03 Aug 2024

Published Aug 5, 2024, 12:57 AM

This week on LEISURE LINK with Peter Greco:

  • Ben Wright, Commonwealth Games Power-Lifting Bronze Medallist is off to Paris.
  • Kirsty Kelly, CEO for AITPM, challenged Australian work places to be more accessible and is taking part in the CEO challenge - raising awareness and funds for Sporting Wheelies Qld.  Find out more here: https://fundraise.sportingwheelies.org.au/event/wheelchair-challenge-24
  • Carmel Shute invited entries into the Liz Navratil best story with a disabled protagonist.  Enter here: https://sistersincrime.org.au/the-scarlet-stiletto-awards/
  • David Mitchell, health commentator, had tips to help us live better and longer with our brains in better health.
  • Belinda Hellyer, from Brewed By Belinda 97A Old Port Road Queenstown, gave us some recipes for including tea in your cooking.  You can call Belinda 0419 839 702 or go to: https://brewedbybelinda.com.au/
  • Molly O'Brien, Community and Events Specialist from Bedford, shared news on Bedford Clients work in SALA.  They will be in four venues including the Central Plaza Rundle Mall, and  the Mt. Gambier Library as well as online: https://www.bedfordgroup.com.au/get-involved/sala
  • Elena Pindato, from Haleon, talked about research showing how Australians are choosing how to manage pain and had information which you may find helpful.  Check out the Haleon pain index: https://www.haleon.com/
  • Lindsay Prodea is playing Frankie Valli in Therry's season of "he Jersey Boys"  you are invited to come along to the Arts Theatre. Book by calling 8212 5777 or go to: https://therry.org.au/  

Hi, I'm Australian para powerlifter Ben Wright. I've just been selected for the Paris Paralympic Games and you're listening to leisure link with Peter Greco on the Vision Australia radio network.

It's just gone. 5:00. You're listening to Vision Australia Radio Adelaide here on 1190 7 a.m. via Radio Online, also through the TuneIn radio app. Look for Vision Australia, Radio Adelaide through your favourite podcast or streaming service and you're a big cheerio to our friends listening through 103.9 FM in Esperance in Western Australia. Peter Greco saying I'm saying Virgin Australia because that's what people in Paris are saying. And whilst in Adelaide do what they're doing in Paris, it's so much fun following the Olympic Games and so much looking forward to the Paralympic Games, this program coming to you from Ghana and come to you very shortly. We'll speak powerlifting with Ben. Right. Ben's off to Paris very, very soon. We speak to Kirstie Kelly, Sporting Wheelies and having a CEO challenge racing both awareness and funding for making people aware of accessibility. We'll catch up with Kamal. Shoot, if you're a writer and would like to have your work published or maybe even win some money, we'll speak to Kamal about that. David Mitchell will join us with some really good to follow tips to help your brain work better for longer. Sounds great. Belinda Hatley will join us. Cooking with tea. Don't adjust your radio, I said. Cooking with tea. Belinda from Brewed by Belinda will join us talking about that. The brew. That is true. Molly O'Brien will be with us from Bedfords. There are artists are taking part in the Sala festival. Will find out all about that. A chance for you to go along and also buy some of their work. So we'll find out about that. Lila Pintado will join us talking about pain and better ways to manage it, and Lindsay Parodi will join us from the very dramatic society they're putting on the Jersey boys. Your personal invitation is coming to you via the radio very, very soon. Well, we're all getting very much caught up with the Olympic Games, but the big game is about to start the Paralympics in a couple or so weeks time. Let's chat about it with powerlifter Ben Wright. Ben, welcome. Congratulations on your selection.

Yeah. Thanks very much Peter. Appreciate it.

Is it a bit like the rest of us once the games are on TV, you think? Well, we're not far away.

Yeah. That's it. Well, as you mentioned, uh, the warm up is currently being, uh, displayed, uh, across the world. And so, yeah, this is the time to, uh, start gearing down and, and, uh, kind of, uh, focusing on, on what needs to be done. So, yeah, it's really exciting times. Are you happy.

With the way things are going? I mean, you've been selected, so that's kind of locked away, but, uh, I guess the sort of, uh, minutia of your preparation is that all kind of under control from your point of view?

Uh, yeah, it's actually going really, really well. So I had, um, not a great first half to the year, but, um, yeah, no, things are picking up and training is going really well. Recovery is going really well. Nutrition like we're just crossing all the t's and dotting the i's and uh, everything's starting to fall in place.

I guess this may be a little bit of a temptation to kind of wrap yourself up in cotton wool, just in case it's there. I mean, maybe you've got to kind of balance things out a bit.

Yeah, very much so. So like, I've, um, I've taken a bit of time off of work and so I'm, I'm basically going out to train. I'll, I'll go do my grocery shopping, but then I'm staying at home just trying to trying to stay away from everybody's, uh, viruses and infections and just trying to trying to keep healthy and and trying to be able to deliver the best performance I can.

Without being too personal. What's in your shopping trolley?

Also, uh, at the moment I actually get to, um, go up a weight class. So I'm, I'm currently bulking. So, um, there is a lot of pastries, uh, with butter, a lot of full cream milk and, uh. Yeah, just just trying to fit, um, a bit more extra calories into my diet without trying to make me feel bloated and, uh, and make it difficult to train.

Yeah, it's a great point, though, isn't I guess you got to, you know, enjoy. By the same token, you know, want to kind of overdo it or, you know, have that effect that, uh oh, I don't feel as well as I should.

Well, that's it. So usually when I'm competing, I am cutting down into a weight class. But I had previously done that. I'd cut down to the 80 kilo class to try and qualify in in that class. But then I've been given a wild card in the 88 kilo class. So I have, uh, I have about five and a half kilos that I can still play with. Um, and I thought gaining weight would be easy. Um, but it is, it is very, very difficult because you're always kind of, uh, stepping that that thin line between. Yeah, getting, getting enough food to, to make sure that you're gaining weight and, um, yeah. Being able to to still move and and be comfortable when you go about your, your daily routine. Interesting.

You mentioned 80 kilos. Did you lift 80 kilos that. Ah, come and try a day or a talented day.

Uh, yeah. So there was a, there was a come and try day when I was a junior and I lifted about 80 kilos. Um, and that was close to the, the age and weight class record in Australia at that point. So that was my comment. Yeah. So that was kind of when, um, powerlifting was in the back of my head. But but back then I was silly. I was trying to be a basketballer at five two. And so, um, when that didn't when that didn't work out, I made the change over to powerlifting and and haven't looked back since.

Well, it's going to say, uh, very wise decision. Uh, you know, you've represented Australia at Commonwealth Games. Uh, um, that that would be a highlight.

Oh, yes, 100%. And especially, um, the most recent Commonwealth Games, I ended up taking away a bronze medal. So, um, definitely a career highlight.

What about as far as, um, you know, your competition in Paris goes? Do you know much about it? Or, you know, without being flippant, do you care much about it?

Yes. Um, so I still very much care about the competition. Um, being a Paralympian, uh, has long been a dream of mine. So back in 2000, when I saw Louise Savage absolutely smashing it at the Paralympics, I knew then that I wanted to be a Paralympian. I didn't know, um, what sport I would do. Um, at that point, I wasn't really doing any sport. Um, I just knew that that's that's what I wanted to do, and that's where I wanted to end up. So, um, making the Paralympics is, um, the absolute culmination of a dream. And so, yes, I still very much care about the competition, but, um, I'm not too fussed where I place at this point. Uh, the, the, the goal was to make a Paralympics, and so now it's just all about putting together a really good performance, trying to get three really good lifts and just seeing where I end up in the rankings after that.

I love those stories. The fact that I'm not going to do the math. You can tell me in 2000 how old you were, but you see, Luis Savage, who had an enormous profile at the time, still, as I guess, uh, and, uh, you know, that that impact the, the influence that that has on you, you know, 24 years later. I mean, that's that's powerful, isn't it?

Yeah. Yeah, it really is like, especially in wa um. Louise. Yeah, yeah. An absolute legend in any way. And so, um, you used to see her down around the traps, um, at different, uh, training sessions. And so. Yeah, to have someone that close be able to to be an inspiration to you and, and to be able to see them and interact with them and see what they do, um, was absolutely integral. And yeah, it's it's been a very, very long journey, but, um, it everything has been worth it.

And that's a great way to put it. And I mean, you know, I've said to a number of athletes, sort of, you know, since I've been doing this program, I mean, you don't know, you know, when you're competing in Paris in a few weeks time, some kid at home might be watching Ben Wright and thinking, well, I want to be a Paralympian, too. I mean, that is such an extraordinary message that you can be sending out without even kind of consciously realizing it.

