The End of Oak Street was marketed as the next IMAX summer tentpole film after The Odyssey and Spiderman: Brand New Day, but the sci-fi dinosaur thriller hasn't lived up to expectations, either at the box office or with audiences, who've given it middling ratings. The film also marks David Robert Mitchell's return to the director's chair for the first time in eight years since Under the Silver Lake polarised festivalgoers at the Cannes Film Festival in 2018. We discuss the prehistoric set pieces, the high-calibre cast of Anne Hathaway and Ewan McGregor, and why the film might be struggling to find audiences. 

Image Credit: IMDb

The End of Oak Street was marketed as the next IMAX summer tentpole film after The Odyssey and Spiderman: Brand New Day, but the sci-fi dinosaur thriller hasn't lived up to expectations, either at the box office or with audiences, who've given it middling ratings. The film also marks David Robert Mitchell's return to the director's chair for the first time in eight years since Under the Silver Lake polarised festivalgoers at the Cannes Film Festival in 2018. We discuss the prehistoric set pieces, the high-calibre cast of Anne Hathaway and Ewan McGregor, and why the film might be struggling to find audiences. Image Credit: IMDb

Talking apes and Jedi Knights are cool, but how do they impact Hollywood as a whole? That's the kind of stuff we talk about on Popcorn Culture - a mixed-bag-exploration of the movies, TV shows, and pop culture buzz that we love, as well as the ones we love (slightly) less.

Talking apes and Jedi Knights are cool, but how do they impact Hollywood as a whole? That's the kind of stuff we talk about on Popcorn Culture - a mixed-bag-exploration of the movies, TV shows, and pop culture buzz that we love, as well as the ones we love (slightly) less.