All My Friends Are Racist + Pig.

All My Friends Are Racist star Davey Thompson joins us to talk about cancellations, apologies and working with Enoch Mailangi (he gushes) then Seattle-based voice of the intro Lily Bennet calls up to rave about Nicolas Cage's new movie Pig. 

All My Friends Are Racist + Pig.
All My Friends Are Racist star Davey Thompson joins us to talk about cancellations, apologies and working with Enoch Mailangi (he gushes) then Seattle-based voice of the intro Lily Bennet calls up to rave about Nicolas Cage's new movie Pig.&nbsp;

Movies Movies Movies is a weekly show with exclusive extended podcasts exploring movies, movies, movies and films through the lenses of Eora/Sydney young semi-professionals Bruce Koussaba, Priya Leigh Fotherby, Enoch Mailangi, Gus McGrath, Jen Atherton and André Shannon.

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Movies Movies Movies is a weekly show with exclusive extended podcasts exploring movies, movies, movies and films through the lenses of Eora/Sydney young semi-professionals Bruce Koussaba, Priya Leigh Fotherby, Enoch Mailangi, Gus McGrath, Jen Atherton and André Shannon.
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Jack Jen and André bring you anything and everything about movies and local Sydney cinema.

Movies Movies Movies

Movies Movies Movies is a weekly show with exclusive extended podcasts exploring the movie universe from the Sydney/Eora based viewpoints of huge Filmlordes; André Shannon, Jen Atherton, Bruce Koussaba, Gus McGrath, Priya Leigh Fotherby and Enoch Mailangi.

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Movies Movies Movies is a weekly show with exclusive extended podcasts exploring the movie universe from the Sydney/Eora based viewpoints of huge Filmlordes; André Shannon, Jen Atherton, Bruce Koussaba, Gus McGrath, Priya Leigh Fotherby and Enoch Mailangi.
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Apologising w/ Davey Thompson and Lily Bennett

MMM dressed as motorbikes to attend the premiere of Furiosa: A Mad Max Saga by George Miller, a director who at 79 years old still has it. Afterwards, the duo gather in studio to discuss the biggest talkie of the year. Jen conjures the experience of Mel Gibson eating steak on set barehanded, running in circles as feminine storytelling, Noah and the Whale, what happens when wives edit together, how Byron Bay is in NSW, and  both Chris Hemsworth and John Howard's big bloodied nipples - all composite parts of Furiosa's whole. André admits to craving continuity, Jen discusses the news of a Mousetrap film produced by Margot, and between reflections on Moulin Rouge J+A pay respect to the mastermind Tina Turner. The windmill continues to spin. Vrrrrrrr vrrrrrrrrrr vrooom roar.

MMM dressed as motorbikes to attend the premiere of Furiosa: A Mad Max Saga by George Miller, a director who at 79 years old still has it. Afterwards, the duo gather in studio to discuss the biggest talkie of the year. Jen conjures the experience of Mel Gibson eating steak on set barehanded, running in circles as feminine storytelling, Noah and the Whale, what happens when wives edit together, how Byron Bay is in NSW, and  both Chris Hemsworth and John Howard's big bloodied nipples - all composite parts of Furiosa's whole. André admits to craving continuity, Jen discusses the news of a Mousetrap film produced by Margot, and between reflections on Moulin Rouge J+A pay respect to the mastermind Tina Turner. The windmill continues to spin. Vrrrrrrr vrrrrrrrrrr vrooom roar.

Furiosa, not Furiosah

Movies, Movies, Movies hosts a conversation with documentary filmmaker Lucie McMahon on her film Things Will Be Different - which is being released nationally in cinemas with special QandA screenings. An ode to the Walker Street Public Housing Estate in Melbourne as it heads to demolition, Things Will Be Different is a bittersweet document of Walker Street's last two residents, living with the uncertainty of eventual displacement. One of the film's subjects - William Gwyne - joins the zoom, sharing his experience working in Factual, collaboration, what it took to depict the housing crisis, surviving notices to vacate, and their hopes for the film's educational power. 

Movies, Movies, Movies hosts a conversation with documentary filmmaker Lucie McMahon on her film Things Will Be Different - which is being released nationally in cinemas with special QandA screenings. An ode to the Walker Street Public Housing Estate in Melbourne as it heads to demolition, Things Will Be Different is a bittersweet document of Walker Street's last two residents, living with the uncertainty of eventual displacement. One of the film's subjects - William Gwyne - joins the zoom, sharing his experience working in Factual, collaboration, what it took to depict the housing crisis, surviving notices to vacate, and their hopes for the film's educational power.

"F**k hope, let's get organised" w/ Lucie McMahon + William Gwyne

Sydney Film Festival is a full menu; J and A wishlist their dream-directors, films, play dates, crew members, friends (aka peers), memories (real and false) and anticipated tiny meals coming ground-under for this year's friendly SFF. They discuss the lineup; looking for films that go ‘boo’, mix-bag curation, Rachel House, Theda coming over to my house, arbitrary choices, wee/poo and high/low selectivity, the word 'anachronistic' to describe the French New Wave "thinking they discovered something new but it was actually just India" and the Beatlemania of Stress Positions. Ruby Arrowsmith-Todd holds down a shrinking shack Flux: Art + Film section, Jen explains how to religiously read the jumbo schedule (and Bible dip), then J and A special-mention the precarious French strikers, the cinematographer Sayombhu Mukdeeprom, and 93 year old documentary filmmakers not-wasting time at Opera Quays.

Sydney Film Festival is a full menu; J and A wishlist their dream-directors, films, play dates, crew members, friends (aka peers), memories (real and false) and anticipated tiny meals coming ground-under for this year's friendly SFF. They discuss the lineup; looking for films that go ‘boo’, mix-bag curation, Rachel House, Theda coming over to my house, arbitrary choices, wee/poo and high/low selectivity, the word 'anachronistic' to describe the French New Wave "thinking they discovered something new but it was actually just India" and the Beatlemania of Stress Positions. Ruby Arrowsmith-Todd holds down a shrinking shack Flux: Art + Film section, Jen explains how to religiously read the jumbo schedule (and Bible dip), then J and A special-mention the precarious French strikers, the cinematographer Sayombhu Mukdeeprom, and 93 year old documentary filmmakers not-wasting time at Opera Quays.

Apologising w/ Davey Thompson and Lily Bennett

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