Our last two episodes followed David Bowie in the late ’70s as he recorded ‘Low’ and ‘Heroes,’ the twin pillars of his so-called Berlin Trilogy. (Sorry, ‘Lodger’ fans.) These records are an artistic triumph on nearly ever level, and contain the most innovative music Bowie ever made. In addition to co-producer Tony Visconti and mad musical scientist Brian Eno, another crucial collaborator during the German sessions was Edu Meyer. Edu was an engineer at Hansa Studios — the famous Hall by the Wall that served as David’s creative home during his time in Berlin. Edu helped David put the finishing touches on ‘Low,’ and even played the mournful cello part on “Weeping Wall” — inspired by the symbol of division and oppression looming just outside the studio windows. He also assisted on the album’s David produced for Iggy Pop, ‘The Idiot’ and ‘Lust for Life.’ Their working relationship stretched into the ‘80s, when David would return to Berlin to record the soundtrack to the Bertolt Brecht play ‘Baal’ in 1981, and perform his legendary 1987 concert at the Reichstag. They’d remain friends until the end of David’s life. Edu spoke to Jordan about his memories working alongside Bowie during his most creatively daring period. 

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<p>Our last two episodes followed David Bowie in the late ’70s as he recorded ‘Low’ and ‘Heroes,’ the twin pillars of his so-called Berlin Trilogy. (Sorry, ‘Lodger’ fans.) These records are an artistic triumph on nearly ever level, and contain the most innovative music Bowie ever made. In addition to co-producer Tony Visconti and mad musical scientist Brian Eno, another crucial collaborator during the German sessions was Edu Meyer. Edu was an engineer at Hansa Studios — the famous Hall by the Wall that served as David’s creative home during his time in Berlin. Edu helped David put the finishing touches on ‘Low,’ and even played the mournful cello part on “Weeping Wall” — inspired by the symbol of division and oppression looming just outside the studio windows. He also assisted on the album’s David produced for Iggy Pop, ‘The Idiot’ and ‘Lust for Life.’ Their working relationship stretched into the ‘80s, when David would return to Berlin to record the soundtrack to the Bertolt Brecht play ‘Baal’ in 1981, and perform his legendary 1987 concert at the Reichstag. They’d remain friends until the end of David’s life. Edu spoke to Jordan about his memories working alongside Bowie during his most creatively daring period. </p><p> </p> Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a>

Off the Record is a new in-depth music biography series that profiles the extraordinary life of an iconic artist over the course of each season. Music journalist Jordan Runtagh (People, Rolling Stone, EW and VH1) offers a revelatory look at the human behind the hits through rich, dramatic storytelling, extensive research, and interviews with those who knew them best. You know the songs, now meet the legends.

Off The Record: David Bowie

Our last two episodes followed David Bowie in the late ’70s as he recorded ‘Low’ and ‘Heroes,’ the twin pillars of his so-called Berlin Trilogy. In addition to co-producer Tony Visconti and mad musical scientist Brian Eno, another crucial collaborator during the German sessions was Edu Meyer.

Bonus Episode: 'Low' Engineer Edu Meyer Remembers Working with David Bowie During His Berlin Years at Hansa Studios

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/a38474e0-a69a-40af-a2e8-ae3200094c3d/transcript

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