Yeah, that that's it. Well, and I already get that and I, I realize, um, how much of an impact my sporting career had on so many other people, but it, it is absolutely fantastic, um, receiving messages on social media of people telling me that, um, they, they watch what I do, they love what I do, and and what I do, um, provides great inspiration for them. So, yeah, it is a very fantastic, heartwarming feeling.

Uh, good on you. Hey, how old were you in 2000, Ben? I said, I don't want to do the math, but you were only a young lad.

Yeah, I was about 11 or 12 when that was happening, so, yeah, I was I was pretty young. And so. Yeah, up until then, um, being disabled, sport had not really played a large role in my life. So, um, at school, when when there were PE sessions, I was usually, um, the goal scorer or the, the boundary umpire. Just kind of something to, to give me to just kind of shut me up. Um, so yeah, being able to see those people, um, that, that look like me, um, and were like me provided fantastic inspiration and, um. yeah, 24 years later, um, we've we've ended up in a pretty good spot. Yeah.

That's incredible. And of course, you know, even over the last few days we've had, uh, the, uh, NDIS review and the recommendations and I guess they're sort of, uh, they make me smile a bit. I don't want to get too political, but they're kind of thinks that people with disabilities, we've been saying for years and years and years and, you know, all of a sudden, you know, the government gets these recommendations about the recognition, about the employment, about, uh, you know, opportunities. I mean, as I said, it's kind of a song we've been singing, you know, Austin and those that went before us with disabilities that have been singing kind of forever.

Oh, yeah, 100%. So, um, my, my grandmother on my mother's side and my mother and my father have both been really big disability advocates for their whole entire life. And so, um, I was kind of born into that. And. Yeah, to see first the NDIS getting off the ground, um, and then what it is doing and, and what it is providing to people all around the country. Um, it's fantastic to see I still, I still think we need to do it better. And I still think we can do it better. But you can't be mad at the progress we have. I think it's fantastic.

Yeah. No. Well, it's cup. Cup half full rather than cup half empty, isn't it really, Wendy, the way you say it.

That's correct. Yeah. So like. Yeah, um, I think I think we do need to, we do need to give credit where credit is due. But then I also think we need to be liaising with disabled people, um, to continue to improve the service. Um, so it can, it can grow up to be what we all imagined and what we all hoped it would be.

But getting back to powerlifting, it's a small team that's going away. Is that kind of, you know, pluses and minuses as well. Like, you're kind of tight knit, but you're not sort of lost in the crowd. How is that kind of work for you?

Well, to be honest, I'm just I am just really incredibly excited that, um, powerlifting is back on the menu for Australia at a Paralympics. So it's been about 12 years since we had a powerlifting representative. And so to have two team members, so myself and my team mate Hany, um, is absolutely fantastic. And even, um, when it comes to the Commonwealth Games, um, Hani and I both received bronze medals at the same games, and that was, um, the first bronze, uh, the first medals at a Commonwealth Games that Australia has seen in a good couple of decades. And so, um, it is fantastic to be on this journey with Hani. I really enjoy Hani and our coach Simon. I really enjoy both of their company. And so, um, considering that we've been on this journey together, um, it's really special that I get to share this with both of them.

Powerlifting can sometimes they and lifting in general can be a bit of a theatrical event or a theatrical, uh, sport. Are you into that or you're very serious.

Oh, no, you've I think you've got to have a bit of fun. I think that's that's how you stay. That's how you stay interested and invested in something if you if you're having fun with it. So. No, I'm, I'm always interested in having a bit of fun when it comes to that. And, um, I think showing that it can be fun and showing that it's not all serious as well is a way that we drum up support and and a way that we get people, um, involved. Because I'm, I'm not just in this for getting people to a Paralympics. I honestly believe that if disabled people can be stronger and so getting them in the gym, getting them lifting weights, working out, that is just going to make their life easier and it's going to make getting through society and participating in society so much easier. So I'm I'm just a very big advocate for having big, strong disabled people.

Well, you'll live in the dream when you live in the, uh, live in the Creed, as it were. Been great to catch up. We are so looking forward to the games. Obviously we'll be following your progress. We've chatted a couple of times. I always enjoyed it. We wish you well and congratulations again on your selection. Have a great time over there and uh, look forward to catching up when you get back.

Yeah. Thank you so much, Peter. I really appreciate you always getting me on your show. It's always a fantastic time. And, um. Yeah, I look forward to our chat in the future.

Ben. Right there, off to the Paralympic Games in the sport of powerlifting. With some interesting research from Deloitte regarding empathy in the workplace, it seems like employers and employees don't quite see it the same way. Let's chat about it with the CEO for 8 p.m. Kirsty Kelley. Kirsty, love to meet you. Thank you for your time. Thank you for having me. This is a little bit disturbing. Kirsty. Would you say it is.

It is, uh, and it's, uh, interesting, I guess, to see what's happening in the workplace, particularly post-Covid. Um, and the way that people are feeling.

So, uh, employers kind of think they are being empathetic enough, but employers don't, as I say, see it the same way.

Yeah, definitely seems to be a disconnect in this research.

What are some of the issues that come from something like this, or some of the repercussions, if I might say?

Um, yeah. Look, it's uh, certainly sort of seeing the satisfaction of people in the workplace and seeing how that, uh, plays out in the employment market in the long term will be, um, interesting. And I guess one of the things that that we're looking at and through a challenge I'm involved with, uh, later in August, um, with Spinal Life and Sporting Wheelies, looking at the different types of people in the workplace. So looking at the diversity of the workplace and how we're catering to the different needs of people, I think is something that we need to, uh, consider in that happiness in the workplace. Um, we have, uh, you know, high proportion of people in Australia with disabilities of some form, but they're underrepresented, um, in the employment, uh, status. So something that we're looking at is how to get a greater diversity of people in the workplace. And I think that that can that can assist with, uh, a sense of wellbeing. Yeah.

Because I mean, it's physical, uh, emotional mental health, but also financial health that people are earning more money than they might be if they were on, uh, Social Security. That's got to be a positive thing as well.

It is. It's certainly one of the key sort of determinants of how people live their lives is their ability to access employment. And one of the the things in Australia is that, you know, there's still a high proportion of people with disability that that are employed, and it's not because they can't work or don't don't have that ability to work. But it's often around, um, either, you know, real or perceived barriers to employment. So spinal life um, and Sporting Wheelies do the CEO wheelchair challenge, which is. Yeah, as I said, coming up at the end of end of August, which is about raising awareness of, um, what it's like to be in a wheelchair. And so we have a range of people taking part around the country, um, spending a day in a, in a chair, moving around in their office and out in the community to experience that, take it into their workplace and, and gain a greater awareness, um, of what that's what that's like with the hope that people will make changes, uh, in their workplace and in their communities to be more inclusive of people with disability and particularly in the workforce.

So physical changes as well as attitudinal changes.

Yeah, absolutely. So I took part in the challenge last year, um, for the first time. And uh, and my organization, uh, is involved in transport. So, uh, I represent transport planners, traffic engineers, and then all the professionals involved in designing our transport systems for paths and buses, trains, those sorts of things. And, uh, so getting out and about, uh, for me, it really highlighted that, um, while there are some positive aspects, we've made some, some good changes to make things more accessible. There's still a long way to go in our, um, you know, urban environments being, uh, accessible for people in wheelchairs and not, uh, not too difficult to navigate. And certainly, you know, in regional areas, I think can be even more challenging. Um, so while particularly where there's, you know, a lack of public transport, people are relying on cars and if they're not able to drive, it can really impact their ability to engage, um, in everyday life that, that, um, those of us who are able bodied just take for granted. So taking part in the challenge for me, uh, is, is really, uh, you know, a very sort of eye opening and humbling experience to, um, experience just for one day. What it's what it can be like when, um, you can't just move around freely, you know, that the the barrier of a, you know, a ten centimeter step, um, can make hundreds of meters of difference into how far you need to travel just to enter a building or or access something.

That is so true, isn't it? I guess the other thing is that, uh, you know, we talked about, uh, transport and, you know, people that can't drive cars if you need cabs or, uh, hire cars, that can be very expensive. So we circle back to the employment opportunity and getting, you know, paid well or paid properly.

Yes, absolutely. And so that makes a real difference. So, you know, if you if you can't easily access employment so, you know, physically get to a job, um, let alone actually the workplace themselves, it makes a real difference. And that can really affect people's sense of self and their their health and wellbeing and their financial capacity. And, and you know, we just have a I think it's a there's a really wasted opportunity in Australia with so many people that could, um, be far more engaged in, in our workplaces and in society. Um, you know, we need to make a change to, um, make it easier for people to get involved. A if you call it a, I guess a silver lining of Covid is that at least in, in some workplaces. And of course, it doesn't work for everything, but, you know, the ability to work, uh, more remotely and work from home and use of technology, um, can definitely make a difference. So people can, you know, work from home or comfortably and and not have to travel into the office as much. And so for people with disabilities that that is a great advancement. But it still doesn't, you know, address the need for people to be able to come together. Um, and that ability to come together in the workplace, um, for that exchange of ideas and social interaction as well as, you know, physically working is something that can be very challenging when you're in a wheelchair if if your employer isn't set up for it properly.

