Drummer Adrian Young of No Doubt dropped by the KROQ trailer prior to the band’s weekend two reunion set, telling host Kevan Kenney “This No Doubt thing has been a friggin’ whirlwind! At times it's been overwhelming because it's been so many years and the response was 1,000 times better than we expected.”

Adrian adds, “It's interesting to live suburban life for so many years as a dad and just as a at-home engineer producing records, and scoring movies, and just being a kind of a studio rat, to go back to this life for a couple of weekends… It's f***ing weird.”

It didn’t take long to adjust to his new environs though, Adrian admits. “Coming out of the middle of the audience in itself is a weird experience,” he says of how they chose to take the stage. “You know, looking at Tom and Gwen, Tony, Steve, and Gabe and just feeling the energy that happens when the six of us step onto a stage is something that I just have never felt in anything I do. To be a part of that team again on stage and connect with this many people is almost better than sex.”

The whole reunion started off, Adrian explains, “more like a zoom thing… that was different for us, but that's kind of normal for everything these days, you know, post COVID. But the process was pretty similar to the old days and it was super smooth and fun and everybody was engaged. It took very little time for it to feel like home,” he says. “To not play together for nine years and then step in front of 100,000 people or whatever the number is out here is… It's really something that I've had a hard time wrapping my head around. Being a suburban dad and then stepping out and doing that with my bandmates… it's been overwhelming, and that's an understatement.”

Don't miss Kevan Kenney's full interview with Adrian Young of No Doubt above, and stay tuned for more of KROQ's coverage from Coachella 2024.

Drummer Adrian Young of No Doubt dropped by the KROQ trailer prior to the band’s weekend two reunion set, telling host Kevan Kenney “This No Doubt thing has been a friggin’ whirlwind! At times it's been overwhelming because it's been so many years and the response was 1,000 times better than we expected.”
Adrian adds, “It's interesting to live suburban life for so many years as a dad and just as a at-home engineer producing records, and scoring movies, and just being a kind of a studio rat, to go back to this life for a couple of weekends… It's f***ing weird.”
It didn’t take long to adjust to his new environs though, Adrian admits. “Coming out of the middle of the audience in itself is a weird experience,” he says of how they chose to take the stage. “You know, looking at Tom and Gwen, Tony, Steve, and Gabe and just feeling the energy that happens when the six of us step onto a stage is something that I just have never felt in anything I do. To be a part of that team again on stage and connect with this many people is almost better than sex.”
The whole reunion started off, Adrian explains, “more like a zoom thing… that was different for us, but that's kind of normal for everything these days, you know, post COVID. But the process was pretty similar to the old days and it was super smooth and fun and everybody was engaged. It took very little time for it to feel like home,” he says. “To not play together for nine years and then step in front of 100,000 people or whatever the number is out here is… It's really something that I've had a hard time wrapping my head around. Being a suburban dad and then stepping out and doing that with my bandmates… it's been overwhelming, and that's an understatement.”
Don't miss Kevan Kenney's full interview with Adrian Young of No Doubt above, and stay tuned for more of KROQ's coverage from Coachella 2024.

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No Doubt at Coachella 2024

Bud Gough, Eric Wilson, and Jakob Nowell of Sublime joined host Kevan Kenney before their Coachella weekend 2 set, and looking back on the emotional reunion performance, Kevan tells them he heard “tears were shed” in the crowd. Although Jakob admits, “I don't think it was that bad.”

“It was more of a sound check really though because we didn't have a sound check,” Eric says of the first weekend’s set. “But as far as the crowd, [it] was insane.” For his part, leading up to the double weekend performances, Jakob had been hinting to fans that the band had been putting in a lot of time practicing to make it all just right. “Everybody wishes it could be a little bit tighter,” he explains, “but I was so happy just having fun playing with everybody up there. It was a good time.”

“This week's gonna be even better, I think because now, like me personally, I kind of got my jitters out a little bit and now I'm just excited to go up there and just enjoy the experience for what it is and got a bunch of good feedback from everybody,” Jakob says. “I'm just so overwhelmed by the huge support,” he adds. “Everybody seemed to really love it and [it] makes me happy.”

