Today on the show, long-time Race Matters host Sara El Youghun interviews some of our new brilliant volunteers: King, Tristan and Leya. Together, they chat through why they were drawn to joining this community, some of their favourite and most formative tracks, and what makes a place like Race Matters brilliant & special <3

Shout out to our other new vols Day & Malaak, to Shareeka Helaluddin who carved the way in expanding the Race Matters ecology, and to our beloved EP Prinita Thevarajah.

 

Produced by Samantha Haran

Today on the show, long-time Race Matters host Sara El Youghun interviews some of our new brilliant volunteers: King, Tristan and Leya. Together, they chat through why they were drawn to joining this community, some of their favourite and most formative tracks, and what makes a place like Race Matters brilliant &amp; special &lt;3
Shout out to our other new vols Day &amp; Malaak, to Shareeka Helaluddin who carved the way in expanding the Race Matters ecology, and to our beloved EP Prinita Thevarajah.
&nbsp;
Produced by Samantha Haran

Race Matters is an anti-racist show that explores the values and complexities of race, culture and identity. In-depth interviews and unique story telling and spanning arts, music, politics, global and local events, plus experimental audio and community takeovers.

Listen back to all our episodes on fbi.radio including radio exclusives, and stay up to date on our instagram 

Listen to our Solidarity Syndicate series - sharing across airwaves and borders and our Liquid Homelands series - an experimental, queer audio offering

We honor all hosts, producers, storytellers that have made this work possible as well as the long tradition of storytelling, resistance and resilience that has taken place on Gadigal Country, where fbi.radio broadcasts out of.  

Our logo design by Jessica Mulet, our theme songs was composed by Mateo Baskaran 

Race Matters is made possible thanks to the Community Broadcasting Foundation

Race Matters is an anti-racist&nbsp;show that explores the values and complexities of race, culture and identity. In-depth interviews and unique story telling and spanning arts, music, politics, global and local events, plus experimental audio and community takeovers.
Listen back to <a href="https://www.fbi.radio/programs/race-matters">all our episodes on fbi.radio</a> including radio exclusives, and stay up to date on our&nbsp;<a href="https://www.instagram.com/race_matters/">instagram</a>&nbsp;
<a href="https://soundcloud.com/fbiradiosydney/sets/race-matters-sol-dar-ty-synd">Listen to our Solidarity Syndicate series</a> - sharing across airwaves and borders and our&nbsp;<a href="https://soundcloud.com/fbiradiosydney/sets/racematters_liquid-homelands">Liquid Homelands</a> series - an experimental, queer audio offering
We honor all hosts, producers, storytellers that have made this work possible as well as the long tradition of storytelling, resistance and resilience that has taken place on Gadigal Country, where fbi.radio broadcasts out of.&nbsp;&nbsp;
Our logo design by Jessica Mulet, our theme songs was composed by Mateo Baskaran&nbsp;
Race Matters is made possible thanks to the&nbsp;<a href="https://cbf.org.au/">Community Broadcasting Foundation</a>

Conversations about the values and complexities of race, culture, identity

Race Matters

Beyond representation. Anti-racist radio with in-depth interviews and unique story telling spanning arts, music, global politics, local events + more

Beyond representation. Anti-racist radio with in-depth interviews and unique story telling spanning arts, music, global politics, local events + more

#207 Forging possibility together

“Why be a sunflower and turn towards the sun? I myself am the sun”

Ousmane Sembène

~

In this episode of Race Matters, kaapse South African sound-maker Tristan Cornelissen speaks with Safia Amadou, co-founder and co-director of Africa Film Festival Australia, about the importance of creating space for African and African-diaspora filmmakers to tell their own stories.

From the histories of colonial representation, to the growing audiences for African cinema in so-called Australia, we ask what becomes possible when people have the space and means to decide not only what stories are told, but how they are told, and who they are told for.

&ldquo;Why be a sunflower and turn towards the sun? I myself am the sun&rdquo;
Ousmane Semb&egrave;ne
~
In this episode of Race Matters, kaapse South African sound-maker Tristan Cornelissen speaks with Safia Amadou, co-founder and co-director of Africa Film Festival Australia, about the importance of creating space for African and African-diaspora filmmakers to tell their own stories.
From the histories of colonial representation, to the growing audiences for African cinema in so-called Australia, we ask what becomes possible when people have the space and means to decide not only what stories are told, but how they are told, and who they are told for.

