The Cover-Up

Published Dec 10, 2021, 8:00 AM

Hermana Claudia has some unexpected skills that help get Maria del Carmen out of a big pickle. Luisa and Raul have an intimate conversation at La Casa Rosa.

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Fantastica Sola Presse. Previously on the Princess of South Beach. Raoul is recovering at the hospital after being beaten up by the mobsters who are coming after Nacho to get the money he owes them. Raoul told all of this to Luisa, who went to visit him at the hospital. She really is turning over a new leaf, huh. And after an existential crisis, Maria del Garman went to see the only person she trusts Edmana Claudia with Estraya. She ended up telling her nun mom the whole story. What they didn't realize was that Nacho follow them to the convent and secretly listened to the entire thing. When Nacho realized that Gloria was actually Maria del Garmin, he threatened her and after a struggle involving all three, a body fell to the ground. But whose will it be? Are you too? Okay? See siss now? I think so yeah, yeah, yeah, yeah, I'm okay. Oh god, his head is bleeding, Nacho, Oh no, that's a lot of blood. No, no, no, get out of the way. Let me see if he's breathing. Looks like he hid his head pretty hard on the statue of San Martine bores. Ah, well he's dead. What radio? It was an accident. He grabbed me and I was just trying to get away. I pushed him, but it was instinct. I killed him. We need to call an ambulance for what? Didn't I just tell you that he's dead? No, no, no, no no, no, no no no no. I'm not going to prison. I am not made for prison. What are we gonna do? What are we gonna do? What are we gonna die? Okay, okay, okay, okay, calm down, both of you. I already got a dead body on my hands. I don't need two Panican girls on top of it. Sorry forgive me. This is all my fault. If I hang up with that, guilt is not gonna solve anything. Can take that conversation up with God later. He's busy, but he'll make time. No, we're in this together, Estralia. Go and bring that mantle that's by the statue, by the altar, the one that's covering the statue of Jesus. Yeah, I guess he doesn't really need it. Now, Gardman, which one is your car? That one estrays perfect? Now? Help me turn him over? What? No, no, no, no no, no, I can't. I can't touch him. He's dead. I can't. I get it together. The other cardman, damn ba. We need to find his keys. Now lift him up so I can check his pockets. Okay, got him. Bring his car around the front, but make sure to not turn on the headlights. We don't want to call attention to ourselves the screaming and the fire on the accidental murder. Happy enough, bark his car with a trunk, looking towards the church entrance. Why are you both still staring at me? Woa wove yea and Manna? Have you like done this before? All the other thing? Uh? That I was born in a habit I put follower. I've seen some you know what, mida now mo wow? Okay, I was not expecting that from a nun. When while those three cover up their crime, Raoul is recovering from his injuries and drowning his sorrows at the bottom of a bottle with the most unexpected friend, Luisa. Lisa, thank you for having me a place to stay for the night. The truth is, I don't feel too safe spending the night alone in my house with everything that's going on. Mentioning honest, the menting I'm thankful for the company. I never thought you or the type tole like company. What is that supposed to mean? Another? No, I'm kidding. I know I can be a kind of a bitch sometimes, but I'm working on it. Don't. Don't put the cup down without a coast or the US. Oh sorry, I mean hey, yeah, I've been kind of lonely too. Well, then let's toast for all the sad and lonely people out there. Oh yeah, you've never told me why Gloria left you. I would ask her myself, but truth be told, Since the accident, she's not talking to me much anymore. I don't know. She just kept saying that she couldn't be with me. You know that things have changed, But how could that happen if she was the a one sauce to my stake do? You may not know how to engage in a conversation without veering into She used to love my metal for it. She pretended like she didn't, but she loved Yeah, yeah, yeah, just stop crying. Okay, she'll probably come around, you know how she is. One day she loves her dress and the next she's throwing it out The window. Oh this is different. Yeah, ever since the accident. She doesn't laugh like she did before, she doesn't talk like she did before. She's completely different. And if I lose her, I mean, nah dah. Maybe this is for the best. People change, and the last thing you want is to realize too late that you are with the wrong person. You deserve someone who loves you for you. Now, trust me, don't tell me that you and Stebe aren't happy. You've always seemed so well. Actually, now you mentioned it. I don't know if I've ever seen you two in the same room. It didn't used to be like this, but now, truth is, he doesn't even speak to me that much. I don't think he's much of a fan. Oh Luisa, he's an idiot. What did you say? He's an idiot? Okay, maybe we haven't really gotten along, but I'm starting to see who you really are. And you are caring and funny and kind, maybe not to everyone, but definitely the people you care about. And I mean, you're real in a city full of fake people. My plastic surgeon would disagree. The