Yeah, of course, if it's okay to ask, I believe that, uh, a young member of your family has a disability. So I guess you're kind of thinking long term. And if, um, they're going to have a bit more difficulty getting into work or physically and, uh, you know, actually getting into work, then obviously it's something that concerns you as a member of the family.

Yeah, absolutely. Yeah. So my stepson has, um, Duchenne muscular dystrophy, and so he uses a mobility scooter, and in time he'll use a power chair. And so for me doing the challenge, it's also about experiencing, you know, what it can be like for him. And, you know, getting off and on buses and those kinds of things. So, um, that that's certainly been one of the issues that even just, you know, getting down the, the sort of little the curb ramp at the end of our street or, you know, getting up a driveway can be really difficult. Just the little curbs that we put in our driveways are often a real challenge for people with, you know, in wheelchairs of some form. So yeah, for me, just experiencing that has has been important and helps me to have, I guess, greater empathy for what he experiences and also helps me to be looking out more when we're planning our, our journeys, um, to make sure that we can, can actually get there. But you'd be surprised the number of times that you go places and you know the lift is out of service. Or if you and I experienced this when I was on the challenge where, um, I entered a disability toilet and it was filled as a, used as a storage cubicle. So for me, I was able to, you know, get around in there, but if you needed to have your chair right next to the, um, the the pan, you wouldn't have been able to because it was filled with boxes. So, you know, that happens a lot. And and I think people just don't realize the, um, even the both the physical but also the psychological impact that that can have on people.

And of course, the the challenge is taking place. They say later on this month, I guess it's kind of a slow burn, if I can put it that way. Kirstie, you know, you I know you've got a child in your family with a disability, but you know, if other people take it on board and they think, oh, yeah, actually, uh, now I kind of get it. And, you know, next year a few more people take it on board and hopefully in, uh, say in the long run, barriers get broken down.

Yeah, absolutely. And that's why, you know, part of this is getting, you know, lots of different, uh, business leaders and school principals and others from around the country to participate in challenges like this, um, so that they can experience it and share that that experience.

Kirstie, if people want to find out more or help out Sporting Wheelies and also spinal life, what can we do? How can we find out more?

Yep. So people can still register for the challenge. Um, and they can also donate to the challenge. So if you go to Sporting Wheelies Warrego forward slash CEO challenge, uh, you can register to participate if you're a business leader or you can donate to the cause. Be great to have that support and awareness out there.

And you made a great point off air talking about the fact that of course, the Paralympics are coming up. So a bit more awareness raising on. Absolutely.

Yes, absolutely. And you know that they will be in Australia in 2032 in Brisbane. So uh, definitely something that it's a great opportunity for us to really think more strongly about what we need to do in Australia to make our cities more accessible. It's also, you know, many people in their lives will also, um, have at least a temporary period of of having a disability. Or certainly as you get older, it gets harder to move around. So if we make our workplaces and our shops and schools and all the places that we go for leisure and our streets, um, more accessible for everyone, then everyone has a chance to, um, live and enjoy. And it's a great opportunity for tourism as well. So encourage all communities and businesses and governments to think more carefully about how to make, um, everything more accessible.

Just give us the website again there Kirsty.

It is sporting wheelies Augereau forward slash CEO challenge.

Great speak to you Kirsty. Keep up the great work. Thank you. That's it Kirsty Kelly there Kirsty is the CEO for 8 p.m. telling us about the CEO challenge making a raising more awareness about accessibility.

On the Vision Australia network through your favorite.

Podcast service on 1190 7.

A.m. in Adelaide, you're listening to Leisure Link.

It's time again for the listener Rattle Awards and the best person to speak to us about it is a regular guest on the program, Carmel Campbell. Great to catch up, as always.

Fantastic to speak to you, Peter.

Now they're on again.

I know it's the Scarlet Stiletto Awards for the 31st scholars to lead our wards. We've come a long way since we dreamt up the idea over a few drinks. In fact, quite a few drinks in Saint Kilda in, uh, 19, uh, 94.

Well, tell us about the award for, uh, new listeners tuning in all the time. We've been chatting for a while to you, but new people listening in. What are they? And in particular, uh, the, uh, this particular category, uh, what's that about?

Well, so, Sisters in Crime, um, decided that we should have an award for the best crime short stories because we knew that there was a a lot of talent waiting to be tapped. And so. Right, we were. So we set up the Scarlet Stiletto Awards, which of course, you know, has several meanings because the Salerno is as well as being associated with, you know, a rather awful form of female footwear that none of us on the judging panel, I have to say, uh, and, uh, as Convenors would ever, ever wear, I have to say. But anyway, so there are a shoe associated with women. There's also the second, um, meaning, which is of course is the stiletto knife. And so our trophies have always been scarlet stilettos with the, the stiletto heel sort of cut off and then plunging into a knife, knife into a mount. And of course, the scarlet, is a long association with some naughty women. And so that's another, another meaning to it. And also, of course, we wanted to play on the sort of the History of Writing award. So the UK Crime Writers Association, they have the Dagger Awards, the Golden Dagger, the Silver Dagger, etc.. So we've got the Scarlet Stiletto Awards and amazingly, you know, 34 winners, including the category award winners have gone on to have books published. Fantastic. It is. And then ten years ago, the Queensland chapter of Sisters in Crime decided to set up an award to honour a fellow member, Liz Navratil, who had been killed while crossing the road in her electric wheelchair. So it's a terribly tragic sort of story. She was born with cerebral palsy, and what some people might have thought were insurmountable obstacles, but she spent her life in the yard. She was on stage performing in plays. She had a one woman stand up comedy cabaret. She directed, she mentored, she wrote stage and radio plays. She chaired boards and she said she used her highly individual work for the transformational power of performance. And I just think that's so wonderful that her legacy is still honoured by the Queensland chapter.

Tell us about last year's winner, Carmel. Well, last.

Year's winner is, uh, was Sandra Tom Jones from not a, not the Tom petty squabbling sort of, you know, just so she herself is, um, an academic. She's also, uh, is autistic, and she's been on a mission to get people to understand about autism. And she's actually written a book called Growing Into Autism. And last year she won not only the award, but another award for another story in another category. So all power to her, we say.

And the focus of the Liz Navratil Award is the fact that it's a protagonist with a disability.

That's right. And they've had various disabilities in the past. Some have been vision impaired, which your listeners will identify with. Mhm. Um, so I've had Parkinson's disease, several have been on the autism spectrum or been in wheelchairs. Anyway, each year people come up with the most fantastic, interesting stories. And and it's really good to see women with disabilities because the central character has to be a woman, um, out there, you know, fighting the good fight and I guess exercising a lot of agency.

Now, the awards for this year have just opened.

They have. And this year we've got a record amount of prize money, 14,300, and there's altogether about 16 awards. And the Liz Navratil Award is offering 500 bullets. And there's also a brand new award. And Kate Kennedy, who won the first two awards. And then we had to ask her to be a judge, which is our rule two. She said, you know, you march on to become a judge or fair enough, not compulsory, but you're invited to become a judge anyway. So she's all of these years later, she's set up a new award called the Kate Kennedy Award for Best Story inspired by a Forensic clue. And the forensic clue is a now abandoned scarlet stiletto in the main streets of Melbourne. In fact, it's it's it's in a doorway of a, a Chinese, um, shop or restaurant in, uh, little Bourke Street in Melbourne. That doesn't have to be set in Melbourne. It's just, uh, that's just a clue. So, um, and your listeners who I know some of them, you know, most of whom are vision impaired, that's all they really need to know that there's some Chinese writing in the background and an abandoned stiletto, and they could just come up with any marvelous story after that.

Lick your fingers or, uh, your mind, uh, fill in the.

Blanks. Exactly.

Fantastic. Yeah, that.

It is a fantastic. And, I mean, we're trying to, um, encourage people to think, you know, about what you see and how it can inspire a story.

And as you said, you know, you're the winner of this, uh, it can lead to work being published, which I guess will not necessarily every writer would like to do, but it's certainly a lovely recognition for your work.