Known to incorporate nostalgic sounds and ideas in his own band, Jakobs Castle making the transition to front Sublime came easily he explains. “I just try to learn the material faithfully, still put my little twist on it, but I try to do the best I can with singing, make sure I'm in key and everything like that. But I think it's just so amazing how many different, cool musicians that Sublime is influenced [by] and that whole era of music in general. I mean, so many people out here at this festival, both young and old, and using different elements from that era -- that's what really blows my mind.”

“With my work in Jakobs Castle, it's like kind of going back and cherry-picking all the cool stuff that I see and trying to re-blend it all together. When I left my old band Law, I went on this huge mission to try to just increase my ability with singing and writing and that sort of thing, and I think that totally translates to the stage. I treat it like a gig and being like, ‘OK, I'm gonna take this seriously, rehearse every night, and try to do the best possible job I can do.’”

Don't miss Kevan Kenney's full interview with Sublime above, and stay tuned for more of KROQ's coverage from Coachella 2024.

Bud Gough, Eric Wilson, and Jakob Nowell of Sublime joined host Kevan Kenney before their Coachella weekend 2 set, and looking back on the emotional reunion performance, Kevan tells them he heard “tears were shed” in the crowd. Although Jakob admits, “I don't think it was that bad.”
“It was more of a sound check really though because we didn't have a sound check,” Eric says of the first weekend’s set. “But as far as the crowd, [it] was insane.” For his part, leading up to the double weekend performances, Jakob had been hinting to fans that the band had been putting in a lot of time practicing to make it all just right. “Everybody wishes it could be a little bit tighter,” he explains, “but I was so happy just having fun playing with everybody up there. It was a good time.”
“This week's gonna be even better, I think because now, like me personally, I kind of got my jitters out a little bit and now I'm just excited to go up there and just enjoy the experience for what it is and got a bunch of good feedback from everybody,” Jakob says. “I'm just so overwhelmed by the huge support,” he adds. “Everybody seemed to really love it and [it] makes me happy.”
Known to incorporate nostalgic sounds and ideas in his own band, Jakobs Castle making the transition to front Sublime came easily he explains. “I just try to learn the material faithfully, still put my little twist on it, but I try to do the best I can with singing, make sure I'm in key and everything like that. But I think it's just so amazing how many different, cool musicians that Sublime is influenced [by] and that whole era of music in general. I mean, so many people out here at this festival, both young and old, and using different elements from that era -- that's what really blows my mind.”
“With my work in Jakobs Castle, it's like kind of going back and cherry-picking all the cool stuff that I see and trying to re-blend it all together. When I left my old band Law, I went on this huge mission to try to just increase my ability with singing and writing and that sort of thing, and I think that totally translates to the stage. I treat it like a gig and being like, ‘OK, I'm gonna take this seriously, rehearse every night, and try to do the best possible job I can do.’”
Don't miss Kevan Kenney's full interview with Sublime above, and stay tuned for more of KROQ's coverage from Coachella 2024.

Sublime at Coachella 2024

John Nolan and Adam Lazzara of Taking Back Sunday dropped by backstage to chat with KROQ’s Megan Holiday, a fan who has been telling all her friends about the band after first hearing them years ago at the age of just fifteen. That word-of-mouth from Megan and countless others certainly worked out well for the band, now celebrating 25 years after their debut, Tell All Your Friends, performing two epic weekends at this year’s Coachella festival.

“We ended up naming the [first] record that because it worked,” says Adam. “Shaun [Cooper] would burn them in his basement at his parents' house, and we called them the ‘Tell All Your Friends demos,’ because we hoped people would tell all their friends, and then they did. And we were like, ‘I love it when a plan comes together!’”

