In the midst of a year that saw pandemic disease, social unrest, and bare-knuckled politics, Hollywood churned out a tremendous body of work—even while theaters closed and films created for the big screen streamed directly to our homes.  Pete Hammond says this year’s Academy Awards reflect the issues facing Americans.

Hammond is currently Chief Film Critic for Deadline Hollywood, where he has been the Awards Columnist, covering the seemingly year-round Oscar and Emmy seasons, for the past seven years.  For the past eight years, he has been Awards Editor and Columnist for Deadline and previously covered a similar column for the Los Angeles Times.  He has also served as a frequent contributor to Variety and as a film critic for Boxoffice magazine, Backstage magazine, Maxim magazine and Movieline.  He is in his seventeenth year as host of the “KCET Cinema Series” in Los Angeles, and UCLA extension’s “Sneak Preview” for the past ten years.  He also hosts the TV series, “Must See Movies,” which showcases classic films every Friday night and Saturday afternoon on KCET.  He is the recipient of five Emmy nominations for his television writing and is the winner of the 1996 Publicists Guild of America’s Press Award.  He is the second journalist in the organization’s 50-year history to receive the award twice, winning again in 2013.  He also served on the Board of Governors for the Academy of Television Arts & Sciences representing writers for six years.

In the midst of a year that saw pandemic disease, social unrest, and bare-knuckled politics, Hollywood churned out a tremendous body of work&mdash;even while theaters closed and films created for the big screen streamed directly to our homes.&nbsp; Pete Hammond says this year&rsquo;s Academy Awards reflect the issues facing Americans.
Hammond is currently Chief Film Critic for Deadline Hollywood, where he has been the Awards Columnist, covering the seemingly year-round Oscar and Emmy seasons, for the past seven years. &nbsp;For the past eight years, he has been Awards Editor and Columnist for Deadline and previously covered a similar column for the Los Angeles Times.&nbsp; He has also served as a frequent contributor to Variety and as a film critic for Boxoffice magazine, Backstage magazine, Maxim magazine and Movieline.&nbsp; He is in his seventeenth year as host of the &ldquo;KCET Cinema Series&rdquo; in Los Angeles, and UCLA extension&rsquo;s &ldquo;Sneak Preview&rdquo; for the past ten years. &nbsp;He also hosts the TV series, &ldquo;Must See Movies,&rdquo; which showcases classic films every Friday night and Saturday afternoon on KCET. &nbsp;He is the recipient of five Emmy nominations for his television writing and is the winner of the 1996 Publicists Guild of America&rsquo;s Press Award.&nbsp; He is the second journalist in the organization&rsquo;s 50-year history to receive the award twice, winning again in 2013. &nbsp;He also served on the Board of Governors for the Academy of Television Arts &amp; Sciences representing writers for six years.

Story in the Public Square is a weekly, 30-minute series that brings audiences to the intersection of storytelling and public affairs. Hosted by Jim Ludes and G. Wayne Miller, Story in the Public Square offers a spirited but respectful dialogue. Often funny, always provocative, each episode of Story in the Public Square
moves beyond traditional public affairs programming to consider the impact of narrative and storytelling on public life today.

Story in the Public Square is a weekly, 30-minute series that brings audiences to the intersection of storytelling and public affairs. Hosted by Jim Ludes and G. Wayne Miller, Story in the Public Square offers a spirited but respectful dialogue. Often funny, always provocative, each episode of Story in the Public Square moves beyond traditional public affairs programming to consider the impact of narrative and storytelling on public life today.

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