Ep. 313 | Originally aired: April 14, 2018

The documentary filmmaker has for her canvas the broad sweep of human experience. Kendall Moore has turned her lens on issues as diverse as AIDS patients in Africa and polluted air in an office building.

Kendall Moore is an award-winning documentary filmmaker and a Professor in the departments of Journalism and Film Media at the University of Rhode Island.

Learn more. 

Ep. 313 | Originally aired: April 14, 2018
The documentary filmmaker has for her canvas the broad sweep of human experience. Kendall Moore has turned her lens on issues as diverse as AIDS patients in Africa and polluted air in an office building.
<a href="https://harrington.uri.edu/meet/kendall-moore/" target="_blank" rel="noopener">Kendall Moore</a> is an award-winning documentary filmmaker and a Professor in the departments of Journalism and Film Media at the <a href="https://www.uri.edu/" target="_blank" rel="noopener">University of Rhode Island</a>.
<a href="http://pellcenter.org/documentary-filmmaking-with-kendall-moore/" target="_blank" rel="noopener">Learn more.&nbsp;</a>

Story in the Public Square is a weekly, 30-minute series that brings audiences to the intersection of storytelling and public affairs. Hosted by Jim Ludes and G. Wayne Miller, Story in the Public Square offers a spirited but respectful dialogue. Often funny, always provocative, each episode of Story in the Public Square
moves beyond traditional public affairs programming to consider the impact of narrative and storytelling on public life today.

Story in the Public Square is a weekly, 30-minute series that brings audiences to the intersection of storytelling and public affairs. Hosted by Jim Ludes and G. Wayne Miller, Story in the Public Square offers a spirited but respectful dialogue. Often funny, always provocative, each episode of Story in the Public Square moves beyond traditional public affairs programming to consider the impact of narrative and storytelling on public life today.

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Story in the Public Square

Documentary filmmaking with Kendall Moore

The poet’s ability to capture meaning with words has long been one of humanity’s great gifts. Brian Turner has that muse and uses poetry to explore enduring questions of love and loss.  

Turner is the author of five collections of poetry “Here, Bullet;” “Phantom Noice;” “The Wild Delight of Wild Things;” “The Dead Peasant’s Handbook” and “The Goodbye World Poem.” He has also authored a memoir, “My Life as a Foreign Country,” and is the editor of “The Kiss” and co-editor of “The Strangest of Theatres” anthologies. Also a musician and songwriter, Turner has written and recorded several albums with The Interplanetary Acoustic Team, including “11 11 (Me Smiling)” and “The Retro Legion's American Undertow.” His poems and essays have been published in The New York Times, The Guardian, National Geographic, Harper’s, among other fine journals. He was also featured in the documentary film “Operation Homecoming: Writing the Wartime Experience,” which was nominated for an Academy Award. A Guggenheim Fellow, he has received a USA Hillcrest Fellowship in Literature, the Amy Lowell Traveling Fellowship, the Poets’ Prize, and a Fellowship from the Lannan Foundation.  

The poet’s ability to capture meaning with words has long been one of humanity’s great gifts. Brian Turner has that muse and uses poetry to explore enduring questions of love and loss.  
Turner is the author of five collections of poetry “Here, Bullet;” “Phantom Noice;” “The Wild Delight of Wild Things;” “The Dead Peasant’s Handbook” and “The Goodbye World Poem.” He has also authored a memoir, “My Life as a Foreign Country,” and is the editor of “The Kiss” and co-editor of “The Strangest of Theatres” anthologies. Also a musician and songwriter, Turner has written and recorded several albums with The Interplanetary Acoustic Team, including “11 11 (Me Smiling)” and “The Retro Legion's American Undertow.” His poems and essays have been published in The New York Times, The Guardian, National Geographic, Harper’s, among other fine journals. He was also featured in the documentary film “Operation Homecoming: Writing the Wartime Experience,” which was nominated for an Academy Award. A Guggenheim Fellow, he has received a USA Hillcrest Fellowship in Literature, the Amy Lowell Traveling Fellowship, the Poets’ Prize, and a Fellowship from the Lannan Foundation.

Exploring Love and Loss as a Muse with Brian Turner

The history of 20th century autocracy seemed to race into the distance with the end of the Cold War. But Dr. Timothy Snyder cautions that in the decades since 1989, the West has seen the rise of new autocratic movements—some in traditional adversaries and some much closer to home.  

