In this episode of Stuff to Blow Your Mind, Robert and Joe explore various historical interpretations of the diamond, from divine tears to both a potent medicine and a deadly poison. (part 1 of 4) (originally published 1/16/2024)
Hey you welcome to Stuff to Blow Your Mind. My name is Robert Lamb.
And I am Joe McCormick, and it's Saturday, so we are heading into the vault for an older episode of Stuff to Blow Your Mind. This is part one of our series on diamonds, originally published January sixteenth, twenty twenty four. Let's dive right in.
Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.
Hey, welcome to Stuff to Blow your Mind. My name is Robert.
Lamb and I am Joe McCormick.
And today we are going to begin a multi episode dive into the world of diamonds. So diamonds, this is a topic that it's probably been in sort of the background for a while. We've considered, you know, we know that there are a lot of interesting things about diamonds, but I know, for my own part, there's like this surface level resistance to covering diamonds because the first thing that comes to mind is just sort of like the ubiquitous vision of diamonds that you encounter in diamond TV commercials, and it just kind of, you know, it certainly drives home this idea that diamonds are something everyone wants. Diamonds are something everyone needs. But also diamonds end up looking like this ridiculously mainstream, square thing, and I'm just resistant to the idea that there might be anything cool about them.
The elegance, the grandeur, the luxury.
Yeah, yeah, but when you dive deeper, both in terms of the subject matter and also the history of diamonds, there's a lot more there, and so we have a number of different angles to approach in this series, including some basic reminders about what diamonds are. But yeah, I thought it a nice way to sort of kick this off would just be to talk a little bit about just like how we perceive diamonds, not even like, you know, overtly, like let's sit down and think about diamonds, but just sort of, like, you know, subconsciously, how we've grown up processing them, because yeah, they're they're highly referenced in our language. You know, they're they're valuable. Obviously, why are they valuable the various answers to that, But for my own part, I was thinking about it growing up. Diamonds were first of all, something that you know, my mother, various female members of the family had, but they were too precious for me to touch or you know, look at too much. And then if you did look at them, and I have to acknowledge this will vary depending on your family's particular jewels, but they never looked like much to me, especially as a kid. I'd look at one and it's like, Okay, it's a little speck of nothing, but then the light catches it just right and it's brilliant. It's amazing. But then you look back at it, Okay, no, just a little rock or something. And then watching movies, I would I would know two things about diamonds. First of all, they're super valuable because people are always trying to steal them, and once you steal them, you can just like turn it in for money somewhere, I guess. And finally, and this often is seen in the same movies, you can take a diamond and cut through any pane of glass instantly by tracing a circle on that pane of glass, you know, and it just neatly falls out into your hand, or use a little suction cup to pull it out right.
I assume that's not really true. It doesn't work that way. Is that? Have you ever looked into that?
I believe this has been mythbusted. Okay, so do not attempt, but it looks super easy in various caper films and TV shows and cartoons.
Yeah, I'm trying to think about the early significance of diamonds to me, apart from them just being like a cash equivalent mcguffin in you know, high stories and stuff. You know, the bad guy in the movie always wants the diamonds, Get me the diamonds in real life. I remember when I was young, I think I was a little confused about the difference between a diamond and a glass prism, because they looked the same to me, and the glass prism was bigger and could care asked, you know, the the rainbows all over the wall, and so it wasn't quite clear to me. I guess what was better about this really tiny diamond as opposed to the huge diamond hanging in the window.
Yeah, because the prism, like you said, is a lot bigger. It seems to work a lot better. Uh, caveat on that in a bit. But but then, more to the point, super cheap. You can buy prisms all day, you know, especially the plastic variety, and you're not going to break the bank.
But then again, apart from just the knowledge that a lot of people had them, you know, on like their engagement ring, their or their wedding ring. I guess usually engagement ring. I didn't really have much real world consciousness of them. They were they were primarily something in fiction.
