On this episode of Our American Stories, every winter, the same question makes its rounds: Is Die Hard a Christmas movie? It premiered in the heat of July, packed with explosions instead of sleigh bells, but something strange happened once audiences got hold of it. The film began drifting toward December as if it had been invited all along. Stephen Follows walks us through that slow migration, pulling together the data, the patterns, and the odd cultural habits that turned a barefooted cop into holiday comfort viewing.

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