Snyder is the Richard C. Levin Professor of History at Yale University and a permanent fellow at the Institute for Human Sciences in Vienna. He has written eight books discussing issues in Central and Eastern Europe and co-edited three further texts surrounding similar topics. Snyder’s work has appeared in forty languages and has received a number of prizes, including the Emerson Prize in the Humanities, the Literature Award of the American Academy of Arts and Letters, the Václav Havel Foundation prize, the Foundation for Polish Science prize in the social sciences, the Leipzig Award for European Understanding, the Dutch Auschwitz Committee award and the Hannah Arendt Prize in Political Thought. Snyder was a Marshall Scholar at Oxford, has received the Carnegie and Guggenheim fellowships and holds state orders from Estonia, Lithuania and Poland. He is currently researching a family history of nationalism and finishing a philosophical book about freedom. 

The history of 20th century autocracy seemed to race into the distance with the end of the Cold War. But Dr. Timothy Snyder cautions that in the decades since 1989, the West has seen the rise of new autocratic movements—some in traditional adversaries and some much closer to home.  
Snyder is the Richard C. Levin Professor of History at Yale University and a permanent fellow at the Institute for Human Sciences in Vienna. He has written eight books discussing issues in Central and Eastern Europe and co-edited three further texts surrounding similar topics. Snyder’s work has appeared in forty languages and has received a number of prizes, including the Emerson Prize in the Humanities, the Literature Award of the American Academy of Arts and Letters, the Václav Havel Foundation prize, the Foundation for Polish Science prize in the social sciences, the Leipzig Award for European Understanding, the Dutch Auschwitz Committee award and the Hannah Arendt Prize in Political Thought. Snyder was a Marshall Scholar at Oxford, has received the Carnegie and Guggenheim fellowships and holds state orders from Estonia, Lithuania and Poland. He is currently researching a family history of nationalism and finishing a philosophical book about freedom.

The Contemporary Implications of Europe’s Recent History with Timothy Snyder

Thomas Jefferson famously said he’d prefer newspapers without government over government without newspapers. In large parts of the United States today, government exists without independent news sources—undermining accountability and diminishing civic participation. Ellen Clegg and Dan Kennedy tell us that despite these troubling trends, there’s much to celebrate in the work of community news outlets around the country. 

Clegg spent over three decades at The Boston Globe and retired in 2018 after four years of running the opinion pages. In between stints at the Globe, she was deputy director of communications at the Broad Institute of MIT and Harvard. She is a member of the steering committee for the Elizabeth Neuffer Fellowship at the International Women’s Media Foundation and the co-founder and co-chair of Brookline.News, a nonprofit startup news organization. Kennedy is a Northeastern University professor in the School of Journalism and a nationally known media commentator. He was a panelist on the GBH News television program “Beat the Press” and a weekly columnist for the network. He was also a columnist for The Guardian and produces Media Nation, an online publication that serves as a media watchdog. Kennedy is a recipient of the Yankee Quill Award from the New England Academy of Journalists and the James W. Carey Journalism Award from the Media Ecology Association. 

Thomas Jefferson famously said he’d prefer newspapers without government over government without newspapers. In large parts of the United States today, government exists without independent news sources—undermining accountability and diminishing civic participation. Ellen Clegg and Dan Kennedy tell us that despite these troubling trends, there’s much to celebrate in the work of community news outlets around the country. 
Clegg spent over three decades at The Boston Globe and retired in 2018 after four years of running the opinion pages. In between stints at the Globe, she was deputy director of communications at the Broad Institute of MIT and Harvard. She is a member of the steering committee for the Elizabeth Neuffer Fellowship at the International Women’s Media Foundation and the co-founder and co-chair of Brookline.News, a nonprofit startup news organization. Kennedy is a Northeastern University professor in the School of Journalism and a nationally known media commentator. He was a panelist on the GBH News television program “Beat the Press” and a weekly columnist for the network. He was also a columnist for The Guardian and produces Media Nation, an online publication that serves as a media watchdog. Kennedy is a recipient of the Yankee Quill Award from the New England Academy of Journalists and the James W. Carey Journalism Award from the Media Ecology Association.

Documentary filmmaking with Kendall Moore

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