There are albums that entertain, albums that impress, and then there are albums that feel like they open a door into a whole other world. Marcia Ball’s Let Me Play With Your Poodle is one of those rare records — a joyous, rolling, deeply human celebration of Gulf Coast blues delivered by an artist at the height of her powers. Released in 1997, at a time when the blues landscape was dominated by guitar‑slinging men, this album was a revelation. It reminded listeners everywhere that the piano has always been one of the genre’s beating hearts, and that Marcia Ball was one of its most electrifying storytellers.

From the moment her left hand starts that unmistakable rolling groove, you’re transported straight into the humid, neon‑lit world she grew up in — a place where Texas roadhouse grit meets Louisiana soul, where New Orleans R&B shakes hands with swamp pop, and where every song feels like it was born at 2am in a crowded bar with the windows open to the street.

The title track sets the tone: playful, confident, full of swagger. But the album’s magic lies in its range. Marcia moves effortlessly from strutting boogie‑woogie to tender balladry, from sly humour to emotional depth. Her band — a who’s‑who of Texas and Louisiana players — matches her stride for stride, creating a sound that’s rich, warm, and unmistakably alive.

And then there’s the closer, “Louisiana 1927,” a song that resonates deeply with anyone who’s lived through rising waters and the quiet heartbreak that follows. In Marcia’s hands, it becomes a hymn of resilience.

Let Me Play With Your Poodle isn’t just a great blues record — it’s a reminder of the joy, grit, and humanity that make this music timeless.

 

I’m so excited about bringing you this spectacular record this week. And for some extra special sauce, I’ve added new releases from Eric Bibb, Lil Ed & the Blues Imperials, Kim Wilson, Tinsley Ellis, Robert Randolph & The Family Band, Laura Chavez, Studebaker John & The Maxwell Street Kings,  Mike Finnigan, Christone “Kingfish” Ingram, Selwyn Birchwood and Bernard Allison.

There are albums that entertain, albums that impress, and then there are albums that feel like they open a door into a whole other world. Marcia Ball&rsquo;s Let Me Play With Your Poodle is one of those rare records &mdash; a joyous, rolling, deeply human celebration of Gulf Coast blues delivered by an artist at the height of her powers. Released in 1997, at a time when the blues landscape was dominated by guitar‑slinging men, this album was a revelation. It reminded listeners everywhere that the piano has always been one of the genre&rsquo;s beating hearts, and that Marcia Ball was one of its most electrifying storytellers.
From the moment her left hand starts that unmistakable rolling groove, you&rsquo;re transported straight into the humid, neon‑lit world she grew up in &mdash; a place where Texas roadhouse grit meets Louisiana soul, where New Orleans R&amp;B shakes hands with swamp pop, and where every song feels like it was born at 2am in a crowded bar with the windows open to the street.
The title track sets the tone: playful, confident, full of swagger. But the album&rsquo;s magic lies in its range. Marcia moves effortlessly from strutting boogie‑woogie to tender balladry, from sly humour to emotional depth. Her band &mdash; a who&rsquo;s‑who of Texas and Louisiana players &mdash; matches her stride for stride, creating a sound that&rsquo;s rich, warm, and unmistakably alive.
And then there&rsquo;s the closer, &ldquo;Louisiana 1927,&rdquo; a song that resonates deeply with anyone who&rsquo;s lived through rising waters and the quiet heartbreak that follows. In Marcia&rsquo;s hands, it becomes a hymn of resilience.
Let Me Play With Your Poodle isn&rsquo;t just a great blues record &mdash; it&rsquo;s a reminder of the joy, grit, and humanity that make this music timeless.
&nbsp;
I&rsquo;m so excited about bringing you this spectacular record this week. And for some extra special sauce, I&rsquo;ve added new releases from Eric Bibb, Lil Ed &amp; the Blues Imperials, Kim Wilson, Tinsley Ellis, Robert Randolph &amp; The Family Band, Laura Chavez, Studebaker John &amp; The Maxwell Street Kings, &nbsp;Mike Finnigan, Christone &ldquo;Kingfish&rdquo; Ingram, Selwyn Birchwood and Bernard Allison.

Shaun Bindley’s Blues with a Feeling has been playing the latest and greatest blues releases, album features and interviews from Australia and across the world for almost 30 years.

With a dedicated following both locally and internationally as a radio show of 27 years, Shaun is now working on producing Blues with a Feeling as a Podcast.

Shaun Bindley&rsquo;s Blues with a Feeling has been playing the latest and greatest blues releases, album features and interviews from Australia and across the world for almost 30 years.
With a dedicated following both locally and internationally as a radio show of 27 years, Shaun is now working on producing Blues with a Feeling as a Podcast.

Blues with a Feeling - The Official Podcast

Shaun Bindley’s Blues with a Feeling has been playing the latest and greatest blues releases, album features and interviews from across the world for almost 30 years.

Shaun Bindley&rsquo;s Blues with a Feeling has been playing the latest and greatest blues releases, album features and interviews from across the world for almost 30 years.