On the eve of the opening of a landmark show across two locations in two countries, artist Wallace Chan discusses his life and practice with Robert Bound. 

On the eve of the opening of a landmark show across two locations in two countries, artist Wallace Chan discusses his life and practice with Robert Bound.&nbsp;

Robert Bound and his guests discuss what has piqued their interest in our one-stop shop for lively reports and in-depth interviews on the newest and finest in art, film, books and the media business.

Monocle on Culture

Wallace Chan: ‘Vessels of Other Worlds’

We visit London’s Hayward Gallery to meet the artist Anish Kapoor at his new wall-expanding, sense-bending, visually enticing exhibition. Plus: Hayward’s director, Ralph Rugoff, discusses Kapoor’s longstanding history with the gallery. 

We visit London&rsquo;s Hayward Gallery to meet the artist Anish Kapoor at his new wall-expanding, sense-bending, visually enticing exhibition. Plus: Hayward&rsquo;s director, Ralph Rugoff, discusses Kapoor&rsquo;s longstanding history with the gallery.&nbsp;

Anish Kapoor

Film critics Tim Robey and Leila Latif join Robert Bound to review the hits and misses of this year’s Cannes Film Festival, including Cristian Mungiu’s Palme d’Or winning drama, ‘Fjord’.

Film critics Tim Robey and Leila Latif join Robert Bound to review the hits and misses of this year&rsquo;s Cannes Film Festival, including Cristian Mungiu&rsquo;s Palme d&rsquo;Or winning drama, &lsquo;Fjord&rsquo;.

Cannes Film Festival 2026

Monocle on Culture returns. Robert Bound is joined by culture editor Sophie Monaghan-Coombs, fresh from the Venice Biennale, to discuss everything from the pavilions to the protests. Plus: we hear from artists Michael Armitage and Lorna Simpson.

Monocle on Culture returns. Robert Bound is joined by culture editor Sophie Monaghan-Coombs, fresh from the Venice Biennale, to discuss everything from the pavilions to the protests. Plus: we hear from artists Michael Armitage and Lorna Simpson.

Wallace Chan: ‘Vessels of Other Worlds’

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