THE CLASSICAL ERA
Prepared by Di Cox
With James Hunter


Schubert, F. 15 Dances, from Original dances, D365 (arr. Schubert).    Gil Shaham, vn; Göran Söllscher, gui. 
DG 479 2565 [11:45]

Mozart, W. Sonata in D, K448 (1781).    Christoph Eschenbach, pf; Justus Frantz, pf. 
DG 435 042-2 [24:11]

Weber, C.M. Clarinet concerto no 1 in F minor, op 73 (1811).    Janet Hilton, cl; City of Birmingham SO/Neeme Järvi. 
Chandos CHAN 8305 [20:55]

Beethoven, L.  Adelaïde, op 46 (1794-95).    Heinrich Schlusnus, bar; Franz Rupp, pf. 
Conifer TQ 305 [05:55]

Haydn, J. Quartet in G, Hob.III:81 (1799).    Australian String Quartet. 
ABC 426 805-2 [25:10]

Dittersdorf, C. Symphony in D, The fall of Phaëton (1783).    Failoni O/Hanspeter Gmür. 
Naxos 8.553368 [22:40]

See omnystudio.com/listener for privacy information.

THE CLASSICAL ERA Prepared by Di Cox With James Hunter Schubert, F. 15 Dances, from Original dances, D365 (arr. Schubert).    Gil Shaham, vn; Göran Söllscher, gui. DG 479 2565 [11:45] Mozart, W. Sonata in D, K448 (1781).    Christoph Eschenbach, pf; Justus Frantz, pf. DG 435 042-2 [24:11] Weber, C.M. Clarinet concerto no 1 in F minor, op 73 (1811).    Janet Hilton, cl; City of Birmingham SO/Neeme Järvi. Chandos CHAN 8305 [20:55] Beethoven, L. Adelaïde, op 46 (1794-95).    Heinrich Schlusnus, bar; Franz Rupp, pf. Conifer TQ 305 [05:55] Haydn, J. Quartet in G, Hob.III:81 (1799).    Australian String Quartet. ABC 426 805-2 [25:10] Dittersdorf, C. Symphony in D, The fall of Phaëton (1783).    Failoni O/Hanspeter Gmür. Naxos 8.553368 [22:40]See <a href="https://omnystudio.com/listener">omnystudio.com/listener</a> for privacy information.

Two hours of beautiful music from the late Baroque and the early Classical eras. Music of the 18th Century is a weekly adventure into the world of Handel, Vivaldi, Haydn, Mozart and much more.  

Two hours of beautiful music from the late Baroque and the early Classical eras. Music of the 18th&nbsp;Century is a weekly adventure into the world of Handel, Vivaldi, Haydn, Mozart and much more.&nbsp;&nbsp;