Filmmakers ahoy! On Movies, Movies, Movies Jen catches up with the legendary Clara Law who's showing deux films at Sydney Film Festival. An Australian/Hong Kong Second Wave director (Floating Life, Drifting Petals) Law bares her soul in one of our most honest chats. Over zoom, Jen and her discuss DIYing it, resourcefulness, Andrei Tarkovsky, playing the long game, filmmaking partners, Dostoevsky, commitments to art, Hong Kong, and the allure of images. This is an interview for the filmmakers out there. 

Her films Floating Life (1996) and Drifting Petals (2021) are on sale now; go to www.sff.org.au to buy tickets.

Filmmakers ahoy! On Movies, Movies, Movies Jen catches up with the legendary Clara Law who's showing deux films at Sydney Film Festival. An Australian/Hong Kong Second Wave director (Floating Life, Drifting Petals) Law bares her soul in one of our most honest chats. Over zoom, Jen and her discuss DIYing it, resourcefulness, Andrei Tarkovsky, playing the long game, filmmaking partners, Dostoevsky, commitments to art, Hong Kong, and the allure of images. This is an interview for the filmmakers out there.&nbsp;
Her films Floating Life (1996) and Drifting Petals (2021) are on sale now; go to <a href="http://www.sff.org.au">www.sff.org.au</a> to buy tickets.

Movies Movies Movies is a weekly show with exclusive extended podcasts exploring movies, movies, movies and films through the lenses of Eora/Sydney young semi-professionals Bruce Koussaba, Priya Leigh Fotherby, Enoch Mailangi, Gus McGrath, Jen Atherton and André Shannon.

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Movies Movies Movies is a weekly show with exclusive extended podcasts exploring movies, movies, movies and films through the lenses of Eora/Sydney young semi-professionals Bruce Koussaba, Priya Leigh Fotherby, Enoch Mailangi, Gus McGrath, Jen Atherton and André Shannon.
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Jack Jen and André bring you anything and everything about movies and local Sydney cinema.

Movies Movies Movies

Movies Movies Movies is a weekly show with exclusive extended podcasts exploring the movie universe from the Sydney/Eora based viewpoints of huge Filmlordes; André Shannon, Jen Atherton, Bruce Koussaba, Gus McGrath, Priya Leigh Fotherby and Enoch Mailangi.

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Movies Movies Movies is a weekly show with exclusive extended podcasts exploring the movie universe from the Sydney/Eora based viewpoints of huge Filmlordes; André Shannon, Jen Atherton, Bruce Koussaba, Gus McGrath, Priya Leigh Fotherby and Enoch Mailangi.
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Giving Love w/ Clara Law [SFF Special]

Movies, Movies, Movies goes nocturnal in a deeply PM conversation for sleepwalkers. One film about the day (The Taste of Things), against a film about the night (The Strangers: Chapter 1) with eating in common. The night-talkers play 'what's the definition of mise-en-scene', discuss objects of optimism, André is afraid to bring up Sciamma, and the 2 agree on 2 films that 'nobody is craving at the moment' until they're saved by the wise words of Oregon filmmaker Theda Hammel. Spoiler alert: there's talk about Martin + Thelma and how carriages are movies and organising disordered thoughts. We live in a time of cruel art. 

Movies, Movies, Movies goes nocturnal in a deeply PM conversation for sleepwalkers. One film about the day (The Taste of Things), against a film about the night (The Strangers: Chapter 1) with eating in common. The night-talkers play 'what's the definition of mise-en-scene', discuss objects of optimism, André is afraid to bring up Sciamma, and the 2 agree on 2 films that 'nobody is craving at the moment' until they're saved by the wise words of Oregon filmmaker Theda Hammel. Spoiler alert: there's talk about Martin + Thelma and how carriages are movies and organising disordered thoughts. We live in a time of cruel art.

The Taste of Burgers

Cannes is the sister city of Beverly Hills which makes it a moving target for MMM. Jen and André have a conversation about a film festival 16,746 km away from FBi Radio. It's an Andrea year, not a Lynne year, and all about showing up to work but not in a Reichardt way. Directors do their job, budget cuts become jump cuts, and we try to figure out what Megalopolis says about our past friendships. Noticing patterns J+A discuss The Strangers (all 3 of them), Straub-Huillet, Liv Tyler's sliding door acting, what's starring Junglepussy, a treatise on the Sydney film movement of stylists becoming directors, debunking Fever Ray and Jen's discovery of Haile Gerima.

Eora. Fedora. Sean Baker. Anora.  

Cannes is the sister city of Beverly Hills which makes it a moving target for MMM. Jen and André have a conversation about a film festival 16,746 km away from FBi Radio. It's an Andrea year, not a Lynne year, and all about showing up to work but not in a Reichardt way. Directors do their job, budget cuts become jump cuts, and we try to figure out what Megalopolis says about our past friendships. Noticing patterns J+A discuss The Strangers (all 3 of them), Straub-Huillet, Liv Tyler's sliding door acting, what's starring Junglepussy, a treatise on the Sydney film movement of stylists becoming directors, debunking Fever Ray and Jen's discovery of Haile Gerima.
Eora. Fedora. Sean Baker. Anora.

What a C*nnes

MMM dressed as motorbikes to attend the premiere of Furiosa: A Mad Max Saga by George Miller, a director who at 79 years old still has it. Afterwards, the duo gather in studio to discuss the biggest talkie of the year. Jen conjures the experience of Mel Gibson eating steak on set barehanded, running in circles as feminine storytelling, Noah and the Whale, what happens when wives edit together, how Byron Bay is in NSW, and  both Chris Hemsworth and John Howard's big bloodied nipples - all composite parts of Furiosa's whole. André admits to craving continuity, Jen discusses the news of a Mousetrap film produced by Margot, and between reflections on Moulin Rouge J+A pay respect to the mastermind Tina Turner. The windmill continues to spin. Vrrrrrrr vrrrrrrrrrr vrooom roar.

MMM dressed as motorbikes to attend the premiere of Furiosa: A Mad Max Saga by George Miller, a director who at 79 years old still has it. Afterwards, the duo gather in studio to discuss the biggest talkie of the year. Jen conjures the experience of Mel Gibson eating steak on set barehanded, running in circles as feminine storytelling, Noah and the Whale, what happens when wives edit together, how Byron Bay is in NSW, and  both Chris Hemsworth and John Howard's big bloodied nipples - all composite parts of Furiosa's whole. André admits to craving continuity, Jen discusses the news of a Mousetrap film produced by Margot, and between reflections on Moulin Rouge J+A pay respect to the mastermind Tina Turner. The windmill continues to spin. Vrrrrrrr vrrrrrrrrrr vrooom roar.

Giving Love w/ Clara Law [SFF Special]

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