With the release of their eighth studio album, 152, this past October, Adam reveals that number has actually been included on every one of their albums ever since, as a kind of easter egg for their biggest supporters, “So they know that we're always thinking about them,” he says. “It's this exit in North Carolina. There's this little stretch of highway to where 85 and 40 come together and they form one highway, right? I grew up in a small town in High Point, North Carolina… so all the shows, you had to go up to Chapel Hill and halfway there, because that's where the colleges are. Halfway there, there was a stop, Exit 152, and then these guys were nice enough to just let me stick it on everything.” John adds, “There's a picture of the actual exit on the back of the [Tell All Your Friends] album, and, it was also sort of a coincidence, someone at Victory [Records] made the design for the cover, which happened to be like a highway with a sign... It all just sort of naturally moved into that 152 sign on the back and then from then on, every album.”

Now 25 years since their inception Adam says, “I feel like this little kid, it doesn't feel like any of that time has passed. I can't believe we get to do this,” he adds, although heading into weekend two of Coachella, “nerves are still at an all-time high for me.” John says his jitters are doing better than the last weekend, partly because of how weekend two’s vibes seem to be much more chill. “Even just kind of meandering about,” he says, “it feels like everybody's like, ‘Oh, we got this, we did this last week.’”

Speaking on the resurgence of the Emo scene with events like Emo Night and When We Were Young seeing massive success, although he says TBS “doesn't have anything to do with it," Adam believes “that's what's beautiful about it… Because that can exist, and bands like us can also exist, and we're just all a part of one another. One of the things I love so much and that I just feel so lucky is that I feel like I've found my people and we've gotten to grow up together, just through the shows and the whole thing. It was a big part of us, you know,  so it's cool that's doing well -- and that means we get to do well too.”

Don't miss Megan Holiday's full interview with Taking Back Sunday above, and stay tuned for more of KROQ's coverage from Coachella 2024.

John Nolan and Adam Lazzara of Taking Back Sunday dropped by backstage to chat with KROQ’s Megan Holiday, a fan who has been telling all her friends about the band after first hearing them years ago at the age of just fifteen. That word-of-mouth from Megan and countless others certainly worked out well for the band, now celebrating 25 years after their debut, Tell All Your Friends, performing two epic weekends at this year’s Coachella festival.
“We ended up naming the [first] record that because it worked,” says Adam. “Shaun [Cooper] would burn them in his basement at his parents' house, and we called them the ‘Tell All Your Friends demos,’ because we hoped people would tell all their friends, and then they did. And we were like, ‘I love it when a plan comes together!’”
With the release of their eighth studio album, 152, this past October, Adam reveals that number has actually been included on every one of their albums ever since, as a kind of easter egg for their biggest supporters, “So they know that we're always thinking about them,” he says. “It's this exit in North Carolina. There's this little stretch of highway to where 85 and 40 come together and they form one highway, right? I grew up in a small town in High Point, North Carolina… so all the shows, you had to go up to Chapel Hill and halfway there, because that's where the colleges are. Halfway there, there was a stop, Exit 152, and then these guys were nice enough to just let me stick it on everything.” John adds, “There's a picture of the actual exit on the back of the [Tell All Your Friends] album, and, it was also sort of a coincidence, someone at Victory [Records] made the design for the cover, which happened to be like a highway with a sign... It all just sort of naturally moved into that 152 sign on the back and then from then on, every album.”
Now 25 years since their inception Adam says, “I feel like this little kid, it doesn't feel like any of that time has passed. I can't believe we get to do this,” he adds, although heading into weekend two of Coachella, “nerves are still at an all-time high for me.” John says his jitters are doing better than the last weekend, partly because of how weekend two’s vibes seem to be much more chill. “Even just kind of meandering about,” he says, “it feels like everybody's like, ‘Oh, we got this, we did this last week.’”
Speaking on the resurgence of the Emo scene with events like Emo Night and When We Were Young seeing massive success, although he says TBS “doesn't have anything to do with it," Adam believes “that's what's beautiful about it… Because that can exist, and bands like us can also exist, and we're just all a part of one another. One of the things I love so much and that I just feel so lucky is that I feel like I've found my people and we've gotten to grow up together, just through the shows and the whole thing. It was a big part of us, you know,  so it's cool that's doing well -- and that means we get to do well too.”
Don't miss Megan Holiday's full interview with Taking Back Sunday above, and stay tuned for more of KROQ's coverage from Coachella 2024.

