Slate's Slow Burn is one of the best podcast documentary series around, with each season driven forward by a simple framework: what was it like to live through a prominent historical event? For its fourth season, the team examines the rise of David Duke in the late '80s and early '90s, centering its attention on a major recent effort by a white supremacist to gain formal political power. Nick talks with Josh Levin, who hosts the season, and for whom the story of David Duke is a personal one.

Floodlines

 

Slate's <a href="https://slate.com/podcasts/slow-burn/s4/david-duke">Slow Burn</a> is one of the best podcast documentary series around, with each season driven forward by a simple framework: what was it like to live through a prominent historical event? For its fourth season, the team examines the rise of David Duke in the late '80s and early '90s, centering its attention on a major recent effort by a white supremacist to gain formal political power. Nick talks with <a href="https://twitter.com/josh_levin?lang=en">Josh Levin</a>, who hosts the season, and for whom the story of David Duke is a personal one.
<a href="https://www.theatlantic.com/podcasts/floodlines/">Floodlines</a>
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In the world of podcasts, anyone can tell their story. From major media institutions to mom and pop shops starting from scratch. Let Nick Quah guide you through this ever-changing world, as he speaks with the producers, hosts, and executives that are shaping the culture of podcasting.

In the world of podcasts, anyone can tell their story. From major media institutions to mom and pop shops starting from scratch. Let Nick Quah guide you through this ever-changing world, as he speaks with the producers, hosts, and executives that are shaping the culture of podcasting.

Servant of Pod with Nick Quah

Servant of Pod with Nick Quah (CLEAN)

Josh Levin: Slow Burn

Servant of Pod is coming to an end, and since this is the final episode, we figured we’d close out the show the same way we began: in a pandemic. (Kidding, but not really.) To send off the podcast, Nick is joined by The Verge’s Ashley Carman to build a (very) brief picture of where the podcast world is at the outset of 2021.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Servant of Pod is coming to an end, and since this is the final episode, we figured we&rsquo;d close out the show the same way we began: in a pandemic. (Kidding, but not really.) To send off the podcast, Nick is joined by The Verge&rsquo;s <a href="https://www.theverge.com/authors/ashley-carman">Ashley Carman</a> to build a (very) brief picture of where the podcast world is at the outset of 2021.
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Where We Are Now, Again

Writer, podcaster, and cultural critic Sarah Marshall has a distinct expertise: diving deep into the messy backstories of widely known subjects that are often overlooked in their elemental details. This week, Nick speaks with Marshall about the way she approaches her topics, her various projects, and the larger enterprise of sitting, listening, and forging an emotional connection with larger than life figures. 

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

<a href="https://www.buzzfeednews.com/article/sarahmarshall/20-years-ago-titanic-took-over-the-world-heres-why">Writer</a>, <a href="https://yourewrongabout.com/">podcaster</a>, and <a href="https://podcasts.apple.com/au/podcast/why-are-dads/id1527948382">cultural critic</a> Sarah Marshall has a distinct expertise: diving deep into the messy backstories of widely known subjects that are often overlooked in their elemental details. This week, Nick speaks with Marshall about the way she approaches her topics, her various projects, and the larger enterprise of sitting, listening, and forging an emotional connection with larger than life figures.&nbsp;
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Sarah Marshall of You’re Wrong About and Why are Dads?

Some call it “guilty pleasure,” some call it trash, but whatever description you use, you can’t deny that reality television is now firmly baked into the firmament of American reality. The relationship between the genre and podcasting is also increasingly felt, as more reality stars are starting their own shows — and more podcasts are affecting what’s happening on the screen. This week, Nick speaks with Mariah Smith, a reality TV expert and the host of Spectacle, a new series about the history of reality television and what it all means.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Some call it &ldquo;guilty pleasure,&rdquo; some call it trash, but whatever description you use, you can&rsquo;t deny that reality television is now firmly baked into the firmament of American reality. The relationship between the genre and podcasting is also increasingly felt, as more reality stars are starting their own shows &mdash; and more podcasts are affecting what&rsquo;s happening on the screen. This week, Nick speaks with Mariah Smith, a reality TV expert and the host of <a href="https://www.neonhum.com/show-pages/spectacle.html">Spectacle</a>, a new series about the history of reality television and what it all means.
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Josh Levin: Slow Burn

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