30/70: Nu Spring
The creation of new music scenes

Song: Nu Spring by 30/70

Music Industry: Henry Lucas, Philippa Conlon, Zak Boardman & Lucy White
Journalism: Rhiannon Down, Samuel Richards and Hamish Lindsay
Sound Design: Israel Carter

This podcast explores the genre-bending world of Melbourne’s jazz/rap/soul/hip hop fusion scene, specifically its innately free and collaborative nature as displayed by the 30/70 collective and their song Nu Spring. Genre-defying music defined because of its community rather than solely the final product has paved the way for innovative acts and fresh scenes to find their way into the public eye.

30/70: Nu Spring The creation of new music scenes
Song: Nu Spring by 30/70
Music Industry: Henry Lucas, Philippa Conlon, Zak Boardman &amp;&nbsp;Lucy White Journalism: Rhiannon Down, Samuel Richards and Hamish Lindsay Sound Design: Israel Carter
This podcast explores the genre-bending world of Melbourne&rsquo;s jazz/rap/soul/hip hop fusion scene, specifically its innately free and collaborative nature as displayed by the 30/70 collective and their song Nu Spring. Genre-defying music defined because of its community rather than solely the final product has paved the way for innovative acts and fresh scenes to find their way into the public eye.

The Australian Music Vault celebrates contemporary Australian music and is as much about the future of music as the past. Sound as Ever, an Australian Music Vault podcast, will offer a youth perspective on issues within the Australian contemporary music industry. Young content makers and radio producers have produced podcast episodes that delve into challenges and issues facing the music industry, highlight brilliant Australian music and discuss perspectives on the music community.

Season 2 is a collaboration with RMIT University and explores the stories and issues around iconic Australian songs. Episodes 1 - 6 are produced by RMIT Music Industry students with interviews by RMIT Journalism students and RMIT Sound Design students completing the soundscapes. More information about the Sound as Ever podcast can be found on the Arts Centre Melbourne website. The Sound as Ever logo was designed by Hannah DeBuhr.

The Australian Music Vault celebrates contemporary Australian music and is as much about the future of music as the past. Sound as Ever, an Australian Music Vault podcast, will offer a youth perspective on issues within the Australian contemporary music industry. Young content makers and radio producers have produced podcast episodes that delve into challenges and issues facing the music industry, highlight brilliant Australian music and discuss perspectives on the music community. Season 2 is a collaboration with RMIT University and explores the stories and issues around iconic Australian songs. Episodes 1 - 6 are produced by RMIT Music Industry students with interviews by RMIT Journalism students and RMIT Sound Design students completing the soundscapes. More information about the Sound as Ever podcast can be found on the Arts Centre Melbourne website. The Sound as Ever logo was designed by Hannah DeBuhr.

Sound As Ever

Sound as Ever is an Australian Music Vault podcast produced by young content producers and radio makers from SYN Media interested in exploring stories and issues in the Australian music scene.

You can find full transcripts of the episodes on the Arts Centre Melbourne website. The Sound as Ever logo was designed by Hannah DeBuhr.

Sound as Ever is an Australian Music Vault podcast produced by young content producers and radio makers from SYN Media interested in exploring stories and issues in the Australian music scene.
You can find full transcripts of the episodes on the Arts Centre Melbourne website. The Sound as Ever logo was designed by Hannah DeBuhr.

Sound as Ever - Season 2 - Episode 5

Sampa The Great: Black Girl Magik
Exploring stories from new voices in Australian Hip Hop


Song: Black Girl Magik by Sampa the Great

Music Industry: Gabriel Gleeson, Stephanie Rickards, Rielly Haberecht & Jake Kerr
Journalism: Mariam Isa, Carla de la Paz, Ashna Bharkhada
Sound Design: Angelina Crutchfield

This episode of Sound as Ever began with a focus on the themes of identity and belonging, using Zambian born artist Sampa the Great’s track Black Girl Magik, which draws attention to a lack of non-Anglo representation in the culture of her new home of Australia. The story became one of immigration and cultural representation, with a window to the music and stories of African-Australian artists. We highlight the changing direction of domestic hip hop while celebrating a wave of new talent garnering major label attention.

