Bruce and Gus cast out their forebears — Jen and André — to bring an all new, chopped and screwed approach to Movies Movies Movies. Bruce lets out a primal scream as impersonation, Gus says movie news is dead, Rihanna is Smurfette, and everyone makes their ode to fresh French cinema. Gus talks Saint Omer and Bruce talks De Humani Corporis Fabrica, which both rocked their socks J’adore!

Bruce and Gus cast out their forebears — Jen and André — to bring an all new, chopped and screwed approach to Movies Movies Movies. Bruce lets out a primal scream as impersonation, Gus says movie news is dead, Rihanna is Smurfette, and everyone makes their ode to fresh French cinema. Gus talks Saint Omer and Bruce talks De Humani Corporis Fabrica, which both rocked their socks J’adore!

Movies Movies Movies is a weekly show with exclusive extended podcasts exploring movies, movies, movies and films through the lenses of Eora/Sydney young semi-professionals Bruce Koussaba, Priya Leigh Fotherby, Enoch Mailangi, Gus McGrath, Jen Atherton and André Shannon.

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Movies Movies Movies is a weekly show with exclusive extended podcasts exploring movies, movies, movies and films through the lenses of Eora/Sydney young semi-professionals Bruce Koussaba, Priya Leigh Fotherby, Enoch Mailangi, Gus McGrath, Jen Atherton and André Shannon.
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Jack Jen and André bring you anything and everything about movies and local Sydney cinema.

Movies Movies Movies

Movies Movies Movies is a weekly show with exclusive extended podcasts exploring the movie universe from the Sydney/Eora based viewpoints of huge Filmlordes; André Shannon, Jen Atherton, Bruce Koussaba, Gus McGrath, Priya Leigh Fotherby and Enoch Mailangi.

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Movies Movies Movies is a weekly show with exclusive extended podcasts exploring the movie universe from the Sydney/Eora based viewpoints of huge Filmlordes; André Shannon, Jen Atherton, Bruce Koussaba, Gus McGrath, Priya Leigh Fotherby and Enoch Mailangi.
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A French Exit w/ Gus and Bruce

Thank J it's Friday. Director/writer Johnathan Lo is in conversation with Jen and André in the lead up to his food-movie Bong Xi Fa Cai screening at SFF (CW: short film but it's tender). JLo's first time being MMM's 3rd inspires honesty. Is my film camp? Are comedy people sad? Did you rip off Smiley Face? Is Family Guy poetic? Did you like my movie? Johnathan defends production quality while Jen defends Alan Cumming (who remembers that filmmaker from Spice World?) while special mentions are thrown at the ensemble of diners Priya Leigh, Priscilla Cui, Fergus Wilson and David Ma who do lunchtime-acting perfectly. The easiest question we ask: which Girl is John? 

Bong Xi Fa Cai is trophy-worthy on June 15th at SFF 2024, 3:00PM as part of the Dendy Awards. We highly recommend. 

Thank J it's Friday. Director/writer Johnathan Lo is in conversation with Jen and André in the lead up to his food-movie Bong Xi Fa Cai screening at SFF (CW: short film but it's tender). JLo's first time being MMM's 3rd inspires honesty. Is my film camp? Are comedy people sad? Did you rip off Smiley Face? Is Family Guy poetic? Did you like my movie? Johnathan defends production quality while Jen defends Alan Cumming (who remembers that filmmaker from Spice World?) while special mentions are thrown at the ensemble of diners Priya Leigh, Priscilla Cui, Fergus Wilson and David Ma who do lunchtime-acting perfectly. The easiest question we ask: which Girl is John? 
Bong Xi Fa Cai is trophy-worthy on June 15th at SFF 2024, 3:00PM as part of the Dendy Awards. We highly recommend.

Gathos & Pathos w/ Johnathan Lo

Movies, Movies, Movies gets all the meat off the bone talking to Theda Hammel, director/writer/co-editor/composer and star of Stress Positions. On the occasion of its screening at SFF they discuss people having problems with each other, and "horrifying American indie comedy". Saluting first timers Jen and André pry about taking your house everywhere you go, John Early, debuts, the Eye of the Duck, torture (seeing chicken on a floor), going naturalistic, Christopher Hitchens, a date where a man threatens to tell Jen's future but instead monologues after orgasm, and how Theda's 15 page birthday present became Brooklyn millennial folklore. People lie for a living then we get the nicest cameras possible and point them at ourselves. Movies, Movies, Movies is not about being gay hype girlies.

Stress Positions is playing at SFF Saturday 8th and Sunday 9th June. 

Movies, Movies, Movies gets all the meat off the bone talking to Theda Hammel, director/writer/co-editor/composer and star of Stress Positions. On the occasion of its screening at SFF they discuss people having problems with each other, and "horrifying American indie comedy". Saluting first timers Jen and André pry about taking your house everywhere you go, John Early, debuts, the Eye of the Duck, torture (seeing chicken on a floor), going naturalistic, Christopher Hitchens, a date where a man threatens to tell Jen's future but instead monologues after orgasm, and how Theda's 15 page birthday present became Brooklyn millennial folklore. People lie for a living then we get the nicest cameras possible and point them at ourselves. Movies, Movies, Movies is not about being gay hype girlies.
Stress Positions is playing at SFF Saturday 8th and Sunday 9th June.

Showing up for Stress Positions w/ Theda Hammel

Movies, Movies, Movies goes nocturnal in a deeply PM conversation for sleepwalkers. One film about the day (The Taste of Things), against a film about the night (The Strangers: Chapter 1) with eating in common. The night-talkers play 'what's the definition of mise-en-scene', discuss objects of optimism, André is afraid to bring up Sciamma, and the 2 agree on 2 films that 'nobody is craving at the moment' until they're saved by the wise words of Oregon filmmaker Theda Hammel. Spoiler alert: there's talk about Martin + Thelma and how carriages are movies and organising disordered thoughts. We live in a time of cruel art. 

Movies, Movies, Movies goes nocturnal in a deeply PM conversation for sleepwalkers. One film about the day (The Taste of Things), against a film about the night (The Strangers: Chapter 1) with eating in common. The night-talkers play 'what's the definition of mise-en-scene', discuss objects of optimism, André is afraid to bring up Sciamma, and the 2 agree on 2 films that 'nobody is craving at the moment' until they're saved by the wise words of Oregon filmmaker Theda Hammel. Spoiler alert: there's talk about Martin + Thelma and how carriages are movies and organising disordered thoughts. We live in a time of cruel art.

A French Exit w/ Gus and Bruce

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