The uncertainty of a creative career—waiting for acceptance and dealing with rejection—can be an isolating experience. Gayle Kabaker turned artistic resilience into advice for coping through the pandemic.

Kabaker is a graduate of the Academy of Art in San Francisco and has illustrated for various markets worldwide for over 35 years.  She illustrated her first New Yorker magazine cover, “June Brides,” in 2012, which celebrated gay marriage, and has subsequently illustrated five other covers for the New Yorker.  She uses travel as her inspiration, sometimes creating illustrated stories from her experiences.  Kabaker enjoys collaborating with Animators, filmmakers, editors & musicians to match talent with various projects.  She describes her creative process as “a combination of old school painting, mostly with Acryla Gouache paint, that I scan and finish in Photoshop.”  She adds, “I am also dipping my toe slowly into the world of “fine art” and selling original paintings and prints.”  Kabaker is also the illustrator of a book in art exhibition called “Vital Voices,” which celebrates a hundred women leaders and honors 100 years of women’s suffrage in America. Her portfolio with her illustrated stories and other projects can be found here.

The uncertainty of a creative career&mdash;waiting for acceptance and dealing with rejection&mdash;can be an isolating experience. Gayle Kabaker turned artistic resilience into advice for coping through the pandemic.
Kabaker is a graduate of the Academy of Art in San Francisco and has illustrated for various markets worldwide for over 35 years. &nbsp;She illustrated her first New Yorker magazine cover, &ldquo;June Brides,&rdquo; in 2012, which celebrated gay marriage, and has subsequently illustrated five other covers for the New Yorker. &nbsp;She uses travel as her inspiration, sometimes creating illustrated stories from her experiences. &nbsp;Kabaker enjoys collaborating with Animators, filmmakers, editors &amp; musicians to match talent with various projects.&nbsp; She describes her creative process as &ldquo;a combination of old school painting, mostly with Acryla Gouache paint, that I scan and finish in Photoshop.&rdquo;&nbsp; She adds, &ldquo;I am also dipping my toe slowly into the world of &ldquo;fine art&rdquo; and selling original paintings and prints.&rdquo; &nbsp;Kabaker is also the illustrator of a book in art exhibition called &ldquo;Vital Voices,&rdquo; which celebrates a hundred women leaders and honors 100 years of women&rsquo;s suffrage in America. Her portfolio with her illustrated stories and other projects can be found&nbsp;<a href="https://medium.com/@gaylekabaker">here</a>.

Story in the Public Square is a weekly, 30-minute series that brings audiences to the intersection of storytelling and public affairs. Hosted by Jim Ludes and G. Wayne Miller, Story in the Public Square offers a spirited but respectful dialogue. Often funny, always provocative, each episode of Story in the Public Square
moves beyond traditional public affairs programming to consider the impact of narrative and storytelling on public life today.

Story in the Public Square is a weekly, 30-minute series that brings audiences to the intersection of storytelling and public affairs. Hosted by Jim Ludes and G. Wayne Miller, Story in the Public Square offers a spirited but respectful dialogue. Often funny, always provocative, each episode of Story in the Public Square moves beyond traditional public affairs programming to consider the impact of narrative and storytelling on public life today.

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