Today’s ‘Labyrinth’ Week guest is puppeteer Steve Whitmire, who performed several characters in this beloved film — including one of the fiery figures in the “Chilly Down” dance sequence, and (my favorite) Ambrosius, the trusty dog of Sir Didymus. But these roles, impressive though they are, are just a minuscule part of his resume. If you know anything about Muppet history, then this man needs no introduction. For 26 years he was the voice and soul of Kermit the Frog. And don’t forget Ernie (of Bert and Ernie fame), Rizzo the Rat, Bean Bunny, Wembley Fraggle, Statler (of Statler and Waldorf fame), Beaker — the list goes on and on. Jordan spoke with Steve about the Muppets, the cosmic philosophy of puppetry, whether or not it’s actually easy being green, and, of course, his unforgettable encounters with Bowie on the set of ‘Labyrinth.’

 Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Today’s ‘Labyrinth’ Week guest is puppeteer Steve Whitmire, who performed several characters in this beloved film — including one of the fiery figures in the “Chilly Down” dance sequence, and (my favorite) Ambrosius, the trusty dog of Sir Didymus. But these roles, impressive though they are, are just a minuscule part of his resume. If you know anything about Muppet history, then this man needs no introduction. For 26 years he was the voice and soul of Kermit the Frog. And don’t forget Ernie (of Bert and Ernie fame), Rizzo the Rat, Bean Bunny, Wembley Fraggle, Statler (of Statler and Waldorf fame), Beaker — the list goes on and on. Jordan spoke with Steve about the Muppets, the cosmic philosophy of puppetry, whether or not it’s actually easy being green, and, of course, his unforgettable encounters with Bowie on the set of ‘Labyrinth.’ Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a>

Off the Record is a new in-depth music biography series that profiles the extraordinary life of an iconic artist over the course of each season. Music journalist Jordan Runtagh (People, Rolling Stone, EW and VH1) offers a revelatory look at the human behind the hits through rich, dramatic storytelling, extensive research, and interviews with those who knew them best. You know the songs, now meet the legends.

Off The Record: David Bowie

Today’s ‘Labyrinth’ Week guest is puppeteer Steve Whitmire, who performed several characters in this beloved film — including one of the fiery figures in the “Chilly Down” dance sequence, and (my favorite) Ambrosius, the trusty dog of Sir Didymus.

'LABYRINTH' WEEK: Muppet Icon Steve Whitmire Recalls His Time on Set with Bowie, and His 26 Years as Kermit the Frog  

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/07bae99a-0a28-45b5-b544-ae3200071cb8/transcript

Our final episode on the life (or lives) of David Bowie begins and ends with a birthday. We start in 2013, when David reentered public life nearly a decade after his heart attack with the surprise release of “Where Are We Now," his first new song in a decade. It was one of the most stunning comebacks in music history. Most fans assumed that David had simply retired from the industry, content to live out the rest of his days as a father, husband, and anonymous New Yorker. Instead, he'd recorded an entire album of new material called 'The Next Day' entirely in secret. Even at age 66, he still had the power to shock. The story concludes with 'Blackstar.' Released the day David turned 69 in January of 2016, it’s an album that many believe was his parting gift as he faced down the illness that would claim his body two days later. Was this a knowing goodbye? We'll examine the evidence and conflicting theories. Intentional or not, it’s a fitting farewell — one that highlights David's creative daring and his absolute fearlessness.

 Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Our final episode on the life (or lives) of David Bowie begins and ends with a birthday. We start in 2013, when David reentered public life nearly a decade after his heart attack with the surprise release of “Where Are We Now," his first new song in a decade. It was one of the most stunning comebacks in music history. Most fans assumed that David had simply retired from the industry, content to live out the rest of his days as a father, husband, and anonymous New Yorker. Instead, he'd recorded an entire album of new material called 'The Next Day' entirely in secret. Even at age 66, he still had the power to shock. The story concludes with 'Blackstar.' Released the day David turned 69 in January of 2016, it’s an album that many believe was his parting gift as he faced down the illness that would claim his body two days later. Was this a knowing goodbye? We'll examine the evidence and conflicting theories. Intentional or not, it’s a fitting farewell — one that highlights David's creative daring and his absolute fearlessness. Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a>

Our final episode on the life (or lives) of David Bowie begins and ends with a birthday. We start in 2013, when David reentered public life nearly a decade after his heart attack with the surprise release of “Where Are We Now," his first new song in a decade. The story concludes with 'Blackstar,’ an album that many believe was his parting gift as he faced down the illness that would claim his body two days after its release on David’s 69th birthday.

Epilogue: Lazarus (2013-2016)

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/90663d31-1c79-4d8e-84c7-ae320005beba/transcript

We’re taking a brief break from the story this week. (We’ll be back with our final chapter on David Bowie on Monday, May 3rd!) But today we have something very special in store: a conversation with Carlos Alomar — a funk guitar icon, and one of David’s most crucial musical collaborators. He cut his teeth in the late ‘60s as one of the youngest players ever in the Apollo Theater’s house band, leading to stints backing James Brown, Chuck Berry and Wilson Pickett, all while still in his teens. 