Yeah, and then the TV ads too, though. I remember thinking as a kid, it's like you'd see these images of like, all right, you're in love, you're married, you need to give more diamonds, and part of you kind of like asked the question, Wow, if I'm ever a married person, well, I just be buying diamonds all the time, Like I've apparently got to buy the first diamond and then just diamonds every year thereafter. But yeah, I think it's amusing that diamonds can be so all over the place. You know, they're valuable, but they can also seem kind of plain and lame. They're sparkling, they but also sometimes the way that we describe them and think of them that may be imbued with spiritual truth. They might be a physical manifestation of love, a symbol of human greed, of horror and inequality, a magical thief's tool, and also the ultimate and just gaudy excess, and I feel like even the geologic truth of the diamond, which we'll get into later, it feels so weird. Perhaps this weirdness, at least for me anyway, And I think maybe for a lot of like film viewers of the time, you might think back to a very memorable scene in Superman three in which Christopher Reeves Superman picks up a chunk of coal and crushes it in his fist and then open his fist to reveal not only a diamond, but a fully cut diamond.
So it's got the what the facets on it that that's not how diamonds come straight out of the earth.
Well yeah, I mean, of course they're usually not made by Superman, so I guess with Superman everything's fair game. He would do this in the comics too, Apparently I had to research this, but this is a Superman gag that goes way back. I don't know if he ever like makes any use of it, or it's just kind of like he's always just kind of showing off. Maybe the one up Jesus, I'm not sure, but but yeah, he'll just crush that coal, open his fist, Bam, diamond priceless, already cut, ready to go.
It makes me wonder about a Superman plot line where the villains are like diamond cartels that are worried Superman is going to increase the supply too much.
Yeah, or like villains who are like, oh no, Superman's on his way to shut down an operation like quick spread tole everywhere, just in case he just haphazardly makes a few diamonds. We may come out ahead in the end. But yeah, to your point, could you get like goldfinger the diamond market couldn't.
Hey yeah, oh no, wait, that would be a reverse Goldfinger.
That's right, it would be a reverse Goldfinger. Yes, So yeah, I had this scene popping around my head. I had the diamond commercials, and those diamond commercials again, they try to convince you, even at a young age, that diamonds are life. Diamonds, diamonds are everything worth having in life, that they reflect life. And that's why I think it's going to be great that our first major avenue of investigation here concerns another idea that that diamonds just might be death.
Right. So this is actually what first got me interested in the topic of diamonds for a series today, I wanted to begin by looking at a weird question, and the question is are diamonds poisonous?
So to be clear, this is not getting into very valid discussions of things like blood, diamonds and all. This is the idea that there is something about the diamond that is in and of itself poisons to the human body.
Yeah, poisonous if ingested in one form or another. Now, before we get to the answer to this question, I need to back up and explain the origin of the question, which is that a few months ago you may remember we were doing a series on the shadow, the shadow in history, art, science, and so forth. I think this was during the last October, and one of the things we ended up talking about in that series on the shadow was an optical effect known as the Highligan shine. This is a real world phenomenon in which people sometimes see the shadow of their own head surrounded by a bright halo of light when they happen to be standing over a field of grass in the early morning. And there might be other conditions that create the same effect, but that's one of the most common ways people see it. Now, you can go back and listen to that episode if you want. The full explanation of how this halo arises from the interplay of sunlight, grass and do. The relevant fact about it for today is that the Hiligenshine is also sometimes called Cellini's halo, and it gets this name from one of the early figures to notice and mention it in writing, and that is a sixteenth century Italian goldsmith and sculptor named ben Venudo Cellini. One of the weirdest and most fascinating characters I have come across while researching for this show. I am a full steam ahead on the Benvenudo Cellini train. Now I kind of want to go back and read the entire memoirs. I might do that.
So.