Well, it is, and so what happens is that all of the winners winning stories put together in a an e-book. So up to the 15th cut, it's called The Scarlet Stone of the 15th card. And so this year will be the 16th cut. So they all go into that e-book which is launched on the night the award is given out, and people don't know they've won an award until that night. And suddenly, you know, they're not only have they won an award, but they're in a book and, um, uh, it's out there. And the the thing that we did last year, because it was the 30th anniversary and a big deal was to publish a hard copy book, but you can also get, of course, electronically called, um, Scarlet Stiletto, 30 Years of Mystery, Murder and Mayhem And that has got all of the winning stories from 1994, the top winning stories. So it's quite a big book. So it cost more than it cost about $37. But it's it's a fantastic read. I've read other collections of short stories and they are so disappointing overall that these are sensational. And the other thing that we've been doing is and this will be really good for your listeners, is that we have also been podcasting the winning stories. So all of the winning stories from the past 30 years have been podcast, and now we're on to stories that perhaps came second or third and and so on. And, uh, and, you know, of course, we've got an endless supply. And one of our members who's a, a lawyer turned actor turned, um, podcaster turned true crime writer, etc., and Susanna Lobez, who many years ago used to do the Radio National Law report. She's been broadcast, uh, podcasting them. And she's just fantastic because she can do all the voices and all the accents and it's just sensational. So they're a Bible for every one. A new one goes up every Friday. So last Friday was number 50 has gone up. And you just go to Spotify or Google Podcasts or whatever it is. You listen to your podcasts on and you can just do a search for this. Yes, called Scarlet Stiletto Bites Bites. So you just go on to one of those services and you'll find the 50 stories there. And what I advise people to do is to put it on while they're, you know, cooking or doing the housework or just lying around and just really savour the stories because it's really they're really worth a listen and they're so different. All of them are so different. Absolutely sensational.

Carmel, if people would like to enter into the award, where do we go to for that?

Let's go straight to the Sisters in Crime website. You can just either search that or go w w w Sisters in Crime org.au. And, uh, you'll find it on the front page. And it gives you a. That's the media release. And then you can go it's got instructions for you to go to our dropdown box tab thing with um the scale Star Wars. And so you can enter electronically. You don't have to put in a hard copy of the story, just a PDF. All right. And you can sign up online.

Terrific. We'll put those details up on our Facebook page as well. Come. Well good luck. We'll keep in touch. Thank you and.

Lovely to speak to you, Peter. And all power to your program.

You're very kind. That's Carol chute from Sisters in Crime, and in particular the Liz Navratil award that's just been launched.

Hi. I'm Emma merritt, a member of the Australian Gliders, and you're listening to Leisure Link with Peter Greco on the Vision Australia radio network.

It's that time of the month where we catch up with the health commentator, health expert David Mitchell. David, welcome, welcome. Thank you Peter. Hello everyone. Now last month we talked about tackling aging staying younger. You've got some tips that we can all kind of put into practice to help our brains. Yeah I thought we did spend enough time talking about what we could do, uh, both physically.

And uh, by taking pills or changing diets and all sorts of things like that. But underneath it all, really, we've got to get the brain alive and keep it alive and keep it going for us to keep going. Now it all revolves around a two areas in the brain, one each side of the brain going from front to the back, underneath the big knobbly bits called the hippocampus. Um, and they're like two, two arches. Now, one of they are responsible for memory and for interpreting where we are, what we see and what we hear. Now, if we're to talk about this on the, uh, site disadvantaged site, it's probably better to say that don't worry if you can't see whatever we say is still going to be appropriate, because one side of the brain handles vision and the other side and place, as in where we are and where we're doing what we're doing, what's around us. But the other side control sound as in hearing. So as most of you would know that as your sight goes down, your your hearing goes up, and or if you get a hearing aid, the hearing goes up. Even better, that goes into the hippocampus and is assessed by it and held in what's called working memory, which is the memory that's happening in the now and goes on for as long as we're doing something. That's memory working memory. But that sends signals out to the rest of the brain saying, does this remind you of something? Have we heard this before? Have we heard this person before? Have we heard this subject before? So you're in Peter Greco's show. You're sitting in the lounge room, you're next to your computer, and you're hearing David Mitchell and Peter Greco talking on Peter Greco's show on Saturday afternoons. And I'm going to come back to that, because Peter is one of the most exemplary radio people that actually knows and understands about the hippocampus. And what he's doing is part of what is keeping you alive. So keep listening, because we're going to talk about a bit more in a little in a little while. But this hippocampus, in taking on vision and sound and words, makes makes a picture, a map, a model compares it with what's in the brain and adds it to the memory that's already there. Now the hippocampus is where all the new brain cells start. It's like a nursery. A plant nursery is growing. All these little seedlings, the little, little brain cells which when they come alive in inverted commas, they are looking for something to do. And if there's nothing that they're got to do, they die. So you hear about how we lose a million cells, brain cells a day type stuff. We can if we do nothing about it. But if we're using our brain, then we will keep those brain cells alive. And not only that, but they will take they will move from the hippocampus with whatever working memories around and take that to the various parts of the brain, and they'll work there. So it's like immigration and immigration. They're migrating or emigrating away from the hippocampus and invading or cohabiting other parts of the brain so the brain doesn't shrink, because you will hear that two people have gone for an MRIs are getting older, or you've got Alzheimer's because your brain is brain is shrinking. This is reversing it. Now, the things that keep this working memory going are therefore in maintaining curiosity and differences or change, which means and why. Peters. Uh, radio program is so brilliant because you never know what you're going to get with Peter. You never know who's going to be speaking or what they're going to be speaking about. Whatever. Each and every one of his speakers is actually engendering a sense of curiosity in everyone that's lucky enough to listen to Peter. And that curiosity sparks up these little cells in the hippocampus, and they can take us on journeys of our own, even without us thinking about it. To start with, it just automatically we locked into something. Think about I remember that well, that word that they said or that theme they were talking about. I remember that and away you go. You start drawing in the old memory into the new memory. That's that's at the moment we're calling it Peter Greco's Working Memory. And it's the new stuff is added to the old stuff, so it makes it a more enlarged picture or a more real picture or a more complete picture is is the way to go. So that's where listening to Peter, we listen to radio is so important. And it's the second bit is to actually use the knowledge that hearing is important to actually talk to yourself. So if you're listening to Peter or you're listening to David Mitchell and I forgive you for that. Uh, what what are you going to be doing, though, while is is thinking about it? But if you start to repeat a few words that Mitchell said like, oh, hippocampus, or whether you spell that, you've already invoked this curiosity signal at, which means that you will have harass yourself until you go and actually find out how to spell it, or what it all means, or how it fits in with this, this concept that Mitchell was talking about. In so doing, you are not only growing new brain cells, but you're actually releasing some chemicals called dopamine and dopamine. The neurotransmitter is the reward chemical. It makes you feel good because you're doing something. Now, you don't have to become a rocket scientist or a brain surgeon just chasing up what Mitchell's talking about. But just the mere thought that you were giving it some thought. There's a redundancy, if ever there was one. Um, but in so doing, you're actually are activating and adding something to your working memory and stimulating these new brain cells to grow out and travel further in the brain and do more things and keep us alive. So that's quite important. It also means if you're wandering around the house and starting to think, or things are just going around in your head, speak out aloud. Speak it out. And the rain will pick it up. When it's just going round and round and round in the circles. He's not actually helping the working memory. It's just annoying it. So it just doesn't have enough impact. But if you speak it out now, in the old days we used to talk about today, we would say to ourselves or say out loud every day, day by day, I feel myself getting better and better and better. We're now starting to realize that that did help people if they spoke it out aloud. Well, so if you walk around and say the crows are going to win this weekend, the crows are going to win this weekend and they can go somewhere else. Um, and I hope they fall off the ladder if you say that aloud. It is actually reinforcing your own thought processes and your own barracking, Uh, loyalty, for want of a better word, that the same thing happens to anything that that come up. But it is. It's why the the the concept of Siri for, for um, Apple computers and Alexa for Amazon type ones are saying, Alexa, do something or Siri do something. Speaking that out aloud is actually also waking up the working memory, waking up the hippocampus, adding something that you're just about to do so so you don't have to see it. You can sound in sounding it, you start things happening. So listening and listening to the radio, listening to Peter, listening to whatever is coming on to your computer or to or to your music system is good. And remember too, that if we are talking about this dopamine, the other thing that makes that dopamine is feel good principle is sad music. It's crazy, but what it does is it in evoking emotions of sadness, it also brings out another quality that we humans have called compassion, where you take it on board, but then you want to do something. And in the doing something in that activation also comes out dopamine. So suddenly you find yourself getting out of bed and doing something just because you listen to Richard Andrew Lloyd Webber's Requiem, which is one of my favourites for jumping me out of a of a bad mood or set, he took me into a sad mood to make me happy. Mood is just listening to something like that is actually releasing more dopamine, which is also, if you like, fertilizing the little cells in the hippocampus, which are going to keep our brains working longer and longer and stop that shrinkage that everyone talks about when they talk about Alzheimer's and dementia and so on. So it's really important you need to sound it out. And if you do have some vision, then the the sight side of the hippocampus is, is about not only looking at what's happening and what you're doing, but it's also if you are physically doing something like writing or typing or gardening or washing or scrubbing, that it enhances the signal to go to the hippocampus. So if you like, it makes it more real, makes the memory more complete as part of that which again stimulates those little new brain cells to grow and go on. So if you've got to use it and if you haven't got enough vision, then use sound. It's going to be so important. But it's got to be sound outside. If, for instance, you wanted to combine the two, what you'd be doing is, is as I'm writing, I'm actually reading out loud what I'm writing. Yeah. as I'm scrubbing it, I'm actually looking around and talking about something that is around me or happening like, well, I need to get a new dish that's a little bit, and or there's a hole in the tea towel, or I must get some more and different brand of dishwasher powder, or I'm looking out the window, or I'm looking around or I'm going to do something, but you speak it out aloud. Wow. So you just say, I need to think. I need to go to the shop, and I need to get all these things. You've forgotten it very quickly because you have an intensified the memory signals. You haven't used the sound component. And if you haven't written it down, then you've lost the sight component to stimulate the the working memory, to stimulate the hippocampus to make more brain cells. So speaking it out loud. And no, you're not nuts. It'll stop you going nuts.

