2:30 pm - Saturday Matinee

3:30 pm - Saturday Matinee

4:30 pm - Saturday Matinee

SATURDAY MATINEE
At the ballet
Prepared by Stephen Wilson
With Angela Cockburn



Messager, A. Ballet: The two pigeons (1886).   

Messager, A. The two pigeons, Act I.   
[29:31]

Messager, A. The two pigeons, Act II.   
[33:26]

Welsh National Opera O/Richard Bonynge.
Decca 476 2448

Saint-Saëns, C. Suite from the ballet Javotte (1896).    Monte Carlo PO/David Robertson.
Auvidis V 4688 [20:51]

Respighi, O. Ballet: The magic toyshop, after Rossini (1919).    BBC PO/Gianandrea Noseda.
Chandos CHAN 10081 [44:37]

Moniuszko, S. Ballet music from The merry wives of Windsor (c1849).    Warsaw PO/Antoni Wit.
Naxos 8.573610 [09:38]

SATURDAY MATINEE At the ballet Prepared by Stephen Wilson With Angela Cockburn
 
Messager, A. Ballet: The two pigeons (1886).    Messager, A. The two pigeons, Act I.    [29:31] Messager, A. The two pigeons, Act II.    [33:26] Welsh National Opera O/Richard Bonynge. Decca 476 2448 Saint-Saëns, C. Suite from the ballet Javotte (1896).    Monte Carlo PO/David Robertson. Auvidis V 4688 [20:51] Respighi, O. Ballet: The magic toyshop, after Rossini (1919).    BBC PO/Gianandrea Noseda. Chandos CHAN 10081 [44:37] Moniuszko, S. Ballet music from The merry wives of Windsor (c1849).    Warsaw PO/Antoni Wit. Naxos 8.573610 [09:38]

Operetta, Oratorio and major Symphonic music featured in special programs to entertain on Saturday afternoons

Operetta, Oratorio and major Symphonic music featured in special programs to entertain on Saturday afternoons

Saturday Matinee

Saturday Matinee 20April2024

SATURDAY MATINEE
Choral masterworks
Prepared by Rita Felton
With Heather Middleton



Mozart, W. Regina coeli laetare in C, K108 (1771).    Dagmar Schellenberger-Ernst, sop; Leipzig Radio Choir; Michael-Christfried Winkler, org; Leipzig RSO/Herbert Kegel.
Philips 422 520 2 [16:19]

Pergolesi, G. Missa romana in F.    Theo Altmeyer, ten; Siegfried Haertel, bar; Michael Schopper, bar; Tölz Boys’ Choir; Choir of Montserrat Abbey; Collegium Aureum/Ireneu Segarra.
LP Harmonia Mundi 21230 [37:14]

Beethoven, L. Calm sea and prosperous voyage, op 112 (1814-15).    Bodil Arnesen, sop; Berlin Radio Choir & SO/Karl Anton Rickenbacher.
Koch Schwann 3-1485-2 [08:43]

Elgar, E. Masque: The crown of India, op 66 (1912; orch. compl. Payne)    Clare Shearer, mezz; Gerald Finlay, bar; Barbara Martin, narr; Deborah McAndrew, narr; Joanne Mitchell, narr; Sheffield Philharmonic Ch; BBC PO/Andrew Davis.
Chandos CHAN 10570(2) [01:15:09]

SATURDAY MATINEE Choral masterworks Prepared by Rita Felton With Heather Middleton
 Mozart, W. Regina coeli laetare in C, K108 (1771).    Dagmar Schellenberger-Ernst, sop; Leipzig Radio Choir; Michael-Christfried Winkler, org; Leipzig RSO/Herbert Kegel. Philips 422 520 2 [16:19] Pergolesi, G. Missa romana in F.    Theo Altmeyer, ten; Siegfried Haertel, bar; Michael Schopper, bar; Tölz Boys’ Choir; Choir of Montserrat Abbey; Collegium Aureum/Ireneu Segarra. LP Harmonia Mundi 21230 [37:14] Beethoven, L. Calm sea and prosperous voyage, op 112 (1814-15).    Bodil Arnesen, sop; Berlin Radio Choir &amp; SO/Karl Anton Rickenbacher. Koch Schwann 3-1485-2 [08:43] Elgar, E. Masque: The crown of India, op 66 (1912; orch. compl. Payne)    Clare Shearer, mezz; Gerald Finlay, bar; Barbara Martin, narr; Deborah McAndrew, narr; Joanne Mitchell, narr; Sheffield Philharmonic Ch; BBC PO/Andrew Davis. Chandos CHAN 10570(2) [01:15:09]

