li>
<li>Wakin, Daniel J. &ldquo;Prosecutor Joins Italy Bomb Probe.&rdquo; Florence Morning News. May 16, 1993. https://www.newspapers.com/image/985131856/?match=1&amp;terms=%22Maurizio%20Costanzo%22</li>
<li>&ldquo;World: Europe Mafia bosses jailed for life.&rdquo; BBC. June 6, 1998. http://news.bbc.co.uk/2/hi/europe/108127.stm</li>
</ul>

In 1993, the Uffizi Gallery in Florence, Italy was damaged by a car bomb. But this story starts in the 16th century with painter Bartolomeo Manfredi, and reaches all the way to the 2000s with an extraordinary restoration project. 

Uffizi: A Painting, A Bombing, A Restoration

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/6a6a3191-6610-4969-a2f7-b44e0061abd9/transcript

De Koven, Weidmann, and Public Execution in France (Pt. 2)

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