Yeah, it prevented him. It's preventing you from going nuts. Yeah.

It's often I will just read it as as a I see something and say I see, I see just talking quietly to yourself. Now that that's actually what I want. That's the message that if you talk it out, it's amazing that that psychologically you can find yourself by repeating mantras or repeating aphorisms or get will type signals. You're helping yourself in that way. Number two, if you if you're thinking it out, you're actually bringing in other parts of the body of the brain and other parts of the wisdom or collective learning or learned experience. All of that is being brought into working memory. So you get smarter and you can solve your problems more easily. Just by doing that. And all the time you are growing your brain cells. You are fertilizing them. You're helping them grow. It is a better life. It's a better you'll be what we call living life and living it longer for better. That's what we're aiming to do with this show. Sound is so important. Vision is there, but you can make up for it by using sound. Or if you if you're lucky, you can do both. So get glasses if you need them, get hearing aids if you need them to intensify and and amplify the goodness and best things that happen because of all of that at. It's interesting. You may have heard me a few months ago, we talked about how if you don't if you are hearing is going and you're not getting hearing aids, then you do, you do get out. Time is quicker or you're quicker. Now this is this is how you're going to avoid it. By putting the hearing aids in, you're going to get fresh sounding, proper sounding, understandable words or sentences or paragraphs that people are speaking, but then also take your own signals from your own voice back in again. You have to speak it out. You can't just think it or ruminate as it court as they call it. You actually have to speak it out for it to come back in and to be recorded in the working memory that becomes the long distance or stored memory. So you're helping yourself the whole time. So say it and say it now. See it and see it now combine the two is the way to go David.

That was absolutely outstanding. Thank you so, so much. And uh, well I think if people have missed some of that or want to go to our website, they can replay it over and over again and get the message really sunk in and speak it out loud. David, great to catch up. We'll speak again next month. That was outstanding.

Right. Thank you very much. And yes, keep listening to Peter. It'll help your brain.

David. Richard there. Join us at this time each month. And what a wonderful and welcome guest David is every month. Thank you, Polly, for putting the kettle on. That means it's time to speak to you. But Linda Hellyer from Brewed by Belinda. The brew. That is true. Hello, Belinda.

Hello, Peter. How are you?

I'm going. Well, you're going very well. We've received some fantastic feedback since our last segment. I'm not sure what triggered it, but, uh, we'd like to kind of run through some of the messages that we got and, uh, acknowledge the, uh, the people that took, uh, either emailed or called.

Yeah. Thank you so much for the messages. It's great to have this engagement. Um, with our t chat, but, yeah, we've had some notes from Julia who's told us that she's really enjoying drinking masala chai at the moment. And, uh, also, Janine had mentioned that she tried masala chai in India, which is obviously the birthplace of Chai, so she would have had the real deal. Um, most likely brewed up with milk by a chai wallah. And then Kelly also said that she tried chai for the first time since listening to the segment and is really loving it, so that's great. Three new messages around Masala Chai that spice Tea we talked about last week. And then Adrian also responded to you around that beautiful saying, the brew that is true. And he said that he first heard it in a Danny Kaye movie.

Yes. Well, Henry, who first put aside a sentence from King Lear from Shakespeare, but, uh, as you said, Adrian said it's from a Danny Kaye movie. So, uh, well, you know, there's more than one, uh, source to, uh, stories that we go with, aren't there?

Oh, absolutely.

Now, I thank Polly for putting the kettle on at the beginning of the segment, but, um, that's kind of not what we're talking about today. You're you're putting the oven on rather than the kettle on.

Yes. I'm getting my cooking utensils out.

Just about this.

Um, I thought it would be great to share some great sort of stories and recipes and ideas around cooking with tea, because not only can you brew different types of tea up and enjoy them as a beverage, but I have done a lot of cooking over the years. Um, with different teas and tea blends, from baking to creating sort of more savory dishes and also creating desserts, um, and things like icy poles and ice cream using, uh, tea as well. So I thought we could just chat those things through today.

Okay, well, how do you. How do you go about it? What do you use? What do you use? It end.

Well, maybe we should start savory, but. Yeah, green tea and black tea can, um, be used in cooking savory dishes. And that's anything from, say, you were poaching some chicken. You could put some tea leaves into the poaching water, and they would release some beautiful savory flavors that would, um, flavor the chicken. That's just one idea. Um, I've never done this, but you can smoke, um, different meats and things with, um, tea as well. Like you hear of tea, smoked chicken and tea, smoked fish. Even. I have done this. You can use tea leaves as part of sort of a spice or like a spice rub, for example, on kind of meats and things like that. So I've, uh, used black tea leaves that I've sort of ground up a little bit, um, you know, with sort of your normal seasoning, salt and pepper and things like that, and coated it on like a chicken and roasted it up. And the black tea really brings that a beautiful sort of savory, um, flavor to the dish. Um, so yeah, you can also sort of use tea brewed up tea as almost like a stock in things like soups or, um, oh yeah, you can even sort of fry some tea leaves off, um, in stir fries. And it sort of, um, toasts the tea leaves and brings a different flavor. So yes, lots of, um, lots of options for sort of savory dishes. But I do love the black tea on roast chicken. It really does, um, make a, a beautiful addition and flavor.

And you're talking about, uh, kind of loose leaf, loose leaf tea leaves rather than, uh, anything out of a tea bag, I assume.

Yeah, absolutely. Um, you know, a good quality loose leaf tea leaf is best in this, uh, situation. It's going to give you the best kind of flavor. Um, but probably where I love to play the most is with baking.

Um, yes.

Yes. And actually, we talked the last couple of weeks around masala chai and those chai spices, and we used, um, our sugars chai blend in a lot of cakes and things like that. So we've made, um, just some examples. We've made a beautiful sort of gluten free and dairy free sort of chocolate mud cake that's got the chai spices infused through it. You. We've also made, um, beautiful sort of cinnamon chai scrolls. And even at Easter time, we made hot cross buns. But, um, you know, to add a little bit of a point of difference, we just ground up some of our chai blend and, um, popped it into the recipe. We've made things like beautiful date and walnut loaf that is, um, infused with the chai tea blend and even chai madeleines. So lots of beautiful baking that can be done by infusing the tea. And you can add it in a few ways. If the recipe calls for sort of like a milk component, you can, um, sort of brew the tea in that milk and then strain off the leaves. Before you add the milk into the recipe, you can infuse it into butters, or you can literally just sort of sprinkle it into things. And we've also used Earl grey tea. Our beautiful director's notes. Earl grey tea. We've used that a lot in baking too. And we have made a beautiful vegan Earl grey cake, and we've made some orange drop biscuits with sort of grated orange zest. And then the Earl grey infused through. So the possibilities are endless. Yeah. yeah, we have on our website, if anyone wants some inspiration, we have a whole section in our kind of journal area where we've shared all of these recipes. So, um, you can log on and, uh, yeah, we've provided step by step step recipes on how you can use these teas in um, yeah, different ways to cook. Okay.

So instructions, uh, for beginners as well as, uh, those who might be a little bit more practice. And I guess it's kind of like you say, just limited by your imagination and your willingness to kind of do a bit of experimenting.