#213 On carving out space for our stories

What does it mean to understand the personal and political as truly intertwined? 

To know and to understand that the wins, griefs, losses, day-to-days and dreams of our lives are all shaped by political infrastructures? 

And how can this knowing transform how we live our lives?

On today’s show, Samantha Haran is in conversation with Lebanese writer Sheree Joseph about her new memoir, Juicy: How to Live a Life in the Wreckage of Expectations. This memoir takes us on a journey through Sheree’s own reckoning with being unable to fulfil what she thought was expected of her by her mid 30s: a husband, motherhood, children, a home, a neat plan. Coming to terms with these expectations-lost required her to re-think everything about what it means to live a meaningful life. Together, Samantha and Sheree talk through how Sheree has been reconceiving everything from motherhood to writing to grief, and finding a new paradigm for how to live in this ever-changing, ever-heartbreaking - but also, ever-beautiful - world.

Buy Sheree Joseph’s memoir, Juicy: How to Live a Life in the Wreckage of Expectations

Follow Sheree on instagram: @shereewriter 

What does it mean to understand the personal and political as truly intertwined?&nbsp;
To know and to understand that the wins, griefs, losses, day-to-days and dreams of our lives are all shaped by political infrastructures?&nbsp;
And how can this knowing transform how we live our lives?
On today&rsquo;s show, Samantha Haran is in conversation with Lebanese writer Sheree Joseph about her new memoir,&nbsp;Juicy: How to Live a Life in the Wreckage of Expectations. This memoir takes us on a journey through Sheree&rsquo;s own reckoning with being unable to fulfil what she thought was expected of her by her mid 30s: a husband, motherhood, children, a home, a neat plan. Coming to terms with these expectations-lost required her to re-think everything about what it means to live a meaningful life. Together, Samantha and Sheree talk through how Sheree has been reconceiving everything from motherhood to writing to grief, and finding a new paradigm for how to live in this ever-changing, ever-heartbreaking - but also, ever-beautiful - world.
<a href="https://publishing.hardiegrant.com/en-au/books/juicy-by-sheree-joseph/9780645858136">Buy Sheree Joseph&rsquo;s memoir,&nbsp;Juicy: How to Live a Life in the Wreckage of Expectations</a>
Follow Sheree on instagram: @<a href="https://instagram.com/shereewriter">shereewriter</a>&nbsp;

#212 In the wreckage of expectations

“What kind of space allows people like us to fully exist? To be a Black, queer creative is to return to this question again and again, and, sometimes, to become the answer yourself.”

Visionary performer, curator, founder of Pyramid, Basjia reflects on the language she discovered through movement, tracing the journey from a body shaped by expectation to one that became a site of freedom, pleasure and expression. Together, King and Basjia explore what it means to move through a world that celebrates Black creativity and how performance can transmute into a practice of resistance.

A Language We Learned is a month-long Race Matters residency led by King Baba, centring Black Afro-diasporic creatives across so-called Australia through storytelling, conversation and music. The series is supported by technical producer and creative collaborator Prinitha Theverajah, with creative mentorship from Shareeka Helaluddin and Binta Yade, and artwork by Tim Worton.

Content warning: this episode contains discussion of eating disorder and dysmorphia.

&ldquo;What kind of space allows people like us to fully exist? To be a Black, queer creative is to return to this question again and again, and, sometimes, to become the answer yourself.&rdquo;
Visionary performer, curator, founder of Pyramid, <a href="https://www.patreon.com/cw/Basjia">Basjia</a> reflects on the language she discovered through movement, tracing the journey from a body shaped by expectation to one that became a site of freedom, pleasure and expression. Together, King and Basjia explore what it means to move through a world that celebrates Black creativity and how performance can transmute into a practice of resistance. A Language We Learned is a month-long Race Matters residency led by King Baba, centring Black Afro-diasporic creatives across so-called Australia through storytelling, conversation and music. The series is supported by technical producer and creative collaborator Prinitha Theverajah, with creative mentorship from Shareeka Helaluddin and Binta Yade, and artwork by Tim Worton.
Content warning: this episode contains discussion of eating disorder and dysmorphia.

#207 Forging possibility together

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