Sampa The Great: Black Girl Magik Exploring stories from new voices in Australian Hip Hop 
Song: Black Girl Magik by Sampa the Great
Music Industry: Gabriel Gleeson, Stephanie Rickards, Rielly Haberecht &amp; Jake Kerr Journalism: Mariam Isa, Carla de la Paz, Ashna Bharkhada Sound Design: Angelina Crutchfield
This episode of Sound as Ever began with a focus on the themes of identity and belonging, using Zambian born artist Sampa the Great&rsquo;s track Black Girl Magik, which draws attention to a lack of non-Anglo representation in the culture of her new home of Australia. The story became one of immigration and cultural representation, with a window to the music and stories of African-Australian artists. We highlight the changing direction of domestic hip hop while celebrating a wave of new talent garnering major label attention.

Sound as Ever - Season 2 - Episode 6

Regurgitator: If this is the Blues, Why do I Feel so Green?
The Band in a Bubble

Song: If This is the Blues, Why do I Feel so Green? by Regurgitator

Music Industry: Jasper Bradley, Dan Walkeden and Juan Piflow
Journalism: Katie Colston, Linda Liem and Hussan Jama
Sound Design: D.A. Calf

Framed by this iconic Regurgitator song, this episode of Sound As Ever explores the creative merit, failures and ultimate succeses of the Band in a Bubble project, an experimental project that was a blend of reality TV and interactive media that resulted in the album Mish Mash. Whilst a typical blues-rock song at its core, contextualised within the album and reflected against their other works, this song epitomises the genre-defying, innovative and often characteristically unique characteristics of the unorthodox musical group.

Regurgitator: If this is the Blues, Why do I Feel so Green? The Band in a Bubble
Song: If This is the Blues, Why do I Feel so Green? by Regurgitator
Music Industry: Jasper Bradley, Dan Walkeden and Juan Piflow Journalism: Katie Colston, Linda Liem and Hussan Jama Sound Design: D.A. Calf
Framed by this iconic Regurgitator song, this episode of Sound As Ever explores the creative merit, failures and ultimate succeses of the Band in a Bubble project, an experimental project that was a blend of reality TV and interactive media that resulted in the album Mish Mash. Whilst a typical blues-rock song at its core, contextualised within the album and reflected against their other works, this song epitomises the genre-defying, innovative and often characteristically unique characteristics of the unorthodox musical group.

Sound as Ever - Season 2 - Episode 4

Hexdebt: Bitch Rising
A New Wave of Feminism in Australian Punk

Song: Bitch Rising by Hexdebt

Music Industry: Kingsley Siejka, Adrienne Arnot-Bradshaw and Hayden Ryan
Journliasm: Catie McLeod, Jonti Ridley and Madi Chwasta
Sound Design: D.A. Calf

This episode of Sound as Ever explores the song Bitch Rising by Hexdebt, a Melbourne-based intersectional feminist/non-binary punk band signed to Poison City Records. In contextualising Hexdebt in the Melbourne/Australian music scene, we’ll explore how the music scene is changing in terms of inclusivity, and how the conversation around gender and neuro-diversity has shifted over the years.

Interviewees: Agnes Whalan, Isobel D’cruz Barnes and Aife Larkin from Hexdebt, Ruari Currin from PBS show Fang It, Eve Fraser (Gender Pies), Shannon Driscoll from Girls Rock Melbourne!

Hexdebt: Bitch Rising A New Wave of Feminism in Australian Punk
Song: Bitch Rising by Hexdebt
Music Industry: Kingsley Siejka, Adrienne Arnot-Bradshaw and Hayden Ryan Journliasm: Catie McLeod, Jonti Ridley and Madi Chwasta Sound Design: D.A. Calf
This episode of Sound as Ever explores the song Bitch Rising by Hexdebt, a Melbourne-based intersectional feminist/non-binary punk band signed to Poison City Records. In contextualising Hexdebt in the Melbourne/Australian music scene, we&rsquo;ll explore how the music scene is changing in terms of inclusivity, and how the conversation around gender and neuro-diversity has shifted over the years.
Interviewees: Agnes Whalan, Isobel D&rsquo;cruz Barnes and Aife Larkin from Hexdebt, Ruari Currin from PBS show Fang It, Eve Fraser (Gender Pies), Shannon Driscoll from Girls Rock Melbourne!

Sound as Ever - Season 2 - Episode 5

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