Benvenudo Cellini lived from fifteen hundred to fifteen seventy one, and though he is remembered for his artworks, which include an almost absurdly ornate golden salt cellar, we talked about this when he came up in that previous episode. He made that for Francis the First the king of France at the time, and also a large bronze sculpture of Perseus holding up the severed head of Medusa, which is one of the sculptures in the covered gallery that's at the edge of the Piazza della Signora, which is the big square in the center of Florence. Rob I've got a picture of both these artworks for you to look at here if you want. While he is known for these artworks, he is known today I think at least as much for his bizarre, fascinating, grandiose, and almost certainly heavily embellished auto biography, which is just packed full of these weird, passionate, rousing tales primarily about how awesome he is. We get stories of Cellini lauded by kings and queens for his unique genius, Cellini visited by angels who write secret heavenly words on his forehead, Cellini single handedly fighting off gangs of bandits, Chillini falsely imprisoned Celeni, hatching and executing a daring prison break from Castle San Angelo in Rome, and even in describing the Heiligensheine the glow around the shadow's head, Chillini seems to believe it to be a sign of God's special providence toward him, rather than like an optical effect that anyone would experience in the same circumstances.
But as I recall from the previous episode, he was like, many people have observed this. When I asked them, they're like, yes, I see the halo above your head, around your head. You are chosen by God. Clearly we all agree.
Yeah. I showed it to other people and they believe me. In fact, this is a theme I've noticed in the parts of his memoirs I've read. He often is like, somebody else saw the thing I did, and they agreed that it was magnificent, and they told me I was special. So Rob, I thought you would appreciate this too. We also get a story of Chillini meeting at least one mythical monster in the story, which is the salamander. So, when Cellini was a child of five years old, he tells that his father was playing the viola beside a fire of oak logs in the basement of their house when his father saw something in the fire and then made his children come and look, and little bin Venudo saw a lizard dancing in the heart of the flame, and his father told him that it was the mythical salamander, the elemental beast of fire, and he saw it.
Oh, excellent. You know now that I've thought about it a little bit. I think tomorrow's monster fact may have to be the salamander. But real quick, I think that I have read before that some of these myths about the salamander. And again we have to point out like a duality here there's this idea of a mythical fire lizard, and then there's the actual salamander. And the connecting tissue seems to be that there were accounts of burning damp logs that and in reality either contained a salamander or you know, had a salamander clinging to the underside of it. You'll frequently find salamanders in you know, boggy or marshy environments underneath such a log. But if you were to take such a log through it on the fire, and you would see some sort of little cre you're squirming there. Oh, it's some sort of It's clearly it's made of fire. That's why it's in the fire. Now, it's just a salamander that was on the log you threw in. Now why you're throwing in super damp logs, I don't know. Maybe you just don't have a lot, and maybe the fire's fully raging at that point, and therefore you can throw something a little damp on there.
That is an interesting possibility. I hadn't thought about it that way, but yeah, maybe somebody actually did accidentally get some salamanders in the fire.
More on that tomorrow. More in that tomorrow.
Okay, Okay. In the case of this story, having read it from the autobiography, I really can't tell if this is something that makes more sense as there actually was some sort of creature in there and they just misinterpreted what it was, or if I don't know, they were just looking into fire and seeing things in the shapes.
That's one of the compounding factors here, right, is that humans logs staring into fires, and if you steer into fires long enough, your imagination can allow you to see things. And then if you have a pre existing cultural notion that there is some sort of magical fire lizard in there, oh, you might just see it anyway.
