On this episode of Our American Stories, in 1965, California Senator George Murphy started a sweet tradition, literally. He began stocking his desk on the Senate floor with candy to share with his colleagues. That desk, now known as the “Senate Candy Desk,” remains a Capitol Hill tradition to this day. Jesse Edwards shares the history, mystery, and origins behind one of the Senate’s most interesting traditions.

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On this episode of Our American Stories, in 1965, California Senator George Murphy started a sweet tradition, literally. He began stocking his desk on the Senate floor with candy to share with his colleagues. That desk, now known as the &ldquo;Senate Candy Desk,&rdquo; remains a Capitol Hill tradition to this day. Jesse Edwards shares the history, mystery, and origins behind one of the Senate&rsquo;s most interesting traditions.
Support the show (<a href="https://www.ouramericanstories.com/donate)">https://www.ouramericanstories.com/donate)</a>

Our American Stories tells stories that aren’t being told. Positive stories about generosity and courage, resilience and redemption, faith and love. Stories about the past and present. And stories about ordinary Americans who do extraordinary things each and every day. Stories from our listeners about their lives. And their history. In that pursuit, we hope we’ll be a place where listeners can refresh their spirit, and be inspired by our stories.

Our American Stories

Our American Stories tells stories that aren’t being told. Positive stories about generosity and courage, resilience and redemption, faith and love. Stories about the past and present. And stories about ordinary Americans who do extraordinary things each and every day. Stories from our listeners about their lives. And their history. In that pursuit, we hope we’ll be a place where listeners can refresh their spirit and be inspired by our stories.

Our American Stories tells stories that aren&rsquo;t being told. Positive stories about generosity and courage, resilience and redemption, faith and love. Stories about the past and present. And stories about ordinary Americans who do extraordinary things each and every day. Stories from our listeners about their lives. And their history. In that pursuit, we hope we&rsquo;ll be a place where listeners can refresh their spirit and be inspired by our stories.

How the Senate Candy Desk Became a Capitol Hill Tradition

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/b1940d9f-ddb4-4f43-b809-b404015badb4/transcript

On this episode of Our American Stories, Our American Stories listener from Iowa, Roger Rench, shares memories from his time playing various competitive sports throughout his life that are sure to put a smile on your face.

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On this episode of Our American Stories, Our American Stories&nbsp;listener from Iowa, Roger Rench, shares memories from his time playing various competitive sports throughout his life that are sure to put a smile on your face.
Support the show (<a href="https://www.ouramericanstories.com/donate)">https://www.ouramericanstories.com/donate)</a>

The Scout Never Called: Growing Up in Competitive Sports

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/e42bdeb3-10bb-4140-ad81-b404015badb1/transcript

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On this episode of Our American Stories, in 1851, Olive Oatman was thirteen years old and traveling west with her Mormon family during the era of westward expansion. Along the way, her family was attacked, and Olive and her younger sister were taken captive.

For years, Olive lived among Native American tribes of the Southwest, including time with the Mojave, where she received a traditional chin tattoo that would later make her instantly recognizable. When she eventually returned to white society, she carried with her a story that unsettled the tidy narratives of the American frontier.

Bob Boze Bell of True West magazine shares the life of Olive Oatman, a figure caught between cultures during one of the most turbulent periods in American history.

Support the show (https://www.ouramericanstories.com/donate)

On this episode of Our American Stories, in 1851, Olive Oatman was thirteen years old and traveling west with her Mormon family during the era of westward expansion. Along the way, her family was attacked, and Olive and her younger sister were taken captive. For years, Olive lived among Native American tribes of the Southwest, including time with the Mojave, where she received a traditional chin tattoo that would later make her instantly recognizable. When she eventually returned to white society, she carried with her a story that unsettled the tidy narratives of the American frontier. Bob Boze Bell of&nbsp;True West&nbsp;magazine shares the life of Olive Oatman, a figure caught between cultures during one of the most turbulent periods in American history.
Support the show (<a href="https://www.ouramericanstories.com/donate)">https://www.ouramericanstories.com/donate)</a>

Olive Oatman and the Tattoo That Marked a Life Between Cultures

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/76c914fe-b1d9-4d35-84de-b404015badb2/transcript

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On this episode of Our American Stories, since its release in 1983, Francis Ford Coppola’s film adaptation of S.E. Hinton’s The Outsiders has drawn generations of viewers back to Tulsa, Oklahoma. The story of Ponyboy, Johnny, and the Greasers has become part of American coming-of-age culture, and the modest house where much of the film was shot still stands in the city where it was made.

Now, in what is surely one of the most interesting pop culture intersections of all time, hip-hop artist Danny Boy O’Connor from the rap group House of Pain, best known for their iconic 1992 anthem “Jump Around,” purchased the Tulsa, Oklahoma home where much of The Outsiders film was shot. Here to tell the story is Danny Boy O’Connor himself.

Support the show (https://www.ouramericanstories.com/donate)

On this episode of Our American Stories, since its release in 1983, Francis Ford Coppola&rsquo;s film adaptation of S.E. Hinton&rsquo;s The Outsiders&nbsp;has drawn generations of viewers back to Tulsa, Oklahoma. The story of Ponyboy, Johnny, and the Greasers has become part of American coming-of-age culture, and the modest house where much of the film was shot still stands in the city where it was made. Now, in what is surely one of the most interesting pop culture intersections of all time, hip-hop artist Danny Boy O&rsquo;Connor from the rap group House of Pain, best known for their iconic 1992 anthem &ldquo;Jump Around,&rdquo; purchased the Tulsa, Oklahoma home where much of&nbsp;The Outsiders&nbsp;film was shot. Here to tell the story is Danny Boy O&rsquo;Connor himself.
Support the show (<a href="https://www.ouramericanstories.com/donate)">https://www.ouramericanstories.com/donate)</a>

How House of Pain’s Danny Boy O’Connor Saved The Outsiders House

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/c07ea641-bdb8-4e5b-934b-b404015badb1/transcript

How the Senate Candy Desk Became a Capitol Hill Tradition

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