Saturday Matinee 27April2024

SATURDAY MATINEE
Operetta in the afternoon
Prepared by Elaine Siversen
With Jules Laurent



Strauss, J. II The goddess of reason. Operetta in three acts. Libretto by Alfred Willner and Bernhard Buchbinder. First performed Vienna, 1897.   

Strauss, J. II The goddess of reason, Act I.   
[41:53]

Strauss, J. II The goddess of reason, Act II.   
[29:57]

Strauss, J. II The goddess of reason, Entr’acte & Act III.   
[13:01]

   JACQUELIN: Wolfgang Veith, ten
ERNESTINE: Isabella Ma-Zach, sop
COLONEL FURIEUX: Manfred Equiluz, ten
BONHOMME: Franz Födinger, ten
COUNTESS MATHILDE: Veronika Groiss, sop
CAPTAIN ROBERT: Kirlianit Cortes, ten
Frantişek Figura, vn; Slovak Sinfonietta, Zilina/Christian Pollack.
Naxos 8.660280-81

   Jacquelin, an artist, is on the run because of his political caricatures during Robespierre’s ‘reign of terror’. He and his lover, Ernestine, are planning to escape from France and need passports from Colonel Furieux. Furieux refuses to issue them when Ernestine is delayed by an engagement in the theatre as the goddess of reason. He threatens to execute Jacquelin if she does not come. Ernestine’s carriage is surrounded by a drunken mob. They seize Bonhomme and mock marry him to the goddess of reason. The Countess Mathilde is trying to escape but has no passport. Bonhomme declares that she is the expected prima donna, Ernestine. Jacquelin, hoping to save himself, introduces her to Colonel Furieux as Ernestine. Furieux invites the Countess to dinner with the officers where she is to choose her cavalier. All except Captain Robert line up to be chosen, but it is he whom she chooses. Later Furieux makes advances to her but Robert comes to her aid.
Furieux sees his caricature in Jacquelin’s sketchbook. Afraid for his life, Jacquelin admits that the Countess is not Ernestine. Furieux orders the Countess to be arrested as an aristocrat. Robert stands by her but is revealed as a marquis. Bonhomme, as a delegate to the Convention, declares that he is arresting them and taking them away for the severest punishment and threatens to arrest Furieux. Ernestine, as the goddess of reason, sways the crowd’s opinion in favour of Bonhomme’s action. Ernestine gives the passports which Jacquelin had obtained for her and himself to the Countess and Robert who escape and later marry, as do Jacquelin and Ernestine.

Offenbach, J. Excerpts from La vie parisienne (1866).    June Bronhill, sop; Suzanne Steele, sop; Cynthia Morey, sop; Anna Pollak, mezz; Kevin Miller, ten; Jon Weaving, ten; John Fryatt, ten; John Kentish, ten; Eric Shilling, bass-bar; Peter Tracey, bass; Sadlers Wells Ch & O/Alexander Faris.
LP HMV OCLP 1468 [49:51]

SATURDAY MATINEE Operetta in the afternoon Prepared by Elaine Siversen With Jules Laurent
 
