The myth is that technology is unbiased, but says the truth is more complex and explains how bias and discrimination creep into the algorithms that shape the modern world.

Broussard is a data journalist and an associate professor at the Arthur L. Carter Journalism Institute of New York University, research director at the NYU Alliance for Public Interest Technology, and the author of several books, including “More Than a Glitch: Confronting Race, Gender, and Ability Bias in Tech” and “Artificial Unintelligence: How Computers Misunderstand the World.” Her academic research focuses on artificial intelligence in investigative reporting and ethical AI, withttps://mitpress.mit.edu/9780262047654/h a particular interest in using data analysis for social good. She appeared in the 2020 documentary Coded Bias, an official selection of the Sundance Film Festival that was nominated for an Emmy Award and an NAACP Image Award.  She is an affiliate faculty member at the Moore Sloan Data Science Environment at the NYU Center for Data Science, a 2019 Reynolds Journalism Institute Fellow, and her work has been supported by New America, the Institute of Museum & Library Services, and the Tow Center at Columbia Journalism School. A former features editor at the Philadelphia Inquirer, she has also worked as a software developer at AT&T Bell Labs and the MIT Media Lab. Her features and essays have appeared in The Atlantic, The New York Times, Slate, and other outlets.

The myth is that technology is unbiased, but says the truth is more complex and explains how bias and discrimination creep into the algorithms that shape the modern world.
Broussard is a data journalist and an associate professor at the Arthur L. Carter Journalism Institute of New York University, research director at the NYU Alliance for Public Interest Technology, and the author of several books, including “More Than a Glitch: Confronting Race, Gender, and Ability Bias in Tech” and “Artificial Unintelligence: How Computers Misunderstand the World.” Her academic research focuses on artificial intelligence in investigative reporting and ethical AI, withttps://mitpress.mit.edu/9780262047654/h a particular interest in using data analysis for social good. She appeared in the 2020 documentary Coded Bias, an official selection of the Sundance Film Festival that was nominated for an Emmy Award and an NAACP Image Award.  She is an affiliate faculty member at the Moore Sloan Data Science Environment at the NYU Center for Data Science, a 2019 Reynolds Journalism Institute Fellow, and her work has been supported by New America, the Institute of Museum &amp; Library Services, and the Tow Center at Columbia Journalism School. A former features editor at the Philadelphia Inquirer, she has also worked as a software developer at AT&amp;T Bell Labs and the MIT Media Lab. Her features and essays have appeared in The Atlantic, The New York Times, Slate, and other outlets.

Story in the Public Square is a weekly, 30-minute series that brings audiences to the intersection of storytelling and public affairs. Hosted by Jim Ludes and G. Wayne Miller, Story in the Public Square offers a spirited but respectful dialogue. Often funny, always provocative, each episode of Story in the Public Square
moves beyond traditional public affairs programming to consider the impact of narrative and storytelling on public life today.

Story in the Public Square is a weekly, 30-minute series that brings audiences to the intersection of storytelling and public affairs. Hosted by Jim Ludes and G. Wayne Miller, Story in the Public Square offers a spirited but respectful dialogue. Often funny, always provocative, each episode of Story in the Public Square moves beyond traditional public affairs programming to consider the impact of narrative and storytelling on public life today.

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