Using two Punjabi phulkaris embroidered by a relative around 1925 as a starting point, Bay Area artist Kira Dominguez Hultgren traces themes of colonialism, contemporary exoticism and craft in I Was India: Embroidering Exoticism. Her woven work, large-scale and vibrant, incorporates a variety of textures and materials, including climbing rope, wool, Indian cotton and Chinese silk. The show starts March 4, 2020 and runs through April 12, 2020.

 

 

 

 

Using two Punjabi&nbsp;phulkaris&nbsp;embroidered by a relative around 1925 as a starting point, Bay Area artist Kira Dominguez Hultgren traces themes of colonialism, contemporary exoticism and craft in&nbsp;I Was India: Embroidering Exoticism. Her woven work, large-scale and vibrant, incorporates a variety of textures and materials, including climbing rope, wool, Indian cotton and Chinese silk. The show starts March 4, 2020 and runs through April 12, 2020.
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KQED serves the people of Northern California with a community-supported alternative to commercial media. We provide citizens with the knowledge they need to make informed decisions; convene community dialogue; bring the arts to everyone; and engage audiences to share their stories.

KQED serves the people of Northern California with a community-supported alternative to commercial media. We provide citizens with the knowledge they need to make informed decisions; convene community dialogue; bring the arts to everyone; and engage audiences to share their stories.

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