Strauss, J. II The goddess of reason. Operetta in three acts. Libretto by Alfred Willner and Bernhard Buchbinder. First performed Vienna, 1897.    Strauss, J. II The goddess of reason, Act I.    [41:53] Strauss, J. II The goddess of reason, Act II.    [29:57] Strauss, J. II The goddess of reason, Entr’acte &amp; Act III.    [13:01]    JACQUELIN: Wolfgang Veith, ten ERNESTINE: Isabella Ma-Zach, sop COLONEL FURIEUX: Manfred Equiluz, ten BONHOMME: Franz Födinger, ten COUNTESS MATHILDE: Veronika Groiss, sop CAPTAIN ROBERT: Kirlianit Cortes, ten Frantişek Figura, vn; Slovak Sinfonietta, Zilina/Christian Pollack. Naxos 8.660280-81    Jacquelin, an artist, is on the run because of his political caricatures during Robespierre’s ‘reign of terror’. He and his lover, Ernestine, are planning to escape from France and need passports from Colonel Furieux. Furieux refuses to issue them when Ernestine is delayed by an engagement in the theatre as the goddess of reason. He threatens to execute Jacquelin if she does not come. Ernestine’s carriage is surrounded by a drunken mob. They seize Bonhomme and mock marry him to the goddess of reason. The Countess Mathilde is trying to escape but has no passport. Bonhomme declares that she is the expected prima donna, Ernestine. Jacquelin, hoping to save himself, introduces her to Colonel Furieux as Ernestine. Furieux invites the Countess to dinner with the officers where she is to choose her cavalier. All except Captain Robert line up to be chosen, but it is he whom she chooses. Later Furieux makes advances to her but Robert comes to her aid. Furieux sees his caricature in Jacquelin’s sketchbook. Afraid for his life, Jacquelin admits that the Countess is not Ernestine. Furieux orders the Countess to be arrested as an aristocrat. Robert stands by her but is revealed as a marquis. Bonhomme, as a delegate to the Convention, declares that he is arresting them and taking them away for the severest punishment and threatens to arrest Furieux. Ernestine, as the goddess of reason, sways the crowd’s opinion in favour of Bonhomme’s action. Ernestine gives the passports which Jacquelin had obtained for her and himself to the Countess and Robert who escape and later marry, as do Jacquelin and Ernestine. Offenbach, J. Excerpts from La vie parisienne (1866).    June Bronhill, sop; Suzanne Steele, sop; Cynthia Morey, sop; Anna Pollak, mezz; Kevin Miller, ten; Jon Weaving, ten; John Fryatt, ten; John Kentish, ten; Eric Shilling, bass-bar; Peter Tracey, bass; Sadlers Wells Ch &amp; O/Alexander Faris. LP HMV OCLP 1468 [49:51]

Saturday Matinee 13April2024

SATURDAY MATINÉE
Orchestral grandeur
Prepared by Jacky Ternisien
With Stephen Gard



Bottesini, G. Overture to Ali Baba (1871).    London SO/Franco Petracchi.
Naxos 8.570398 [05:28]

Ravel, M. Shéhérazade, fairy overture (1898).    Minnesota O/Eiji Oue.
Reference RR-79CD [12:16]

Rimsky-Korsakov, N. Scheherazade, symphonic suite after 1001 nights, op 35 (1888).    Daniel Majeske, vn; Cleveland O/Lorin Maazel.
Decca 480 6627 [42:08]

Nielsen, C. Incidental music to Aladdin, op 34 (1918-19).    Mette Ejsing, cont; Guido Paevatalu, bar; Danish National Radio Chamber Choir & SO/Gennady Rozhdestvensky.
Chandos CHAN 9135 [01:19:15]

SATURDAY MATINÉE Orchestral grandeur Prepared by Jacky Ternisien With Stephen Gard
 
Bottesini, G. Overture to Ali Baba (1871).    London SO/Franco Petracchi. Naxos 8.570398 [05:28] Ravel, M. Shéhérazade, fairy overture (1898).    Minnesota O/Eiji Oue. Reference RR-79CD [12:16] Rimsky-Korsakov, N. Scheherazade, symphonic suite after 1001 nights, op 35 (1888).    Daniel Majeske, vn; Cleveland O/Lorin Maazel. Decca 480 6627 [42:08] Nielsen, C. Incidental music to Aladdin, op 34 (1918-19).    Mette Ejsing, cont; Guido Paevatalu, bar; Danish National Radio Chamber Choir &amp; SO/Gennady Rozhdestvensky. Chandos CHAN 9135 [01:19:15]

Saturday Matinee 20April2024

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