Fernando Augusto Pacheco meets Danielle Ponder. They discuss her powerful new album, ‘Everything Has Changed’.

Fernando Augusto Pacheco meets Danielle Ponder. They discuss her powerful new album, &lsquo;Everything Has Changed&rsquo;.

Monocle’s globe-trotting editors sit down with leaders in politics, business, culture, design and media. Tune in for fresh perspectives and sharp insights from the world’s best and brightest.

Monocle&rsquo;s globe-trotting editors sit down with leaders in politics, business, culture, design and media. Tune in for fresh perspectives and sharp insights from the world&rsquo;s best and brightest.

Monocle Meets

An interview with Danielle Ponder

INTRO

Tom Webb sits down with Haai to discuss the power of long DJ sets, working with choirs and finding new ways to bring people to the dance floor.

Tom Webb sits down with Haai to discuss the power of long DJ sets, working with choirs and finding new ways to bring people to the dance floor.

Haai on her club-focused record, ‘Digitise’

Senegal-born Kuwaiti musician Fatima Al Qadiri talks about her new EP, ‘3TWI’, on celebrated British record label Hyperdub and how her international upbringing influences her work as a solo artist and film-score producer.

Senegal-born Kuwaiti musician Fatima Al Qadiri talks about her new EP, &lsquo;3TWI&rsquo;, on celebrated British record label Hyperdub and how her international upbringing influences her work as a solo artist and film-score producer.

 Electronic musician and score writer Fatima Al Qadiri brings Arabic to the dancefloor

We meet American musician, poet, author, actor and activist Saul Williams. He tells us about his album ‘Leap Life’ and debut nonfiction book ‘Songs My Mother Taught Me’, plus his role in Oscar-winning horror film ‘Sinners’.

We meet American musician, poet, author, actor and activist Saul Williams. He tells us about his album &lsquo;Leap Life&rsquo; and debut nonfiction book &lsquo;Songs My Mother Taught Me&rsquo;, plus his role in Oscar-winning horror film &lsquo;Sinners&rsquo;.

An interview with Danielle Ponder

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