Carlos’ influence helped inspire David to take his famous trip to Philadelphia in 1974 to record the soul-steeped ‘Young Americans’ record. To get the sound, David tapped Carlos, who in turn assembled a group of top shelf funk musicians that included his wife, vocalist Robin Clark, and an old schoolfriend named Luther Vandross. So began a musical partnership that would last almost thirty years. Carlos played on 11 of David’s albums, including classics like ’Station to Station,’ ‘the Berlin Trilogy, and ‘Scary Monster (and Super Creeps),’ and cowrote his first American number one, “Fame.” More importantly, he was a loyal friend throughout his life. 

 Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

We’re taking a brief break from the story this week. (We’ll be back with our final chapter on David Bowie on Monday, May 3rd!) But today we have something very special in store: a conversation with Carlos Alomar — a funk guitar icon, and one of David’s most crucial musical collaborators. He cut his teeth in the late ‘60s as one of the youngest players ever in the Apollo Theater’s house band, leading to stints backing James Brown, Chuck Berry and Wilson Pickett, all while still in his teens. Carlos’ influence helped inspire David to take his famous trip to Philadelphia in 1974 to record the soul-steeped ‘Young Americans’ record. To get the sound, David tapped Carlos, who in turn assembled a group of top shelf funk musicians that included his wife, vocalist Robin Clark, and an old schoolfriend named Luther Vandross. So began a musical partnership that would last almost thirty years. Carlos played on 11 of David’s albums, including classics like ’Station to Station,’ ‘the Berlin Trilogy, and ‘Scary Monster (and Super Creeps),’ and cowrote his first American number one, “Fame.” More importantly, he was a loyal friend throughout his life.  Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a>

Today we present a conversation with funk guitar icon Carlos Alomar. One of David’s most crucial musical collaborators, Carlos played on 11 of David’s albums, including classics like 'Young Americans,' ’Station to Station,’  the Berlin Trilogy, and ‘Scary Monster (and Super Creeps).' — and he also co-wrote his first American number one, "Fame."

Bonus Episode: Bowie's Guitarist Carlos Alomar on Recording 'Young Americans' and the Berlin Trilogy, Co-Writing 'Fame' and Funking Up David's Music for 30 Years

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/8d15c12b-c093-465d-891c-ae320005bd90/transcript

Our latest chapter covered David Bowie’s creative renaissance in the ‘90s and early 2000s. The records that he made in this period are often overlooked but rank among the most experimental of his career, as he rejoined formative ‘70s collaborators like Brian Eno and Tony Visconti to create some of the most daring music he ever made. But one crucial collaborator during this period was new to Bowie’s circle — bassist Gail Ann Dorsey. Over the years she’s worked with everyone from Lenny Kravitz, Gang of Four and Olivia Newton John to Boy George, Tears for Fears and the Indigo Girls, not to mention her own solo work. (Definitely check out her 1988 debut LP called ‘The Corporate World’!) Her partnership with Bowie began with a call out of the blue. It was 1995 and he was looking for a bassist to join the tour to promote ‘1. Outside.’ He had seen Dorsey performing on British television seven years earlier (!) and had never forgotten her. She accompanied him on every tour for the rest of his life, and played on the albums 'Earthling,' 'Reality' and, most thrillingly, his secret comeback album 'The Next Day.'

 Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Our latest chapter covered David Bowie’s creative renaissance in the ‘90s and early 2000s. The records that he made in this period are often overlooked but rank among the most experimental of his career, as he rejoined formative ‘70s collaborators like Brian Eno and Tony Visconti to create some of the most daring music he ever made. But one crucial collaborator during this period was new to Bowie’s circle — bassist Gail Ann Dorsey. Over the years she’s worked with everyone from Lenny Kravitz, Gang of Four and Olivia Newton John to Boy George, Tears for Fears and the Indigo Girls, not to mention her own solo work. (Definitely check out her 1988 debut LP called ‘The Corporate World’!) Her partnership with Bowie began with a call out of the blue. It was 1995 and he was looking for a bassist to join the tour to promote ‘1. Outside.’ He had seen Dorsey performing on British television seven years earlier (!) and had never forgotten her. She accompanied him on every tour for the rest of his life, and played on the albums 'Earthling,' 'Reality' and, most thrillingly, his secret comeback album 'The Next Day.' Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a>

Our latest chapter covered David Bowie’s creative renaissance in the ‘90s and early 2000s. The records that he made in this period are often overlooked but rank among the most experimental of his career, as he rejoined formative ‘70s collaborators like Brian Eno and Tony Visconti to create some of the most daring music he ever made. But one crucial collaborator during this period was new to Bowie’s circle — bassist Gail Ann Dorsey.

Bonus Episode: Bassist Gail Ann Dorsey Reflects on Her Decade-Long Music Journey with David Bowie

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/1d761f8a-e33b-4d17-9072-ae320005be37/transcript

'LABYRINTH' WEEK: Muppet Icon Steve Whitmire Recalls His Time on Set with Bowie, and His 26 Years as Kermit the Frog

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Off The Record: David Bowie

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