2:30 pm - Saturday Matinee

3:30 pm - Saturday Matinee

4:30 pm - Saturday Matinee

SATURDAY MATINÉE
Choral masterworks
Prepared by Elaine Siversen
With Peter Poole

Handel, G. Pastoral ode: L'Allegro, il penseroso ed il moderato, HWV55 (1740).    Michael Ginn, treb; Patrizia Kwella, sop; Marie McLaughlin, sop; Jennifer Smith, sop; Maldwyn Davies, ten; Martyn Hill, ten; Stephen Varcoe, bass; Monteverdi Choir; English Baroque Soloists/John Eliot Gardiner. 
Erato 2292-45377-2 [01:55:23]

Handel, G. Chandos anthem no 5: I will magnify thee, HWV250 (1717-18)T    Lynne Dawson, sop; Ian Partridge, ten; The Sixteen Ch & O/Harry Christophers. 
Chandos CHAN 0504 [23:20]

SATURDAY MATINÉE Choral masterworks Prepared by Elaine Siversen With Peter Poole
Handel, G. Pastoral ode: L'Allegro, il penseroso ed il moderato, HWV55 (1740).    Michael Ginn, treb; Patrizia Kwella, sop; Marie McLaughlin, sop; Jennifer Smith, sop; Maldwyn Davies, ten; Martyn Hill, ten; Stephen Varcoe, bass; Monteverdi Choir; English Baroque Soloists/John Eliot Gardiner. Erato 2292-45377-2 [01:55:23] Handel, G. Chandos anthem no 5: I will magnify thee, HWV250 (1717-18)T    Lynne Dawson, sop; Ian Partridge, ten; The Sixteen Ch &amp; O/Harry Christophers. Chandos CHAN 0504 [23:20]

Operetta, Oratorio and major Symphonic music featured in special programs to entertain on Saturday afternoons

Operetta, Oratorio and major Symphonic music featured in special programs to entertain on Saturday afternoons

Saturday Matinee

Saturday Matinee 22June2024

SATURDAY MATINÉE
Choral masterworks
Prepared by Elaine Siversen
With Anne-Louise Luccarini

Handel, G. Oratorio: Saul, HWV53 (1738).    

Handel, G. Oratorio: Saul, Part 1    
[01:05:17]

Handel, G. Oratorio: Saul, Part 2    
[01:13:28]

    Emma Moore, sop; Amy Corkery, sop; Tobias Cole, ct; Simon Gilkes, ten; Pascal Herington, ten; Paul Goodwin-Groen, bass; Sydney University Graduate Choir & O/Christopher Bowen. 
SUGC recording

SATURDAY MATINÉE Choral masterworks Prepared by Elaine Siversen With Anne-Louise Luccarini
Handel, G. Oratorio: Saul, HWV53 (1738).    Handel, G. Oratorio: Saul, Part 1    [01:05:17] Handel, G. Oratorio: Saul, Part 2    [01:13:28]    Emma Moore, sop; Amy Corkery, sop; Tobias Cole, ct; Simon Gilkes, ten; Pascal Herington, ten; Paul Goodwin-Groen, bass; Sydney University Graduate Choir &amp; O/Christopher Bowen. SUGC recording

Saturday Matinee 28September2024

SATURDAY MATINÉE
At the ballet
Prepared and presented by Dan Bickel

Glazunov, A. Ballet: Raymonda, op 57 (1896-97).    

Glazunov, A. Raymonda, Act I    
[01:10:34]

Glazunov, A. Raymonda, Act II    
[35:17]

Glazunov, A. Raymonda, Act III    
[33:20]

    Moscow SO/Alexander Anissimov. 
Naxos 8.553503-04

SATURDAY MATINÉE At the ballet Prepared and presented by Dan Bickel
Glazunov, A. Ballet: Raymonda, op 57 (1896-97).    Glazunov, A. Raymonda, Act I    [01:10:34] Glazunov, A. Raymonda, Act II    [35:17] Glazunov, A. Raymonda, Act III    [33:20]    Moscow SO/Alexander Anissimov. Naxos 8.553503-04

Saturday Matinee 21September2024

SATURDAY MATINÉE
Operetta in the afternoon
Prepared by Elaine Siversen
With Jules Laurent



Lehár, F. Eva. Operetta in three acts. Libretto by Alfred Maria Willner and Robert Baodanzky. First performed Vienna, 1911.    

Lehár, F. Eva, Act I    
[48:21]

Lehár, F. Eva, Act II    
[55:18]

Lehár, F. Eva, Act III    
[22:09]

    EVA: Morenike Fadayomi, sop
OCTAVE FLAUBERT: Reinhard Alessandri, ten
Lehár Festivals Bad Ischl Choir; Franz Lehár O/Wolfgang Bozic. 
cpo 777 148-2 [02:06:09]

    Eva works in a glass factory in Brussels. Octave Flaubert, a Parisian [bon vivant], takes over the management of the factory from his father, the owner. He is captivated by Eva’s beauty and attempts to seduce her by announcing to everyone that she is his fiancée. When she discovers that he doesn’t mean it, she flees to Paris. Courted by a Duke, she is drawn into the life of a [demi-mondaine] and even begins smoking cigarettes. Octave, lured to Paris by Eva’s concerned companions, is dazzled by her new appearance and realises that he loves her. Eva is tired of the artificial life she has been leading and now finds that Octave is her ‘prince in the fairytale’ coming to her rescue. 

Lehár, F. Excerpts from The Tsarévitch (1927).    Lina Dachary, sop; Remi Corazza, ten; ORTF Lyrique Ch & O/Adolphe Sibert. 
Naxos 8.111010 [08:34]

SATURDAY MATINÉE Operetta in the afternoon Prepared by Elaine Siversen With Jules Laurent
 Lehár, F. Eva. Operetta in three acts. Libretto by Alfred Maria Willner and Robert Baodanzky. First performed Vienna, 1911.    Lehár, F. Eva, Act I    [48:21] Lehár, F. Eva, Act II    [55:18] Lehár, F. Eva, Act III    [22:09]    EVA: Morenike Fadayomi, sop OCTAVE FLAUBERT: Reinhard Alessandri, ten Lehár Festivals Bad Ischl Choir; Franz Lehár O/Wolfgang Bozic. cpo 777 148-2 [02:06:09]    Eva works in a glass factory in Brussels. Octave Flaubert, a Parisian [bon vivant], takes over the management of the factory from his father, the owner. He is captivated by Eva’s beauty and attempts to seduce her by announcing to everyone that she is his fiancée. When she discovers that he doesn’t mean it, she flees to Paris. Courted by a Duke, she is drawn into the life of a [demi-mondaine] and even begins smoking cigarettes. Octave, lured to Paris by Eva’s concerned companions, is dazzled by her new appearance and realises that he loves her. Eva is tired of the artificial life she has been leading and now finds that Octave is her ‘prince in the fairytale’ coming to her rescue. Lehár, F. Excerpts from The Tsarévitch (1927).    Lina Dachary, sop; Remi Corazza, ten; ORTF Lyrique Ch &amp; O/Adolphe Sibert. Naxos 8.111010 [08:34]

Saturday Matinee 22June2024

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