That's right. I think it's just keeping it in mind when you're kind of making new things to kind of go, oh, how could I possibly, you know, bring tea into this. And actually, this chat today has inspired me to, you know, go off and think of another tea and another way to use it over summertime. We have a lot of fun with our teas as well. And last year we made some chai infused ice cream and that was super easy. It was really just sort of infusing that chai into the milk that's used in the in the ice cream recipe and churning that up. It was amazing. And we've also made, um, yeah, icy poles with some of the more fruity style blends that we create. Um, yeah, I think it's just keeping an open mind of, yeah, yeah, use these beautiful, healthy leaves and ingredients, um, in different ways.

We might, uh, hold over those, uh, ice cream and icy power recipes to the weather gets warmer. Otherwise, it's making me shiver. I remember you telling us, uh, very early on that, uh, you loved to when you were growing up having tea with your grandparents. Would you have thought then that, uh, you know, a few years later, you would have been cooking with tea?

No, I would not have thought that. I've been reflecting a lot on having tea with my grandmother, because she is going to be turning 100 on Christmas Day.

No way. Really?

Yes, she.

Oh, that is sensational.

Yeah. She's amazing. My nana Nola. So she'll be 100 on Christmas Day. And she has around 4 to 5 cups of black tea a day. And I think it's the secret to a long and happy life. Belinda.

There's living proof. Literally. Living proof.

Yes.

Um. But yes, all those years ago, when I was having tea with her, I would not have been thinking that I would be a tea lady and cooking with tea.

That's incredible. And that's fantastic. And, uh, we'll, uh, bit early, but, uh, very happy birthday to, uh, Dana Nola 100. So, uh, Dana will be in the, uh, in the market to get a telegram from the king, not the queen. Although, you know, she, uh, you, Grant, has lived through all of Queen Elizabeth's life and and now some of King Charles as well. So quite, quite extraordinary when you think of it that way. Now, if people want to get in touch with you and find out more and check out your recipes, or just maybe ask you some questions, and if they like to get in touch with you and then through us, we can also give them a bit of a cheerio or a mention on the radio. How can we do that? Absolutely.

So my website is brewed by Belinda. Com.au and as mentioned there is a journal section where you will find all the recipes I mentioned. Otherwise, we're up to 97. A old port road in Queenstown. Um, that's our studio or always happy to receive a phone call 0419 839 702.

Rude. Bob. Belinda. Com.au you brew Bob. Belinda the true the brew. That is true. It's just a bit too long to go into a website, isn't it? All right, we'll just use that for the radio. But be great to catch up. That was, uh, absolutely mind boggling. That was fantastic. And, uh, tell me one thing you've done. You made me hungry.

Ah, yes.

Nice one.

Thank you. We'll catch up soon. That's Belinda Hellier from Brewed by Belinda. Do you want some more details? You've got to Belinda's website. You can also go to our Facebook page. And if you've got something you'd like Belinda to talk about, that is kind of teen related. Uh, I think that's another topic that's going to come up in the future that, uh, kind of, uh, made my mind boggle a bit as well, but more in the weeks to come about that. But that was Belinda from Brood by Belinda.

My name is Patrick Jensen and I'm a two time Winter Paralympian. You're listening to leisure link with Peter Greco on the Vision Australia radio network.

Well, I've got some wild, wild life.

August the 5th. That means it's solar time. And we're especially keen to find out what Bedford and their talent are doing. Let's chat about it with the person who's charged with the responsibility of putting together the exhibition. Molly O'Brien. Molly, great to catch up. Thanks for your.

Time.

Thanks for having me, Peter.

How's it all going? Finishing touches, being put to things at the moment.

Yes.

Yeah. We launched our gallery on Thursday, so it's all coming together and looking stunning.

So, uh, it's, uh, sailor is a South Australian living artists exhibition, and you are not just in one place during this time.

No, really. Excitingly, Bedford Group is represented in four different gallery galleries across South Australia. So we've got our major sort of flagship galleries in Adelaide, Central Plaza in Rundle Mall on level one. Our Bedford Panorama foyer looks stunning with the artwork there. Mount Gambier Library has an exhibition from the 5th to 12th of August, and we've also got Blend Creative represented at The Joinery on Franklin Street in the Adelaide City.

Fantastic to see the one of the city is nice and central. Get a lot of foot traffic.

Yeah it's fantastic. The opening day we had double the numbers of any other exhibition we've ever had, so it's really exciting to be in such a prominent position this year.

And I guess it's kind of, you know, uh, exhibiting or uh, letting the public know about what, uh, people with disabilities can do.

Yeah, it's pretty amazing. So there's artworks from all types of abilities represented, and we've got beautiful pottery and we've got paintings and there's all kinds of artwork. I think there's some crochet in Mount Gambier, and it's amazing to see just the level of artwork that's been contributed this year by those with disability that attend Bedford sites.

It talks about the kind of the, uh, the, the way this has all come about in terms of the clients or those artists that are involved. How does that all come about?

So Bedford supports people with disability and we've got specialised learning experiences hubs across the state. So clients come in and do artwork. So for example in Panorama we've got a specialist pottery teacher there who Kate Crab who teaches the artists how to make different types of pottery. And then we've got artwork classes across the other learning experiences hubs, which we've got. Yeah, all across the state.

You talked a bit about the kind of media that the artists are using.

Yeah. So, um, I think the, the big one that you'll really see this year in the galleries is the pottery. We had a little bit of it last year, but this year it's really it's it's incredible the level of detail in the pottery. So we've got bowls, we've got vases. There's hanging ornaments. There's some incredibly detailed plates. It's. I've been in awe of it while chopping it up this week.

What's the life of the artist? I mean, I'm no artist, of course, but it must be a bit of a thrill when you, you know, go out and about and you see work exhibit and you, you know, I did that sort of thing. Yeah.

It's pretty awesome to see the artist come through. And I think when.

You're.

Working on your art and having that purpose, knowing it's going in a gallery, but also that you can sell the artwork. And all of our artists receive 100% of their commission back. So I think it's such an incredible opportunity for the artist to really be creating for something meaningful.

I was going to ask you about that in terms of why can people buy it? And b, what happens to the, you know, money that people pay for it?

Yeah. So we've actually this is the first year that all of our artwork will be listed or artwork for sale will be listed online. So you can actually find that by heading to the Bedford website and hitting Bedford Group.com forward slash solid. All of the information is there. And there's also a link to our, um, sales page where I think as of today, nearly 30 of the artworks have already sold. Oh, um, yeah, it's it's amazing. It's just. And we're only a few days in, so it's incredible that all the artwork selling online.

Because I.

Sort of said, you know, I'd be thrilled to have you work exhibited. But then I guess if someone's prepared to pay for it, that would be a very nice feeling. And I guess, you know, on a broader scale, it kind of gives, uh, well, I think you touched on it kind of a sense of purpose. And, you know, you feel like your work is literally being valued. Yeah.

And it's it's really cool as well. So when people purchase the artwork, they can actually leave a comment and say thank you, which I didn't expect, but we've seen some amazing comments coming through with people who are excited to have some brand new coasters for their tables or beautiful artwork up in their study. It's really exciting to sort of see our community growing through artwork.

Now we wrap up in a second and tell people again where you exhibited. But for those who may be either can't or, you know, aren't in a position to get out and about, you've actually got an online kind of, uh, like, uh, gallery as well.

Yeah. So if you want to find that the best way to have a look would be to go to Bedford Group.com forward slash Sala. All the information for the the exhibition is there. But if you click through to online gallery you can see all the artworks there. I think there's about 180 listed.

You know how many individual artists that might include?

Not off the top of my head, unfortunately. Um, but we have 180 artworks, and there's a lot of group collaboration. So lots and lots of artists have been involved.

And you talked about the exhibition at Mount Gambier in the library there. Is that from clients in that area?

Yeah, absolutely. So they're the local clients who go to the Learning and Experiences Hub in Mount Gambier. Um, so that gallery actually runs from the 5th to the 12th of August.

All right. So later on or actually from Monday, actually, and I mean, you know, like country towns being country towns, that would be maybe almost an extra bit of a buzz for the artist, because chances are that it'd be a little bit, maybe well known in the town. And, uh, you know, for some of the locals to know, the locals work. That'd be pretty cool.

Yeah, I think it's really exciting. The hub only opened last year, um, in Mount Gambier, so it was the very first solo exhibition they've done. And I know that they're really excited to get their artwork out there.

I think Matt Kemp has kind of talked about as being the the biggest, uh, city outside Adelaide in South Australia. I'm probably wrong with that, but we'll go with that for the moment. So I mean, chances are, you know, there are people with disabilities living in Mount Gambier. They've got, uh, the opportunity through Bedfords to do things like this.