point is, if Esteban can appreciate the wonderful wife he has, then he's an idiot. M see, he's an idiot idiot, but for some reason, I love him and it's taken me twenty years to realize that he doesn't love me back. The only thing he ever loved was my money. It's okay, this is so embarrassing, breathed with meek in here. I don't even know why this is happening. It's okay anymore. Just believe me. It never stops. Okay, Okay, this is this is gonna sound strange. Okay, but can you hug me? I haven't had physical contact with another human being in a very, very, very very long time. Of course, I love hugs. Okay, Okay, Oh that feels nice. Oh yeah, that's nice. What what are you doing? Did you just try to kiss me? Oh god? Oh sorry, I'm drunk. I thought there was a vibe and I haven't been kissing over a decade. And I'm I'm so sorry. You know, I'm I'm going to bed. No, no, no, no, it's okay. Um, listen, don't get me wrong. You're a hot older woman, but you're a hot older woman who is the mother of my ex fiance, So can you stop saying older woman? I'm so sorry. Uh, should I go. I was planning on saying over because of the thugs, you know, trying to kill me and my father. But no, no, no, no no, no, it's fine, it's fine. Just stay. Let's just pretend this didn't happen. Okay, m yeah, I'll leave you to it. I have to rush my hair. WHOA can't a day go by without someone cheating on someone else? And Raoul, I didn't think that you were sort of into my mom. Well, it seems like things are awkward or maybe hot between Raoul and Luisa. Whatever. Let's see how our three accidental murderers are doing. Hey, tea lovers, it's me Tatiana. Obviously, boy, do we have a juicy scoop for you? On the next Tea with Tatiana next week, we'll have Karen, self proclaimed assistant of the Year, giving us all the juicy insights we've been craving for on the Calderonne front. Also, there's more talk about that slick Lincoln aviator GT. Oh gosh, that SUV is really taking over. I love it. All Right, that's it for now, but be sure to tune in next time for more scandalous rumors about the Calderon's on the next tea with Tatiana. Okay, on the count of three, we lift him up. Ready, you own a surprisingly heavy for a short guy. Not forgive me. I never meant for this to happen. I mean, now, what's done is done. How all that's left is to pray and get rid of the body. Seriously, you're kind of scaring me. What did you do before becoming a nun? Well, everything started at a work camp in Couva. I was a lunge singer and I met a young Fidel before he was the revolutionary and then well you know what happened in Maldito. But that story is for another day. For now, Maria Garman, remember when you were a little girl and we took you to the Everglades on a day track. Um, see bueno, that's where you're going to get right now, Maria, you drive Nacho's car and Estralia you follow her in your car. Why do I have to drive Nacho's car? Yeah? More, Okay, I think that a non driving a Ferrari is going to seem a little suspicions, don't you think, Maria? No one would be surprised to see loriacal. They don't drive in a car like that, which is why Estralia can't drive it either has to be you Aura, pay attention. Get on the eight thirty six until you make it to the forty one. Don't stop until you make it to the middle of the Everglades. And then what then You put the car in neutral and you push it into the swamp. No one should know how to get rid of a body so quickly. It's awesome but also disturbing. Hm Na, I'll stay behind and clean this mess. So now Maria del Carmin doesn't just steal lives, she takes lives. What happened to the innocent girl from the convent? Spoiler alert, she's disposing of a dead body Estraya. I am freaking out, Maria. Maria, listen to me. You're okay. Just breathe. Let me hear you breathe. Okay, that was a little in tim. We're almost there. Stay calm, I'm right behind you. Look up the car and drive right back. Oh no, oh, no, I think there's a cop following us. Oh my god, you're soul nervous. Nobody is following us. No, I'm being serious. I think there's a cop following us. I already told you there's no one following us. Okay, okay, maybe there is a cop following us, a ferrari that's not hers, a body in the trunk and on her way to the Effort Glades. How are you going to get yourself out of this? One, little ciss? If you're enjoying Princess of South Beach, please subscribe, rate, and review our show wherever you're listening. The Princess of South Beach is a production of Ihearts, Michael Podcast Network and Sono, Created and directed by Jasmine Romero, Written by Jasmine Romero and Joanna Houseman with help from daniels Er, Monisa Henri, and Christian. Produced by Luis You, Executive produced by Conald Byrne and Giselle Bances for iHeart by Joanna Houseman, and by Jasmine Romero and Joshua Weinstein for Sonora. Performances in this episode by Rachel Zegler, Gina Torres, Yvonne cole X Mayo, and Andy Bustillos. Our production manager is Guerinsachitis. Recording and engineering by Emiliano Quintanar, with sound designed by Edwin Irigoyen Cassandra Tinajo Andres Bayena, Diego Medina and Andres Coronaldo. Assistant sound designed by Eric Senttheno, Casting and coordination by Andres Chitis, Folly by Samantha Gonzalez Fong, our theme song and original music by Rodrigo Garcia Roles and Charlie Hernandez

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