The bestselling author on her extensive writing career and latest novel, ‘The Bewitching’. Based on the 16th-century case of the witches of Warboys, the story follows Alice Samuel who accuses a neighbour of witchcraft and sets in motion a shocking train of events. Dawson has written 11 novels, many of which draw on true historical tales. She is a fellow of the Royal Society of Literature and has been a Costa judge.

Want to know more about the authors behind your favourite books? Tune in to discover the methods of – and inspiration behind – some of the world’s most exciting writers. Every Saturday, Georgina Godwin hosts an in-depth discussion with the person behind the prose. 

Want to know more about the authors behind your favourite books? Tune in to discover the methods of – and inspiration behind – some of the world’s most exciting writers. Every Saturday, Georgina Godwin hosts an in-depth discussion with the person behind the prose.

Want to know more about the authors behind your favourite books? Tune in to discover the methods of – and inspiration behind – some of the world’s most exciting writers. Every Saturday, Georgina Godwin hosts an in-depth discussion with the person behind t

Meet the Writers

Jill Dawson

The British-Cambodian writer and editor initially wrote ‘The Ministry of Time’ – her gripping sci-fi rom-com debut – as a joke for a handful of friends. The genre-bending thriller, which explores themes including immigration and environmentalism, became an instant bestseller. Even before the novel landed on bookshelves last month, the BBC beat Netflix in a bidding war to turn the book into a TV drama. Kaliane Bradley tells Georgina Godwin about the obligation she felt to write a “serious” book about Cambodia and the Khmer Rouge, her work at Penguin Classics as an editor, and how her funny and fantastical debut came about.

The British-Cambodian writer and editor initially wrote ‘The Ministry of Time’ – her gripping sci-fi rom-com debut – as a joke for a handful of friends. The genre-bending thriller, which explores themes including immigration and environmentalism, became an instant bestseller. Even before the novel landed on bookshelves last month, the BBC beat Netflix in a bidding war to turn the book into a TV drama. Kaliane Bradley tells Georgina Godwin about the obligation she felt to write a “serious” book about Cambodia and the Khmer Rouge, her work at Penguin Classics as an editor, and how her funny and fantastical debut came about.

Kaliane Bradley

Announced this week is the winner of the International Booker Prize 2024. The recipient of this year’s award is ‘Kairos’ by German writer Jenny Erpenbeck and translated by Michael Hoffman, who each take home half of the £50,000 prize money. Host Georgina Godwin speaks to the winning duo and the administrator of the prize, Fiammetta Rocco, who lifts the lid on the selection process. We also talk to Granta’s Sigrid Rausing, who reveals who is buying translated literature and what sells best.

Announced this week is the winner of the International Booker Prize 2024. The recipient of this year’s award is ‘Kairos’ by German writer Jenny Erpenbeck and translated by Michael Hoffman, who each take home half of the £50,000 prize money. Host Georgina Godwin speaks to the winning duo and the administrator of the prize, Fiammetta Rocco, who lifts the lid on the selection process. We also talk to Granta’s Sigrid Rausing, who reveals who is buying translated literature and what sells best.

International Booker Prize 2024 winner

Award-winning Scottish author and editor at large at the ‘London Review of Books’, Andrew O’Hagan has spent the past decade working on his state-of-the-nation novel, ‘Caledonian Road’. Employing the traditions of Victorian writing, his research took him to the homes of Russian oligarchs, the Old Bailey and even a ship from Venice to Trieste. Here, O’Hagan talks about how libraries “saved” him, ghostwriting Julian Assange’s autobiography and his brief brushes with royalty.

Award-winning Scottish author and editor at large at the ‘London Review of Books’, Andrew O’Hagan has spent the past decade working on his state-of-the-nation novel, ‘Caledonian Road’. Employing the traditions of Victorian writing, his research took him to the homes of Russian oligarchs, the Old Bailey and even a ship from Venice to Trieste. Here, O’Hagan talks about how libraries “saved” him, ghostwriting Julian Assange’s autobiography and his brief brushes with royalty.

Jill Dawson

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