Yeah, it's really exciting. And it's just a little bonus for them, isn't it, in the regional towns.

Fantastic. Well, you know, who knows in the future where an artist from Gambia where they could end up, you know, one can only dream and, uh, things can materialize from there. Well, give us the details again, Molly. So this is really exciting. It's, it's it's open as from now. And, um, Gambia opens Monday. Yeah. But the other ones are one open during the week, as you said in the city. Give us the sites again and then the website.

So we've got locations at Adelaide Central Plaza in Rundle Mall, Bedford Panorama, Mount Gambier Library and then The Joinery which is Blend creatives um, exhibition. They're all running until pretty much the so sorry Adelaide Central Plaza and Panorama are until the 31st of August and then in Glenn. Creatives will run from the 6th of August until the 1st of September. But the best place to find information is Bedford Group.com forward slash Salah.

Well, Salah is for everyone and this is obviously a very, very inclusive thing. So plaudits to Bedford and especially to the artist for taking part in. Well here's hoping that, uh, lots of people, uh, take up the opportunity to purchase and they make a little bit of money on the side as well.

Yeah, we.

Were really, really wish them good.

Luck.

Thanks for your time, Molly.

Beautiful. Thank you so much.

That's Molly O'Brien there who looks after events and community engagement at Bedfords. And also the person who's put together this excellent sale exhibition from Bedfords. You're in elite company listening to Lash Link here on business radio, radio VA radio, digital VA radio, dot org and through the TuneIn radio app. Let's talk about pain and indeed the number of people that do suffer pain quite regularly. Let's speak about it with Elena Pintado, who is, uh, head of, uh, pain at, uh, Haleon. Elena. Lovely to meet you. Thank you for your time.

Thanks so much for having me.

Were you surprised that this research, the high percentage of people that do suffer pain?

Yeah. I mean, working with pain, we definitely know what it is. A it is a problem. It's something that everyone faces. But actually just seeing the statistic of 9 in 10 or actually 93% of Australians across all generations experience everyday pain. And examples of that are things like a headache or, you know, pain associated with cold and flu, muscle pain, period pain. And actually 1 in 4 people say that they experienced those kinds of pains every day. So it is, you know, I mean, feeling pain is part of being human. But the statistics really, um, show the prevalence and.

The sort of thing that, uh, we just put up with it.

Mhm.

That's right. I see I feel like we, we cope with a lot of pain as humans. Um, but I think what we're also seeing from the research is that, you know, being able to manage the pain is really important as well.

Because I guess it's kind of quality of life things, isn't it? And, you know, often people say, well, pain is the is the body telling you something. Mhm.

That's it. And in most cases it absolutely is. And and what we definitely like seeing is this move to thinking about pain management as a toolkit approach. So you might have the things that you go to. And you know what we saw in the research is 72% of people say they go to paracetamol as their first choice for pain relief. Um, because it's something that's suitable for lots of different types of pain. Or it's also because they trust it to relieve their pain. But actually having kind of other things in your toolkit is a really important as well. Do you want to.

Kind of touch on what some of those might be?

Yeah, it could be everything from, you know, having a great healthcare professional that you rely on like a pharmacist or a GP. Um, and they're obviously really important, especially if pain, you know, persists and continues. But it could also be things like meditation, uh, physiotherapy, going for walks, exercise and movement is also great for pain as well. And there was.

The, uh, study sort of distinguishing between different times of the year. Can that have any impact?

Yeah.

We didn't see any stark difference. Obviously, the type of pain we experienced varies throughout the year. I think right now we're in cold and flu season, and I feel like everyone's experiencing something in that regard, unfortunately. But it is really consistent. It's kind of something that does, you know, exists throughout the year. And you.

Said at the beginning of the interview, it's kind of across the age groups because we I think it's something that, uh, older people, uh, have, but not necessarily the case.

Not.

Necessarily the case. And actually some research that we released in 2023 showed how the impact actually on that Gen Z. Um, you know, pain has has quite a stark impact. And it actually is because they don't really feel listened to or believed about their pain. And so, you know, that visibility of pain and having better conversations about pain is, is really important across all generations.

Could that could be quite a serious thing, the not being believed thing or people not taking it seriously.

Yeah, the pain can have a significant impact kind of on that, you know, almost every part of a person's life. So, you know, what we're seeing is that, you know, you can almost get into that vicious cycle of stigma or isolation and then add to that someone's not really listening or believing you. Um, you know, that vicious cycle continues and can lead to mental health issues. So better conversations about pain, having, you know, people to turn to, like a really, um, you know, well, trusted GP or pharmacist is super important.

Yeah.

That relationship is very, very important, isn't it? Because if the doctor knows you well or the pharmacist knows you well, then you know, they probably think, well, yes. If you're saying this is the situation, then I believe it. And all of a sudden you've got at least a bit of a starting point to kind of get to the end of treating it or to to the part of treating it.

Yeah, 100%. You really need that path and that partnership. And and like I was saying, the toolkit just to feel like you've got options and places to go and play, you know, things to try if um, if pain persists as well.

Now, I know.

You're with helium, but you talked about paracetamol. What about in terms of its safety or how often you use it? They they're pretty, uh, serious considerations.

Yeah.

I think, you know, um, like with any over-the-counter medication, it is always important to, you know, read the box, follow the directions for use because incorrect use can be harmful. So but what we're seeing is paracetamol. You know, it's been around for a long time over 60 years. And so that trust and the fact that people can turn to it for multiple pain states is the reason why we're seeing it, is it is a first choice for Australians in terms of, um, pain relief.

And I guess.

Uh, it's been around a long time. But being there, people are using it that it's working effectively. But I mean, obviously, you know, read the instructions because none of these things you can sort of take, uh, you know, I've got a bit of extra pain. I'll take double the dose and do it for, you know, a little bit longer than it's otherwise recommended. That's hardly the the way to be travelling.

That's exactly right. Yes. We we it's super important that we always do read that label and and make sure that we're also looking at what ingredients are in products. Because, you know, a product, an ingredient like paracetamol could be in multiple different types of products. It could be in a cold and flu preparation, for example, and in a in an over-the-counter analgesic. So it is important to understand what each of those things are. So you're not taking things without knowing that you are doubling up there.

And you talked about previous years research. So why does Haleon do this research? What's the kind of end goal for you guys in terms of why you ask these questions? And what do you hope to come from it?

Yeah, I think.

We um, the research is always really fascinating, and I feel like it gets deeper almost over time and people's the impact of pain deepens as well. Or at least like that's what we're learning. And the impact of pain, um, isn't just kind of in the pain moment where you think, oh, I've got a headache, and it's bothering me right now, but it can kind of have a lasting effect or it can affect, you know, how you interact socially or how how you might show up at work. So I think that's why we want to deepen our knowledge is because we are seeing that bigger impact on life. So how can we understand what how people are suffering and therefore, um, create solutions? But one of the other things we really want to do is just have these conversations more, because talking about it, people can realize that they're not alone, that they're not alone, suffering. And then and also better training for HCP and A healthcare professionals, GPS, doctors and pharmacists so that they can engage in great conversations.

Elena, what about among those numbers in terms of representation, male and female. And he and he sort of a different differentiation there.

I think what we see is that pain is is universal. It is experienced by both male and female. There are different types of pain states that, you know, affect each differently. And and we do see some data to show that there are some female pain that is, um, is maybe underrepresented from a knowledge perspective. There's some really great work going on, um, in the wider medical community around endometriosis pain. And, um, and so, you know, being able to understand that even more so, and the misdiagnosis or underdiagnosis of that is really important. So there are pockets of um, of, you know, areas that need to have that greater focus from a gender split.

If people were to find out more, you've got a website, people can kind of visit that and kind of check out a bit more in detail the information we chatted about today. Yeah, they.

Can have a look at the Hellion Pain Index, or just Google the Hellion Pain Index, but they can also, um, you know, what we really want to encourage people to do is talk to their doctor or pharmacist about the pain that they might be caused, uh, caused and really understand it a little bit more and just don't feel like you could. You need to keep it to yourself. We just really, um, want to open it up and make sure that people don't feel alone.

But a pain shared is a bit of pain. Harp, maybe?

Yeah, I think that's a nice one. I like that sentiment.

I think I.

Pinched that from something else. I butter it up with something else. But anyway, we'll go with that.

We'll go.

With that. Love to talk to you. Thank you for your time. Good to have shared some information with you.

So good to be here. Thanks for having me.

That's a window there. Who you serve from. Mahalo. Talk about, uh, pain week and everyday pain. And perhaps there better ways that we can manage it. Oh. Oh. 430. Have got a very exciting season coming up. The Jersey boys, we all kind of know the story, I think. Let's speak to, uh, let's speak to Frankie Valli. Lindsay Protea. Lindsay, great to meet you. And thanks for your time.

