Happy Halloween! In the conclusion of this two-part series, the Author and Toby Dammit stumble upon a mysterious little man in a covered bridge. Toby cannot resist demonstrating his “athletic prowess” to the man, but the results are not quite what he (repeatedly) bargained for. Part Two of a rare comedic story from Edgar Allan Poe.

Part radio drama, part podcast, and all Edgar Allan Poe. A new spine-tingling play for your ears every month, adapted from America’s most famous horror and suspense writer.  Gothic frights, by The National Edgar Allan Poe Theatre.

Poe Theatre on the Air

Never Bet the Devil Your Head, Part Two

This Halloween special edition of Poe Theatre on the Air features two readings of the works of Edgar Allan Poe: “The Masque of the Red Death” and “Shadow (a Parable).”

Published in 1842, “The Masque of the Red Death” has been adapted numerous times, most notably by Roger Corman in a 1964 film starring Vincent Price.

“Shadow (a Parable)” was written by Poe during his time in Baltimore and published in 1835. The story is read by British actor Helen Atkinson-Wood, best known for her work in the BBC series “Blackadder.”

The National Edgar Allan Poe Theatre on the Air is sponsored in part by Baltimore’s own RavenBeer, and by DC Dogs, a multimedia performing arts troupe.

Special thanks to the Baltimore Office of Promotion and the Arts, and the Edgar Allan Poe House and Museum in Baltimore.

This Halloween special edition of Poe Theatre on the Air features two readings of the works of Edgar Allan Poe: “The Masque of the Red Death” and “Shadow (a Parable).”
Published in 1842, “The Masque of the Red Death” has been adapted numerous times, most notably by Roger Corman in a 1964 film starring Vincent Price.
“Shadow (a Parable)” was written by Poe during his time in Baltimore and published in 1835. The story is read by British actor Helen Atkinson-Wood, best known for her work in the BBC series “Blackadder.”
The National Edgar Allan Poe Theatre on the Air is sponsored in part by Baltimore’s own RavenBeer, and by DC Dogs, a multimedia performing arts troupe.
Special thanks to the Baltimore Office of Promotion and the Arts, and the Edgar Allan Poe House and Museum in Baltimore.

The Masque of the Red Death and Shadow (a Parable)

The second of Poe’s Auguste Dupin detective stories, “The Mystery of Marie Roget” follows Dupin and his biographer as they unravel the case of a missing perfume worker, found dead in the river. Written by James Comtois, and directed by Alex Zavistovich. Music and sound effects by James D. Watson, featuring the voices of Adam R. Adkins, David Hanauer, Jimi Kinstle, Melanie Kurstin, Jennifer Restak, and Alex Zavistovich.

“The Mystery of Marie Roget” was recorded live in the Poe Room of The Enoch Pratt Free Library in Baltimore, MD, and made possible by The Enoch Pratt Free Library, DC Dogs, Avaya, and The Baltimore Office of Promotion and the Arts.

The second of Poe’s Auguste Dupin detective stories, “The Mystery of Marie Roget” follows Dupin and his biographer as they unravel the case of a missing perfume worker, found dead in the river. Written by James Comtois, and directed by Alex Zavistovich. Music and sound effects by James D. Watson, featuring the voices of Adam R. Adkins, David Hanauer, Jimi Kinstle, Melanie Kurstin, Jennifer Restak, and Alex Zavistovich.
“The Mystery of Marie Roget” was recorded live in the Poe Room of The Enoch Pratt Free Library in Baltimore, MD, and made possible by The Enoch Pratt Free Library, DC Dogs, Avaya, and The Baltimore Office of Promotion and the Arts.

The Mystery of Marie Roget

Last year The National Edgar Allan Poe Theatre was invited by The Provincetown Tennessee Williams Theatre Festival to adapt for the stage an early and little-known story by Williams, “The Eye That Saw Death.” This is the reading and sound design for Poe Theatre’s movement-based piece.

With themes echoing Poe’s story “The Tell-Tale Heart,” our production of “The Eye That Saw Death” was an undeniable hit of the festival.

The Poe Theatre has been invited back to Provincetown this year to mount a whole new production, titled “Flight.” We’ll keep you all up to date as we get closer to our performances.

In the meantime, enjoy this theatrically-enhanced reading of “The Eye that Saw Death,” performed by the Poe Theatre’s own Jennifer Restak, with sound design by Alex Zavistovich.

Last year The National Edgar Allan Poe Theatre was invited by The Provincetown Tennessee Williams Theatre Festival to adapt for the stage an early and little-known story by Williams, “The Eye That Saw Death.” This is the reading and sound design for Poe Theatre’s movement-based piece.
With themes echoing Poe’s story “The Tell-Tale Heart,” our production of “The Eye That Saw Death” was an undeniable hit of the festival.
The Poe Theatre has been invited back to Provincetown this year to mount a whole new production, titled “Flight.” We’ll keep you all up to date as we get closer to our performances.
In the meantime, enjoy this theatrically-enhanced reading of “The Eye that Saw Death,” performed by the Poe Theatre’s own Jennifer Restak, with sound design by Alex Zavistovich.

Never Bet the Devil Your Head, Part Two

Poe Theatre on the Air

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