Fabi Reyna is a Portland-based guitarist and songwriter and is also the founder of She Shreds Media, which is dedicated to empowering women and non-binary guitarists and bassists. Reyna is now out with a new album under her artist name, Reyna Tropical. The album is called 'Malegria.'

KEXP’s Albina Cabrera caught up with Reyna to learn more about the inspiration behind the album, how it explores the Latinx diaspora and identity, and about Reyna’s musical partner, Nectali "Sumohair" Díaz, who passed away during the making of the album.

Fabi Reyna is a Portland-based guitarist and songwriter and is also the founder of She Shreds Media, which is dedicated to empowering women and non-binary guitarists and bassists. Reyna is now out with a new album under her artist name, Reyna Tropical. The album is called 'Malegria.'
KEXP’s Albina Cabrera caught up with Reyna to learn more about the inspiration behind the album, how it explores the Latinx diaspora and identity, and about Reyna’s musical partner, Nectali "Sumohair" Díaz, who passed away during the making of the album.

On A Deeper Listen, host Emily Fox and other storytellers from KEXP talk with artists about the stories behind their songs and the experiences that inform their work. Through each conversation, we uncover the humanity behind the music, allowing us to hear it in a whole new way.

On A Deeper Listen, host Emily Fox and other storytellers from KEXP talk with artists about the stories behind their songs and the experiences that inform their work. Through each conversation, we uncover the humanity behind the music, allowing us to hear it in a whole new way.

A Deeper Listen

Reyna Tropical Explores Diasporic Identity on 'Malegría'

Shabaka Hutchings is a celebrated saxophone player and a major figure in London’s contemporary jazz scene. He was the bandleader for Sons of Kemet and Shabaka and the Ancestors, and part of the electronic jazz group The Comet Is Coming. But on New Year's Day of 2023, he announced he'd be putting down the saxophone for good and focusing on a new instrument: the flute. Starting with the Japanese shakuhachi and expanding to a variety of traditional flutes, he's now out with his first full-length album under his solo moniker of Shabaka. The album is called 'Perceive Its Beauty, Acknowledge Its Grace,' and features collaborations with Carlos Niño, Laraaji, Andre 3000, Floating Points, Esperanza Spalding, Moses Sumney, and more.

Shabaka talks with KEXP’s Isabel Khalili about his transition from saxophone to flute and how it’s helped him learn to release tension and relax into playing. He also discusses his thoughts on the term "Afrofuturism," how he’s embraced Octavia Butler's ideas on the inevitability of change, what it means to heal through music, and his search for meaning outside of a Western colonial paradigm.

Shabaka Hutchings is a celebrated saxophone player and a major figure in London’s contemporary jazz scene. He was the bandleader for Sons of Kemet and Shabaka and the Ancestors, and part of the electronic jazz group The Comet Is Coming. But on New Year's Day of 2023, he announced he'd be putting down the saxophone for good and focusing on a new instrument: the flute. Starting with the Japanese shakuhachi and expanding to a variety of traditional flutes, he's now out with his first full-length album under his solo moniker of Shabaka. The album is called 'Perceive Its Beauty, Acknowledge Its Grace,' and features collaborations with Carlos Niño, Laraaji, Andre 3000, Floating Points, Esperanza Spalding, Moses Sumney, and more.
Shabaka talks with KEXP’s Isabel Khalili about his transition from saxophone to flute and how it’s helped him learn to release tension and relax into playing. He also discusses his thoughts on the term "Afrofuturism," how he’s embraced Octavia Butler's ideas on the inevitability of change, what it means to heal through music, and his search for meaning outside of a Western colonial paradigm.

Shabaka Hutchings Relaxes Into Change

Alice Randall was the first Black woman to co-write a number one country hit with her song “XXX’s and OOO’s,” sung by Trisha Yearwood in 1994. Now, 30 years later, Randall is out with a memoir and accompanying album both called 'My Black Country.' The album features Black women artists of today covering country songs Randall wrote – songs that were originally sung by white performers – including Adia Victoria, Valerie June, and Rhiannon Giddens of The Carolina Chocolate Drops.

Randall talks with Emily Fox about her music, life, career and about the other Black country artists that came before her.

Alice Randall was the first Black woman to co-write a number one country hit with her song “XXX’s and OOO’s,” sung by Trisha Yearwood in 1994. Now, 30 years later, Randall is out with a memoir and accompanying album both called 'My Black Country.' The album features Black women artists of today covering country songs Randall wrote – songs that were originally sung by white performers – including Adia Victoria, Valerie June, and Rhiannon Giddens of The Carolina Chocolate Drops.
Randall talks with Emily Fox about her music, life, career and about the other Black country artists that came before her.

Alice Randall on Black Country and Writing Chart-Topping Hits

Shana Cleveland of La Luz talks about her band’s new album, 'News of the Universe,' and how many of the songs reflect on the breast cancer diagnosis she got after weaning her then two-year-old son off breastfeeding in 2022. She has since received a good bill of health from her doctor.  

“I feel like I often think about cancer and pregnancy and birth in the same way. It was just something growing inside of me, something strange that I couldn’t control and then having it leave suddenly,” Cleveland says.

Shana Cleveland of La Luz talks about her band’s new album, 'News of the Universe,' and how many of the songs reflect on the breast cancer diagnosis she got after weaning her then two-year-old son off breastfeeding in 2022. She has since received a good bill of health from her doctor.  
“I feel like I often think about cancer and pregnancy and birth in the same way. It was just something growing inside of me, something strange that I couldn’t control and then having it leave suddenly,” Cleveland says.

Reyna Tropical Explores Diasporic Identity on 'Malegría'

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