You're welcome. Peter. Nice to be here.

This must be, uh, well, kind of a dream job. Can I put it that way?

Well, absolutely. Yeah. No, it's, uh, it's a wonderful role. And, uh. Yeah, I mean, I've been doing this in Adelaide for over 20 years now, so it's, uh. Yeah. Wonderful. It's it's, um, one of those shows which just that the audiences will know every single song and it's just a joy. That's what I.

Was kind of thinking, like, uh, you know, sometimes you go to a show and you're not quite sure what to expect. You kind of know what to expect with this one, but then you're kind of looking for maybe some nuances from, uh, theory sort of point of view.

Oh, absolutely. And I mean, there's there's a lot of Adelaide, um, theatre companies and some really good theatre that goes on here. But, um, theory is certainly one of my favorites to work with. And they just put their all in, um, they've been going for for decades. And so they, they put the money in, they put their money where their mouth is into their shows. Um, and they put on really quality productions.

Now, Lindsey, uh, the Jersey boys, your Frankie Valli, tell us about how that, uh, role comes about for you. Do you audition? Do you get to sort? How does how does that happen?

Yeah. So, um, a lot of companies in Adelaide, they'll they'll put up notices or put it up online and um, people can people can go to Theatre Guide or tassa or those sorts of, um, resources to find out what's happening. But, um, for me, I knew that the company was doing this show over a year ago or probably about a year ago. And, um, you book an audition, it's community theatre. Anyone can audition. And, uh, yeah, you go along and you prepare some songs And, um, in this circumstance, I had to prepare Sherry. Um, I had to prepare fallen Angel, and, um, went along and workshopped it a little bit. And my first run through wasn't so flash. And then the second time the musical director went, all right, no, no, no, I reckon you can do it if you work on it. And so I've worked on it.

Now where you open next week or this coming Thursday. So not far away. How's it all coming along? Really?

Really well. Um, it's it's one of those processes because this isn't anyone's full time job. Um, everyone's got lives outside of, um, the production, and you sort of get to a couple of weeks before and you go, are we ever going to be able to get there? And, um, but now now that it's a few days away, I'm feeling really confident. It's looking and sounding great.

What about, uh, the, uh, the falsetto voice of Frankie Valli had to go with that look.

Not bad. It's not like anything I've ever had to sing before. And, um, when I first spoke to the production team about it, I said to them, look, I'm going to need to workshop this myself. Um, you know, I've done a lot of singing over the years, but nothing like this. So, um, but you know what? I've also gone out and got outside help. Um, in terms of vocal coaches, there's some fantastic vocal coaches in Adelaide. I see a lady called Rosanne Hosking and I said to her, look, this is what I'm going to need to do. This is what I'm going to need to sustain over a season. And she we worked on what I needed to work on and I think we've got there.

That's a great point though. You make I mean it's a season isn't it. Like it's not just a one off show and then you've got the rehearsals and that sort of stuff leading up to it and you've got uh, uh, you know, a couple of days with two shows. So, you know, it's kind of, uh, uh, well, with the Olympics on it, it's kind of a bit of a, uh, an athletic performance as well.

Well, it is, you know, it's it's all very, very intricate muscles that you're using. And, um, you know, I had to go along to, to my teacher, Rosie, and say, look, I need to make this sound. I've never had to make this sound before, so this is going to be too much information. But we looked at everything from tongue to larynx to to what your lips are doing. And, you know, it's all about creating that very, very unique sound. And if you don't do it right, you're not going to be able to sustain it. So uh, hopefully, hopefully we've got the right mix.

I mean, obviously doing something like this, you kind of look for challenges, and a challenge like this would be something you'd relish, I would imagine.

Absolutely. And and look, I mean, I like to play roles that are completely different to myself, really. And, uh, you get to be a different character, you know, you get to be a different person for a few weeks.

What about, uh, as far as the lines go? I mean, I guess the songs you kind of know, the lines are sort of outside the songs. Is that does that kind of fit in all okay as well?

Look, it fits in as well. Um, this role is, is quite a challenge because, um, back in that era in the 50s, 60s, they did talk quite differently. And this is New York, um, you know, new Jersey, um, you know, um, it's it's a very different lingo. They don't necessarily talk the same way that that we do today. And, uh, you know, there's words skipped and there's sentences missed. And, you know, the the audience has to sort of be listening out. And, and if it's not eloquent enough, the audience is going to miss it. So I guess for us, that's our job. We have to make sure that it's that it's all clear.

You talked about the fact that kind of everyone knows the story, knows the song, but I guess from that point of view, uh, you know, I can ask you who is this appealing to, but kind of everyone, I mean, it literally is, uh, for everyone to come along to. Absolutely.

I look, I mean, I there is some language, um, in terms of, uh, you know, not bad language, but, um, you know, parental guidance is, is recommended. But, um, it really is one of those shows that, that anyone is going to enjoy because, you know, the music, you know, you know, walk like a man. Sherry. Oh, what a night. Can't take my eyes off you. All of these incredible songs. Um, they're all toe tapping numbers. It's it's, I would say a good family show. Yeah.

And what about as far as, uh, the, um, uh, the bookings go? Uh, I know you've got a very loyal following, so I guess the sooner people book, the better, I would say.

Definitely. Get on to, um, the theory. Theory website th e r y and book on because certainly a lot of the weekend performances are already very, very close to, to sold out. Um, midweek is your best bet. Probably if you're wanting to get a a seat closer to the front, but, um, yeah, they've got a very strong subscription base, and apparently this is the fastest selling show they've had since since, um, the Covid pandemic. So wonderful for the company.

Yeah, well, I'm not surprised in the sense and as you know, we've kind of touched on the fact that so universally appealing. That sounds like it's going to be a great show. Lindsay. Great to catch up. Congratulations on getting the gig. I'm sure that would have been a pretty competitive field, but, uh, you're Frankie Valiant. I'm sure everyone that gets along. And of course, at the Arts Theatre, where it always is, which is a wonderful venue, isn't it?

Thanks so much, Peter. Yeah, it's a great venue in Adelaide. We're very lucky to have it. I wish we had a couple more.

Well, make the most of the next couple of weeks anyway.

Thanks so much Peter. You have a wonderful day.

Thanks. Always be proud of you, Frankie Valli and the Jersey boys that's being put on by ferry from this Thursday onwards. And we'll put some details up on our Facebook page.

What time of day?

Ah, yes. I reckon we'll get our toes tapping with the Jersey boys. If you'd like to book by telephone, you can give the Arts Theatre a call on 18212578212574. The Arts Theatre to get along to see Jersey boys booking very, very quickly. So I suggest, uh, very quickly. 9:00 Monday morning. Give the Arts Theater a call. 82125777. A couple of quotes before we go. Well, actually, a fun fact from the best taxi driver in the world, ginger, who says that, uh, do you know that the country with the biggest population never to have won a medal at the Olympic Games is question mark? Bangladesh is the answer. So where thanks to gender for that fun fact as he drives around getting ready for a busy Sunday evening. So, uh, be kind to all your drivers this evening if you're out and about having a good time. And, uh, a quote that, uh, Marie sent in quite some time ago. So I'm sorry that, uh, this is kind of, uh, pass through for a while, but, uh, Murray's quote is the heart of the woods problem is the problem with the human heart. So thanks, Murray, for sending that through. Hope things are going very well for you. Some birthdays before we go. A couple of fantastic cyclists having a birthday. Kieran Murphy represented Australia at Cheltenham Cycling and also Carroll Cook multiple gold medals at Paralympic Games. So very big. Happy birthday to you Carole. Nathan Pepper having a birthday involved with football for people with disabilities for many, many years. So we'll catch up with Nathan soon because that, uh, APM Employment League must be getting close to finals time. And Cameron Reid, a very big happy birthday to you. Cameron. Very much a promoter of golf for people with all disabilities and a fine golfer in his own right. So happy birthday to you, Cameron. That is just about it for the program. Vicki Carson sees very much in the Olympic spirit at Paris. She's brought in some croissants. I can't wait to get stuck into those as soon as I get off air. Vicki coming up very, very soon with Australian Geographic. Stay tuned for that while I eat my croissants. Sam Rickard, thank you for your help. Pan-green. Thank you for yours Reminding you that Leche League is available on that favorite podcast platform of yours. Be kind yourselves. Be thoughtful of others. All being well. Let's link back at the same time next week. This is Vision Australia Radio.

Leisure Link on Vision Australia Radio

Vision Australia Radiothon is on now. Donate via www.varadio.org and make a tax deductible donation  
Social links
Follow podcast
Recent clips
Browse 218 clip(s)