Taking Back Sunday at Coachella 2024

This year, RÜFÜS DU SOL is celebrating ten years since the release of their debut, Atlas, and while backstage during Coachella’s weekend two, Jon George and James Hunt did a little looking back with KROQ host Kevan Kenney.

“It was really cool finding old photos of us on tour,” says James. “We did the ‘Atlas’ tour around Australia in 2013 -- digging up old photos and remembering how different it was back then to now. They were definitely the good days.” Jon says of their progression since then, “It is interesting… maybe more mature. I feel mature.”

RÜFÜS DU SOL are getting set to kick off their Las Vegas residency spanning seven dates at the illustrious XS Nightclub at the Wynn on May 5. “It feels like a home being back there again,” Jon says. “One thing that we love about doing DJing is it's a different expression from the live show,” adds James. “We spend a lot of time investing most of our resources and energy into the fact that we're a band, primarily. But we love DJing. It informs our music, we listen to a lot of dance music, especially me and Jon, and the residency is just a really good way for us to showcase the music we love listening to. We have a label called Rose Avenue Records -- a lot of that stuff is dance floor leaning, so we get to play that stuff. Also, the Wynn -- they do invest in more tasteful house and techno, compared to some other places in Vegas. It is a really good platform for this kind of music we listen to and love.”

Planned for the evening, the duo have a four-hour set scheduled, and the idea is simply to “have a lot of fun” James explains, “We make a lot of edits… they're not anywhere online. We use [bandmate] Tyron [Lindqvist’s] vocals on tracks. We make custom little mashups and you know, basically, we curate the set so that there's constant recognition of RÜFÜSthings.”

“I like that we got the freedom too with DJing,” Jon adds. “Obviously, when we did the live show, we're pretty locked into our set list. But with the DJing, we can sort of see if we're losing the audience a little bit or if we need to jolt in energy -- whatever it may be. We’ve got a lot of music that we can sort of lean in any way, in any direction.”

Don't miss Kevan Kenney's full interview with RÜFÜS DU SOL above, and stay tuned for more of KROQ's coverage from Coachella 2024.

This year, RÜFÜS DU SOL is celebrating ten years since the release of their debut, Atlas, and while backstage during Coachella’s weekend two, Jon George and James Hunt did a little looking back with KROQ host Kevan Kenney.
“It was really cool finding old photos of us on tour,” says James. “We did the ‘Atlas’ tour around Australia in 2013 -- digging up old photos and remembering how different it was back then to now. They were definitely the good days.” Jon says of their progression since then, “It is interesting… maybe more mature. I feel mature.”
RÜFÜS DU SOL are getting set to kick off their Las Vegas residency spanning seven dates at the illustrious XS Nightclub at the Wynn on May 5. “It feels like a home being back there again,” Jon says. “One thing that we love about doing DJing is it's a different expression from the live show,” adds James. “We spend a lot of time investing most of our resources and energy into the fact that we're a band, primarily. But we love DJing. It informs our music, we listen to a lot of dance music, especially me and Jon, and the residency is just a really good way for us to showcase the music we love listening to. We have a label called Rose Avenue Records -- a lot of that stuff is dance floor leaning, so we get to play that stuff. Also, the Wynn -- they do invest in more tasteful house and techno, compared to some other places in Vegas. It is a really good platform for this kind of music we listen to and love.”
Planned for the evening, the duo have a four-hour set scheduled, and the idea is simply to “have a lot of fun” James explains, “We make a lot of edits… they're not anywhere online. We use [bandmate] Tyron [Lindqvist’s] vocals on tracks. We make custom little mashups and you know, basically, we curate the set so that there's constant recognition of RÜFÜS things.”
“I like that we got the freedom too with DJing,” Jon adds. “Obviously, when we did the live show, we're pretty locked into our set list. But with the DJing, we can sort of see if we're losing the audience a little bit or if we need to jolt in energy -- whatever it may be. We’ve got a lot of music that we can sort of lean in any way, in any direction.”
Don't miss Kevan Kenney's full interview with RÜFÜS DU SOL above, and stay tuned for more of KROQ's coverage from Coachella 2024.

No Doubt at Coachella 2024

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