All of that to say that while Benvenudo Cellini is a fascinating and in some ways important historical figure, we should not take anything in his autobiography at face value as history or science. You just read it and you get the feeling even without you know, comparing it to external evidence. Like, Okay, there's obviously some embellishment going on here. But to come back to the diamond question, one of the many, many weird stories Chillini tells about his time in prison is about a supposed attempt on his life via poison made out of shattered diamonds. So to set the stage in this passage, Chillini is hanging out in prison, one of the multiple times he's imprisoned in the story, he has just written a sonnet that will prove his innocence, Like, he's written a sonnet that is so virtue and indicative of his lack of criminality that he believes the constable had it sent to the Pope for review, with the implication that like, when the Pope sees this poem I wrote, then they'll have to release me because they'll know I couldn't have done it. But suddenly the friendly constable in the prison dies and he is replaced by the constable is replaced by his brother, And at this point Chillini believes that a group of his enemies sort of like seize the moment and conspire to kill him by poison. And another thing is that Jellini is frequently making references to conspiracies of enemies against him. He seems to constantly think that he's got a bunch of enemies who are out to get him. And it's not exactly clear to me how much truth there is to this. There might be, but it's hard to tell. So he describes their plot as follows, and the translation of Chileini's autobiography I'm going to read for here is by Hamus Roscoe. This was published back in the nineteenth century. So Chillini writes, they at first thought of mixing with my meat the powder of a pounded diamond. This is not a poison of itself, but is so excessively hard that it retains its acute angles, Differing from other stones, which, when they are pounded, entirely lose the sharpness of their particles and become round. The diamond alone preserves the acuteness of its angles. Hence it follows that when it enters the stomach with the meat, and the operation of digestion is to be performed, the particles of the diamond stick to the cartilages of the stomach and the bowels, And as the newly received food is impelled forward, the minute parts of the diamond which adhere to those cartilages in process of time perforate them, and this causes death, whereas every other sort of stone or glass, when mixed with meat, is incapable of sticking to the coat of the stomach, and of consequence is voided with the food.
This doesn't sound like a pleasant poison.
To No, this is horrible. No, he's saying that, I don't he's distinguishing it somehow from the concept of poison, which I don't know. I mean, either way, it's something that ingested harms you. But maybe the other idea is that a poison is something that though I don't even I don't think Chillini in his time would have had these concepts, but is killed by way of some like chemical metabolism, where this is killed because like literally, it's just like pieces stabbing you on the inside. It's like swallowing a bunch of needles or something, except on an incredibly tiny scale. So he's saying, you know, it's it's mechanically killing you from the inside rather than chemically killing you from the inside, And it truly does sound horrible. However, Chillini says that he escapes death from the intended plot as a result of his enemies bungling their plan. So he says that one of the conspirators is that it was the supplier of the diamond. So that conspirator gets the diamond and he gives it to another one of the conspirators who is supposed to pound it into a powder, and that powder is going to be used to poison him. But this second guy who was supposed to pound the diamond, being broke and greedy, kept the diamond and swapped it out for a different gem of lesser value, which he pounded and then handed over for the purpose of the murder. So here we pick up again with Chillini's narrative. He says, on the day that it was administered to me, being good Friday, they put it into all my victuals, into the salad, the sauce, and the soup. I ate very heartily, as I had had no supper the night before, and it happened to be a holiday. I indeed felt the meat crash under my teeth. Oh, but never once dreamt of the villainous designs of my enemies. When I had done dinner, as there remained a little of the salad on the dish, I happened to fix my eyes on some of the smallest particles remaining. I immediately took them, and, advancing to the window, upon examining them by the light, recollected the unusual crashing above mentioned. Then, viewing the particles with attention, I was inclined to think, as far as my eye could judge that a pounded diamond had been mixed with my victuals. So Jeleni knows he's going to die, and he prays to God. However, upon examining the grains further, he realizes that they're actually not quite indestructible to him. He can sort of crack and crunch them with a small knife, and that means they are not actually made of diamond. And because a diamond he thinks he would not be able to crush with this small knife, but this other gym he would. And then he says, ohka, okay, if there are another gem, they're not actually able to injure me. It would have to be diamond powder for it to work. So I think he sort of like deduces the whole plot and how it was bungled here. But oh, there's a good twist here. Though he at first shows evidence of the attempted poisoning to another prisoner, a bishop of Pavia, who is in prison on account of quote plots and intrigues, and he allows this bishop in the cellover to think that Chillini has been successfully poisoned with a real diamond and only has a few months to live, and uses this to get the bishop to share his presumably better quality bishop food with Chillini. And by the way, this is by no means the only story that Chillini tells about plots against his life. It's not even the only attempted poisoning. There's another story where he claims that enemies tried to poison his food with mercuric chloride at the time known as corrosive sublimate, which definitely is poisonous in reality, but according to Chillini, they didn't give him a big enough dose, so they poisoned him with it. Instead of killing him, it only made him sick to his stomach and cured his syphilis. Oh man, So, anyway, to come back to the question at hand, I was really fascinated by this story, and I wondered if there was any truth to Chillini's ideas about the lethal effect of eating ground up diamonds. And I'm gonna get into some more details here, but as best I can tell, the answer is probably no. But I'm not gonna give a note with such confidence that you get the green light to go eat some diamond powder. I'd still be cautious about it. Yeah, do not do that, because one thing that is clear is Chillini is far from the only person in history to advance this notion. It has been held by many in many different cultures, times and places throughout world history that eating diamonds is poisonous, though interestingly it also in other contexts has been diamonds have been regarded as medicine. So to further explore this urban legend about diamond based poisons, the best source I found was a book called Diamonds, An Early History of the King of Gems from Yale University Press, twenty eighteen, written by a British historian named Jack Ogden, who seems to specialize in the history of jewelry.
Yeah, this is a great book. I've been reading this as well, and we'll reference this in future topics we're discussing concerning diamonds. But yeah, Ogden is what a genologist in addition to an historian, so he knows his diamonds.
Yeah. And in the section on poisoning by diamond Ogden says that, as far as he can tell, there is no scientific support for the belief that diamonds are poisonous. As one of the early sources to write extensively on this subject, Ogden cites the famous eleventh century Persian scientist and scholar al Biruni, who was one of the great polymaths of the Islamic Golden Age. Famously a master of many many disciplines, so he wrote books on extremely varied subjects, everything from mathematics to astronomy, history, geography, and ethnography. He apparently produced a very important medieval book on the culture of India. In one section, Ogden talks about how al Biruni made a note of how appreciation for diamonds varied greatly by culture, and so while diamonds were, he says, widely venerated for their ornamental value in India, he claimed that they were not equally venerated in neighboring regions like Iraq and Korsan, which Korison at the time would have been a region corresponding to what today parts of Iran, Afghanistan, and Central Asia, and in these latter regions, Albi Runi said that diamonds were only used for drilling and for making poison. But did Albi Rouney think that they were actually effective as poison. No. He offered several lines of evidence against the idea that pieces of diamond could be used as poison the way that Chillini would later describe. First of all, he mentions a kind of logical problem with how these poisoning plots are supposed to work. He says, if people were fed pieces of diamond as a poison quote, if it has not been ground, well, it will be betrayed by the teeth of the eater.
Ugh.
Oh god. There's a lot of like cringe inducing ideas here, from from tooth trauma, from crunching on a diamond to swallowing sharp things.
Yeah, like even if it's gritty, you know, like that might be enough to make the target of your assassination either just send back the dish or it would raise their suspicion that someone was trying to poison them with diamonds. As we saw our previous example, and certainly if the individual had a food taster as well. That would also be some that would also be something that would tip your hand here and would alert your target that you were trying to do them in.
Yeah, and interestingly, most of the old stories about poisonings via diamond powder concern very rich people in history, you know, and for I think probably obvious reasons that you know, diamond powder is probably not cheap to come by. So the people who were allegedly being poisoned by diamond powder were you know, aristocrats, enemies of the Medici family maybe, or kings and queens or popes or sultan's things like that. But anyways, so albi Rouni is saying, presumably, if it were to be successfully snuck into someone's food, it would have to be pulverized into a very fine powder. But the second thing is albi Rouni cites experimental evidence. He says that he and maybe he or someone else tried feeding pieces of diamond to a dog, and says that the dog showed no signs whatsoever of harm, neither immediately after the experiment nor any time later. He's like, yeah, dog's fine.
Oh wow, is this the titular diamond dog?
Then that had not occurred to me, I don't know. Now that is some experimental evidence, though on the other hand, that clearly would not meet the standards of a modern toxicology experiment. But it's something something to look at, now, I'll be rooney. He puts all these considerations together, and he says, you know, in the end, there's no basis for thinking diamonds are poisonous. He says that it is all idle talk, it's tall tales, but that did not stop lots of other people from believing it. Ogden mentions an account written by the sixteenth century English politician Jerome Horsey, who recorded comments made by the Russian Czar Ivan the Terrible. I believe this was near the time of Ivan's death, in which Ivan was going on about the godlike potency of the diamond, and he said, among other things, that quote the least parcel of it in powder will poison a horse, with the implication you know, how much more will it do to a human if it'll poison a horse. And I just wanted to mention a footnote of Ogden's where he says, well, first of all, in this footnote he says, you know, if you go trying to look up that comment of Ivans. It is not in the edited published account of Jerome Horsey's travels in Russia, but it is in his manuscript from which the edited account was produced. But then finally he says quote whether Ivan's example of a horse was a deliberate pun on Horsey's name is unknown. Ha but Ogden also mentions several records of people who allegedly attempted to commit murders by slipping diamonds into people's food. So one was noted by a sixteenth century Portuguese doctor named Garcia del Orta or Garcia de Orta, who claims that a woman tried to kill her sick husband by feeding him ground up diamonds and that didn't work. Another account takes place in early seventeenth century England. It's some kind of very messy lover's dispute among aristocrats in which the wife of an earl wanted her marriage annulled so she could marry a different earl. But the guy who she wanted to get married to had an adviser who disapproved of her, so she wanted to kill the adviser so she could go ahead with the marriage to this other guy. But apparently at one point In this caper, she sent an associate to an apothecary to buy diamond powder. It was like, you know, we've got to have the diamond powder for poisoning. You know, whatever it costs, get it. And the apothecary was like, I have no idea what you're talking about, and she called him a fool. And she was eventually able to poison the adviser, but it seems like it was historians think it was probably with a different agent other than diamond now. Ogden mentions an another sixteenth century physician, an Italian named Girolamo Cardano, who also commented on the use of diamonds as a poison and, similar to alb Rooney, cast doubt on the idea because he was like, you know, like there are cases where people steal diamonds by swallowing them and then later retrieving them, and there is there's no evidence that they suffered any harm. Now you might think, well, but those are like whole intact diamonds. Maybe maybe swallowing a whole diamond is fine, but swallowing the ground up diamond powder is what's really dangerous. And Cardano also says he knows of at least one case where somebody had swallowed a big mass of diamond powder quote, without prejudicing the health of the taker anymore than if he had eaten so much bread. Though this does make me wonder, Okay, assuming diamonds, diamonds and diamond powder are not particularly poisonous, how do they generally affect digestion? Like I was thinking, you know, like or is a diamond upset stomach a thing or diamond farts a thing?
Well, certainly that I can see where the concept would be alluring, because I mean, it's kind of like the diamond dog thing. Like diamond has just such linguistic weight, you know, it brings with it all these connotations of obscene wealth and splendor, and we combine it with something that could be considered lowly like a dog, like the passing of gas. It instantly like zings in the brain.
Right, yes, And that kind of points to another thing. So Cardano's comment about stealing or smuggling diamonds by swallowing them, it really kind of makes me wonder about this belief in the poisonous power of diamonds, Like if this belief about death by diamond ingestion could trace back to people trying to prevent diamond theft or diamond smuggling, you know, like better not try to swallow it or hide it in your mouth. If you swallow it, it'll rip your guts apart. Now, Ogden kind of comes up short looking for recent evidence of experiments on the toxicity of diamonds, and he ends up having to look back to a letter written to the journal Notes and Queries in eighteen seventy five which claimed thatte the only possible way in which it diamond powder could be injurious would be as a mechanical irritant to the mucous membrane of the stomach. So I was kind of wondering, are there any more recent studies on the toxicity of ground up of either diamonds in whole form or shattered diamonds or diamonds ground up into a powder. And I did not directly find any good toxicology research on this. I did come across another just sort of like compilation overview in a book on nanomedicine written by an author named Robert Fritis, who has written a lot of information that's freely available online. In his work, Fridas collects a bunch of other claims from the history of diamonds, but both claims of them working as poison but also as medicine, and this author writing, I think in the early to mid two thousands, like two thousand and three, two thousand and five, it looked like these sources were dated. This author basically says that the evidence from history is inconclusive, and that he's also not able to find any good recent toxicology studies on diamond powder ingestion. He does note that any abrasive, gritty powder ingested in sufficient quantities can cause problems. Like if you just eat a bunch of sand, you know, you can get intestinal blockage, obviously if you not to be super super grossier. But if you know, you eat like a needle or something that is long and sharp, you can get perforations somewhere in the digestive system. So a lot of things, a lot of you know, non food items, if eaten in sufficient quantities, can hurt you. I mean, I guess even food items eaten in sufficient quantities can hurt you. But he says it looks like there's not strong modern evidence that diamond powder in particular is dangerous. However, I would say that does not mean, you've got the green light to go eat it. This guy's conclusion seems to be that there's not strong evidence that diamond powder is poisonous, but there's like enough concern that it would be worth studying to make sure, especially for people who are maybe exposed to it more often in their line of work. So, to summarize my thoughts here, most of the actual accounts of diamonds used as poison as opposed to you know accounts as opposed to just free floating factoids about how diamonds work and what they can do, the accounts seem to be either unsubstantiated rumors, or they conclude with the diamond poison not working, or the details seem slippery. However, the evidence on whether diamonds are poison it does still seem to be mixed. It seems like it's probably not any more poisonous than any other abrasive, gritty powder, but we're far from one hundred percent confidence on that. Plus any powder insufficient quantities could hurt you, so I would still say it is probably better not to eat it.
Yeah, there's just no reason to ingest diamond dust like it's On one hand, yes, it probably won't hurt you, but just to be safe, don't do it and don't poison people. Obviously, that's I think, that's that's that's something we stand by here on the show. But even if you were in the business of poisoning people, this would not be a good poison. This would be nothing you could rely on, So don't do it.
Well, it makes me wonder about the sort of the literary appeal of the idea of diamonds as poison. You know, the same reason it struck us as interesting to talk about this on the show is that it seems unusual and like an extravagant type of poison. So I almost wonder if in some of the stories where it was allegedly used to poison people or to attempt to poison people, it should make us question the facts of the narrative, because this is like a potent image of somebody using an extravagant, expensive luxury item to harm someone, and it's like packed with meaning.
You know, yeah, yeah, there's a lot of irony to it. This is exactly the kind of thing and I don't know, it's impossible that either of these characters utilize some sort of fictional diamond poison at some point or another. But it's the kind of thing you could imagine Diabolic from Danger Diabolic, yes, using you know, against his rich enemies. And likewise, for like modern film franchises, you could imagine the Jigsaw Killer from the Saw movies using something like this. It's just it would be the perfect ironic death for some sort of like a uber rich villain, right.
Right, or for somebody like like Benvenudo Cellini, who is a goldsmith and a jeweler and a sculptor, somebody who worked with jewels. I don't know if scholars of Chillini's life and memoirs would have more to say about that, but yeah, it seems like it seems fitting that his enemies would try to get him with a beautiful jewel that he might be, something that he might have used in one of his works.
All right, well, we're gonna go ahead and close out this first episode of our look at Diamonds, but we'll be back on Thursday with part two. We're gonna kick that off with some diamond basics. So if you're like, hold on, I still don't know what a diamond is, don't worry. We're gonna jump in with some of the basics at the beginning of the next episode, and then we'll get into more like weird and fascinating elements of the Diamond's role and culture and belief and so forth. So it should be a fun ride. In the meantime, we'll remind you that Stuff to Blow Your Mind is primarily a science podcast, with core episodes on Tuesdays and Thursdays listener mail on Mondays. On Wednesday's we do a short form artifact or monster fact episode. I think we're gonna put together one on the Salmon and for tomorrow, and then on Fridays we set aside most serious concerns to just talk about a weird film on Weird House Cinema.
Huge thanks as always to our excellent audio producer JJ Posway. If you would like to get in touch with us with feedback on this episode or any other, to suggest a topic for the future, or just to say hello, you can email us at contact at stuff to Blow your Mind dot com.
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