Today on Fantasy Writing for Barbarians, we’re answering a spooky-good question! Does horror count as fantasy? Jon dives into how genres overlap, why dark fantasy works best when it steals from horror’s toolset, and how to write sinister bargains, magical villains, and terrifying atmospheres that feel both otherworldly and grounded. Plus, we unpack a listener’s chilling prologue and explore what makes horror feel fantastical even without dragons or spells. Have a question or topic you want me to get into for the show? Email us at fantasywritingforbarbarians@gmail.com or join our Discord (https://discord.gg/wG5g8RR4m2) and let us know what's on your mind. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. You can read some of his original short fiction for free over on Cetera Magazine. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re answering a hot-button question from the fantasy writing subreddit: is it bad if most of your novel is just people talking? Jon digs into why dialogue-heavy scenes can tank your pacing, when they actually work, and how to build a more dynamic scene structure that doesn’t feel like filler between the “cool stuff.” You can check out the r/fantasywriters prompt we referenced right here. Have a question or topic you want me to get into for the show? Email us at fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. You can read some of his original short fiction for free over on Cetera Magazine. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re tackling a listener email about how writers can unfold a character’s past without overwhelming the reader. Jon breaks down when to use flashbacks effectively, plus how you can handle offscreen POVs. And we reference authors like Robin Hobb to engage with emotional revelations, George R.R. Martin’s approach to one-off POV chapters, and how to make sure the past is always interfering with the present. Have a question or topic you want me to get into for the show? Email us at fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. You can read some of his original short fiction for free over on Cetera Magazine. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re answering a listener email about one of the trickiest parts of writing epic fantasy: the dreaded travel montage. How do you keep the story moving when your characters are literally just…moving? Jon dives into the dos and don’ts of long journeys, how to use travel to reveal character, and when description on its own is actually a bad thing. Have a question or topic you want me to get into for the show? Email us at fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. You can read some of his original short fiction for free over on Cetera. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re answering a heartfelt listener email about knowing when to walk away from a draft and when to double down. If you’ve ever felt stuck between revising an old novel that no longer excites you and chasing that shiny new story idea, then this episode can help you out. Jon reflects on his own publishing history, including a beloved but unfinished trilogy and his long journey rewriting The Pixar Theory. We unpack the guilt that comes with “giving up,” the difference between quitting and redirecting, and how to tell if your reluctance is just new-idea fever…or a sign you’ve outgrown the story. Producer Bridget chimes in with sciencey brain stuff and Drawfee quotes, and we explore how outlining, reframing, and cannibalizing your own work (in a good way!) can help you stay excited about writing. Have a question or topic you want me to get into for the show? Email us at fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. You can read some of his original short fiction for free over on Cetera. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re looking at what fantasy writers can learn from James Gunn’s Superman. Yes, really. Turns out, this big-hearted, punch-heavy superhero flick has a lot to teach us about crafting godlike characters, writing vulnerability, and making your emotional arcs land harder than a Kryptonian haymaker. In this episode, we break down 10 storytelling lessons hiding under the cape, like how to ground overpowered characters in real emotional stakes and why your worldbuilding should serve your story (not the other way around). Plus, how you can use humor to raise tension instead of killing it. So whether you’re writing a chosen-one saga or a magical kitchen sink drama, there’s something here for you, especially if your protagonist is a little too good at everything. Have a question or topic you want me to get into for the show? Email us at fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. You can read some of his original short fiction for free over on Cetera. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re answering an email from a listener wrestling with the cosmic chaos of time magic. They're drafting a novel with temporal twists (bending, looping, and slowing time within a magical system) and they’re spiraling a bit. Can you blame them? Time magic is infamous for breaking stories, confusing readers, and creating paradoxes so convoluted they collapse your plot like a flan in a cupboard. In this episode, we unpack how to write time magic without losing your readers (or your sanity). We define the major types of time magic, from prophecy to chronomancy, and break down the dangers of paradoxes, the reset-button problem, and why the emotional cost of time magic matters more than how technically “tight” your system is. Have a question or topic you want me to get into for the show? Email us at fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. You can read some of his original short fiction for free over on Cetera. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re answering an email from a listener looking to break into the world of editing. Put simply, how do you do it without getting overwhelmed, underpaid, or lost in the weeds? In this episode, we break down what editing actually means (developmental vs. line editing vs. critique), how to start editing for others and yourself, and why editing is more than catching typos. It’s about evolving a story on the sentence and soul level. Whether you’re looking to shift careers or simply trying to sharpen your revision skills, this episode is your practical (and slightly chaotic) roadmap to becoming the kind of editor authors actually thank in the acknowledgments. Have a question or topic you want me to get into for the show? Email us at fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. You can read some of his original short fiction for free over on Cetera. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re answering an email from a listener deep in the weeds of writing their dark, grimdark high fantasy series. It’s got all the makings of a brutal, layered epic: tangled character histories, world-shifting subplots, and the ever-haunting question...how do you keep hope alive in a story designed to crush it? In this episode, I break down the key challenges of writing dark fantasy without losing your readers to despair. We talk about how to weave deep character history into the page without lore dumps, why subplots shouldn’t hijack your story’s spine, and how to make hope feel like a hard-won prize. Have a question or topic you want me to get into for the show? Email us at fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re reacting to Carl Duncan’s video, “5 Signs You Wrote an Unlikable Character” through the lens of writing unforgettable characters in fantasy (and we're only addressing 3 of them so you can check out the other two and support his channel!) Whether you’re crafting morally gray heroes, tragic villains, or chaotic-neutral scene-stealers, we’re breaking down what likability really means in a genre built on prophecy, politics, and peril. Here's a link to Carl's full video, where you can also subscribe to his channel. Want your question about fantasy writing featured on the show? Email your advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re pulling off a full breakdown of how to write a fantasy heist (Victorian steampunk edition). One of our listeners wrote in with a killer manuscript concept: a disgraced engineer, a team of rogues, and a sentient magical vault that reshapes itself to trap them inside. It’s Six of Crows meets The Prestige, with a twist of Dishonored and Howl’s Moving Castle. In this episode, I walk through the core structure of a fantasy heist using six-act story theory, exploring how to build tension through character secrets, break-in mechanics, and emotional payoff. We dive into worldbuilding tricks (like turning your setting into an antagonist), the importance of controlled surprise, and why the best heists feel like pressure cookers that test every belief your characters hold. Have a question or topic you want me to get into for the show? Email us at fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re doing something a little unorthodox: I’m diving into what The Elder Scrolls IV: Oblivion—yes, the 2006 RPG recently remastered—can teach us about writing unforgettable fantasy novels. From its cult-favorite guild quests to the eerie Oblivion Gates, this game isn’t just a nostalgic masterpiece. It’s a creative writing course disguised as a game. We break down why Oblivion’s worldbuilding still holds up, how its implied history and lived-in lore set the gold standard for immersive storytelling, and what every fantasy author can learn from its layered factions like the Dark Brotherhood and Mages Guild. I unpack how Oblivion builds stakes through specificity, uses cozy peace to sharpen chaos, and lets its clunky weirdness become a strength instead of a flaw. Have a question or topic you want me to get into for the show? Email us at fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re doing something different: I'm breaking down the opening lines of my own fantasy short story, “Songs for the Dead and Drowning”, to show exactly what goes into crafting voice, world, and mood from line one. From interiority to pacing to metaphor as worldbuilding, this is a deep dive into how fantasy prose can do the heavy lifting without getting heavy-handed. We unpack why opening lines don’t need to scream for attention, how subtle choices build tension and character, and what it means to balance clarity with intrigue. I walk through the themes, structure, and sentence-level decisions that shape the story’s hook, and yes, I also critique my own writing with full transparency (and occasional self-roasting). Have a question or topic you want me to get into for the show? Email us at fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re answering a heartfelt question from a fantasy author: how do you write a slow-burn romance in fantasy that keeps readers hooked instead of tuning out? If your lovers can’t be together (yet), how do you keep the tension crackling without stalling the plot? We dig into the alchemy of slow burns: what makes them work, what makes them drag, and why pacing isn’t the same as being slow. From Kaguya-sama: Love is War to The Witcher, Howl’s Moving Castle, and The Green Bone Saga, we unpack how romantic subtext, emotional intimacy, and narrative function turn subtle glances into story gold. Plus, we break down the do’s and don’ts of relationship development, how to avoid “convenient chemistry,” and why your romance should mess with your world, not float beside it. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re reacting to video from popular YouTuber Alyssa Matesic about the worst writing advice on the internet, but my commentary will be through the lens of the fantasy genre. From “Show Don’t Tell” to “Write Every Day,” we’re unpacking why common writing rules don’t always hold up in fantasy, and how to apply (or ignore) them without compromising your world, your story, or your voice. Here's a link to Alyssa's full video, where you can also subscribe to her channel! Want your question about fantasy writing featured on the show? Email your advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re diving into the timeless question at the heart of all epic fantasy: how do you create your own mythology? Inspired by a Reddit post from Lexi, a creative writing student working on her thesis in mythopoeia, we’re unpacking why myths are the soul of a fantasy world...and how to build one that feels ancient, sacred, and real. We break down the three big approaches to writing myth: inventing your own, remixing existing ones (like Greek or Norse), and using real-world mythology with minimal tweaks. From Tolkien’s Elvish creation songs to the spiritual remixing in The Poppy War, we explore what makes a myth resonate and what makes it fall flat. Plus, we talk about how to research respectfully, how to preserve a myth’s spiritual essence even when you break the rules, and why myth has to be more than just a bunch of backstory. Whether you’re building gods from scratch or honoring a living tradition, this is the episode to help you myth-make like a legend. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Check out my new short story "Upon a Dream," which was published this past week in the Briar & Thorn issue of The Fairy Tale Magazine! Available to read online here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re answering a deceptively simple question from a listener: how do you write an immortal character? If your hero can’t die, what’s left to fear...and how do you keep their story from feeling, well, lifeless? We’re digging into the listener's character Equia, her mysterious soul-stripping backstory, and the deeper issue behind the question: what does immortality mean to a character, and what does it cost? From gods freezing time to cursed divine gifts, we break down classic (and subversive) examples from Pirates of the Caribbean, Invincible, Interview with the Vampire, Castlevania, and Logan. And we explore why immortality often fails when it becomes a cheat code instead of a challenge. Plus, we unpack how emotional truth gives immortal characters staying power, how to dirty up a too-clean origin story, and what really makes a power feel earned. Whether your hero lives forever or wishes they didn’t, this is the episode to help you build it right. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. Check out my new short story "Upon a Dream," which was published this past week in the Briar & Thorn issue of The Fairy Tale Magazine! Available to read online here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re answering a classic worldbuilding dilemma: how do you preserve tension in a fantasy story when healing magic exists? If your adventuring party includes a healer, does that automatically destroy your stakes? Or is there a way to keep danger real when wounds can be patched with a flick of the wrist? We’re breaking down the big issue behind “overpowered” healing, why it’s not about the magic, it’s about the system, and how to make your healing rules serve the story. From anime like Fullmetal Alchemist and Frieren to books like The Starlight Archive, we’re unpacking examples of healing done right and what can make it go wrong. Plus, we explore how healing can become its own source of conflict, why party tension is your best tool for emotional payoff, and a full menu of mechanics and consequences to make your healer one of the most compelling characters on the map. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Check out my new short story "Upon a Dream," which was published this past week in the Briar & Thorn issue of The Fairy Tale Magazine! Available to read online here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re answering a big question from a new writer: do you need to read a ton of books before you can write one? If you’ve been worldbuilding and dreaming up stories but haven’t read much outside of anime and games, is it even worth starting? We’re breaking down the real relationship between reading and writing, why it’s okay to start before you feel “ready,” and how to build skill through reps, not perfection. Plus, we’ll talk about short stories as training wheels, how to reverse-engineer great scenes, and why practice only works if you know what you’re fixing. This is a must-listen for anyone wondering if their lack of reading disqualifies them from writing. (Spoiler: it doesn’t!) Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Check out my new short story "Men Who Are Strong," which was published this past week in "The Evolving Gaze" issue of IHRAM Press's literary magazine! Available in print and online. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re diving deep into one of the most controversial ways to open your fantasy novel: the dream sequence. A listener asks whether they should open with a dream as a prologue or kick off Chapter 1 with it—and we’re breaking down how both could work but why you may want to reconsider... We’re also unpacking why readers often hate dream openings and dream sequences in general, when and how they do work, and why the key to using them well isn’t about avoiding clichés. It’s about structure, trust, and payoff. Plus, we go through a full checklist for dream scenes that pull their weight, and some spicy thoughts on the prologue trap new writers fall into. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re diving into the brutal art of the prologue—how to do it right, how to do it wrong, and why so many fantasy authors start their books in the worst possible place. We’re putting a fellow author's submitted prologue under the microscope, dissecting its opening scene with the precision of a literary agent on their third cup of coffee. What works? What flops? And most importantly, does this prologue actually serve the story, or is it just an excuse to dump lore? Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re tackling the age-old question: Should you write for the market or write what you love? A listener asks if quirky, unconventional story ideas can actually find an audience, or if sticking to what’s popular is the only way to succeed. We’re breaking down the balance between originality and marketability, why chasing trends is a losing game, and how fresh twists on familiar ideas are the secret to standing out. Plus, we’ll explore why experimental concepts often work best as short stories, how the publishing industry’s tastes change faster than you think, and when self-publishing might be your best bet. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re taking a hard look at hierarchies in fantasy worldbuilding. An author asks whether they should invent a brand-new ranking system instead of using the classic prince/princess structure—but is reinventing the wheel always the best move? We’re breaking down First Book Syndrome (why new writers try too hard to be original), the right way to brainstorm worldbuilding, and how real history offers way better hierarchy ideas than just “British nobility but with magic.” Plus, we’ll dive into small, effective twists that make your monarchy feel fresh without confusing your readers. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re sharpening our axes and hacking into one of the most powerful storytelling tools: third-person close narration. A listener writes in asking how to wield third close effectively in epic fantasy, What makes it such a strong choice? How do you avoid common pitfalls? And how do you keep the immersion deep without slipping into first-person territory... Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re diving into one of the most intriguing challenges in fantasy storytelling: crafting trials and competitions that are dangerous, high-stakes, and compelling—without relying on combat! Inspired by an author prompt, we brainstorm creative ways to test a character’s worthiness for the "throne" beyond the typical sword fights and archery contests. From uncovering court conspiracies to brokering high-risk negotiations, we explore how fantasy trials can emphasize intelligence, diplomacy, and even necromantic abilities. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re diving into another first-page critique, breaking down what makes an opening scene compelling, immersive, and effective. Particularly when you're using first-person narration! We dig into the first page of a YA fantasy novel from an author looking for feedback on their voice. And then I take a look at what’s working, what could be tightened up, and how the author can refine voice, pacing, and tension to create an irresistible first page. Along the way, we discuss the importance of grounding readers in the "now," avoiding too much exposition, and ensuring your opening scene serves as an invitation into the world of your story. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re tackling a crucial question for fantasy writers: How long is too long for a chapter? We start by digging into whether long chapters are a turnoff for readers or if length doesn’t matter as long as the content is engaging. With epic fantasy novels often stretching the boundaries of chapter length, we explore the real issue: scene structure, pacing, and reader experience. Is 7,000 words too much for one chapter? How do you decide when to break up a chapter? And most importantly, how do you keep readers turning the page without overwhelming them? Let’s break down the craft of chapter structure and how you can make the right choice for your novel. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re tackling a classic worldbuilding challenge: How do you create a dominant, world-spanning empire without making every villain feel the same? Inspired by a prompt about structuring an overarching antagonist group, I break down why your empire needs layers of control, why real-life history—not just fiction—should guide your choices, and how to avoid the dreaded “this feels too much like One Piece” problem. Whether you’re designing a totalitarian world government or a fractured superpower, this episode will help you build a villainous force that’s both intimidating and narratively rich. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re confronting one of the most misleading pieces of writing advice out there: “Just Write.” You’ve heard it a million times: just sit down, write every day, push through, and success will follow. But is that actually good advice? Or is it one of the biggest traps holding writers back? Drawing from my own experience as a writer and editor, I dig into why “Just Write” can be both helpful and harmful depending on how it’s interpreted. We’ll discuss why writing isn’t just about churning out words, but about writing with intention. I break down how to approach creativity in a way that prevents burnout, keeps writing joyful, and actually moves your story forward instead of just filling up a document with empty words. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re tackling one of the most crucial questions for fantasy writers: How much research is necessary to write a convincing novel? Inspired by a discussion prompt about writing a Flintlock-era fantasy, I dig into why research isn’t just helpful—it’s essential. Whether you’re recreating the intricate details of 18th-century gunpowder weaponry or exploring the psychology of your characters, we’ll explore how research can elevate your story from flat to fantastic. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re revisiting a controversial topic: prologues. Are they essential world-building tools or unnecessary speed bumps in your story? In this episode, I dive into the nuances of prologues through the lens of a detailed critique, offering a step-by-step breakdown of one writer’s attempt. We’ll revisit the big questions from our first prologue episode, like why some authors get away with them while others don’t, and dig into fresh insights about tone, stakes, turning points, and pacing. Plus, I’ll share practical tips for making your prologue (or any scene) more engaging, cohesive, and impactful. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re blasting off into the hybrid world of science fantasy (or sci-fantasy, speculative fantasy, etc)! Whether you’re dreaming up starships powered by magic or crafting a galaxy of necromancers and tech wizards, this episode is your ultimate guide to blending the fantastical with the futuristic. And for the first time, I'm joined by our wonderful producer Bridget Serdock, as we tackle questions like: What defines science fantasy? How do you balance magic and technology without confusing your readers? And most importantly, how can this underdog genre help your stories stand out? Drawing examples from classics like Dune, The Locked Tomb series, and even Mass Effect, we’ll dig into world-building tips, key tropes, and the challenges (and joys!) of creating a cohesive universe where magic and tech collide. Plus, Bridget shares their insights from building a sci-fantasy D&D campaign, and we swap our favorite storytelling tricks for making this genre work. If you’ve ever thought, “Can I write a space opera with dragons?” the answer is YES. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re hitting the road—literally! I dive into an all-too common question: How do you write engaging travel scenes without boring your readers? Drawing inspiration from fantasy classics like The Wheel of Time and A Song of Ice and Fire, we’ll explore strategies to keep your story moving. I’ll break down how to make travel scenes emotionally impactful, layer in tension and world-building, and avoid the dreaded repetitiveness that might be plaguing your manuscript. Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we're trying something new...video! That's right, you can see me talking for once by checking out this episode on our YouTube channel. As for the episode itself, I answer a listener's burning question: What makes a story maximally marketable? Drawing from examples like Harry Potter, Star Wars, Hunger Games, and more, I break down the patterns and elements that make iconic stories resonate. We'll explore high stakes, unique magic systems, vivid world-building, and crafting stories that feel fresh yet familiar. Plus, I’ll share some personal insights on balancing creativity with commercial appeal and how to inject emotional depth into your writing. Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we dive into the delicate balance of description in fantasy writing. How much is too much? And how can you make every detail serve your story? We start by reacting to a fantasy writer's advice request about being inspired by Robert Jordan’s descriptive style, while grappling with whether their own prose is overdone or just right. I break down practical tips for crafting purposeful descriptions that enhance immersion, connect to character emotions, and avoid overwhelming readers. Plus, I share insights from my own writing process and discuss how to strike the perfect balance between vivid imagery and storytelling momentum. Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. You can find the first discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, I tackle one of the most daunting aspects of writing fantasy: word count. Whether you're an aspiring writer working on a middle grade fantasy, a sprawling apocalypse novel, or an epic high fantasy series, word count is often a major obstacle. So let's break it all down! We start by reacting to an advice post from a writer struggling to balance creativity and marketability with a 250,000+ word debut epic fantasy. I dive into practical advice on navigating traditional publishing constraints, the hidden benefits of self-publishing, and why constraints (like word count caps) can actually make your storytelling stronger. Plus, I share some of my own experiences with cutting down manuscripts, managing expectations, and finding the "magic" balance between creativity and what sells in today’s evolving publishing landscape. Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. You can find the first discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here. Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Today on Fantasy Writing for Barbarians, we’re kicking off the new year with a live critique! I take a close look at an excerpt from an aspiring fantasy author and go deep on what works, what doesn’t, and how all of you can better sharpen your first pages. The main theme of this particular critique is atmosphere, specifically when it comes to using vivid prose and natural dialogue to establish the vibe of your fantasy. How much do you reveal early on? How do you keep the reader invested without overloading on exposition? Hopefully you'll get some useful answers to these questions and more in this episode. Got a story you’d like Jon to critique? Reach out via email, Discord, or YouTube, and you might just hear your work on a future episode! Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. You can find the first discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Today on Fantasy Writing for Barbarians, we're diving into one of the trickiest (and most rewarding) parts of writing fantasy: crafting great dialogue. Whether you’re building tense exchanges between rivals or heartfelt moments between friends, dialogue can make or break a scene. So we fittingly have much to talk about! We’ll start with how “show, don’t tell” applies here, how to give your characters distinct voices, and why reading your dialogue out loud might be the secret weapon you didn’t know you needed. Plus, I’ll share some of my favorite techniques for learning from the pros, using context to make your dialogue pop, and sneaking in those nonverbal cues to say what words can’t. Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Today on Fantasy Writing for Barbarians, I tackle one of the most fun—and challenging—aspects of crafting a fantasy world: naming your characters. Whether you’re conjuring a brave hero, a sinister villain, or a mysterious supporting character, the right name can add depth, cultural significance, and storytelling power to your narrative. Join me as we explore tips and tricks for creating names that resonate, fit seamlessly into your world, and leave a lasting impression on readers. From linguistic inspiration and cultural cues to avoiding common pitfalls (looking at you, overly complicated spellings), this episode is packed with practical advice for fantasy authors looking to bring their characters to life—one meaningful name at a time. Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. You can find the first discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Coming up with a title for your fantasy novel can be a lot of fun, but also a lot of STRESS. So today on the show, I tell some of my own stories about how I've titled my work over the years, exploring tips and tricks and industry trends that can help you figure out the how and why of your title before you settle on the what.  Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. You can find the first discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Conventional wisdom says to never read the comments, but today on a special Thanksgiving episode of the podcast, we're breaking the rules in ways only the fantasy genre can. That's right, we've gotten a fair number of comments and feedback on the show recently, so to give our wonderful producers a break, I'm responding to a list of questions, observations, accusations, and what some might even consider a compliment or two from our wonderful little community of authors and friends. Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Some people think that they don't need outlines. Or that their outline should be this massively intricate, chapter-by-chapter blueprint that has to be all figured out before you start writing a single word. Well, it turns out that the "right outline" is going to be a little different for every kind of writer. But even those who pride themselves on purely "discovery" writing, can benefit greatly from an outline that works for their unique creative process.  So today on Fantasy Writing for Barbarians, I finally give a whole dang presentation on the essentials of outline-building and how it can enhance your writing process in ways you may not really expect. Outlines should be flexible frameworks for writers to explore their story's core elements. Not just a brainstorming session where you feel like you have to have all the answers to your story in a single sitting. I cover the basics in crafting a compelling premise, pinpointing character motivation, and finding the right balance between drafting and planning, no matter where you're at with your story. Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. You can find the first discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Your first few sentences are the most crucial words of your entire story. So today on the show, I’m doing something a little different: critiquing an opening page from a writer seeking feedback on their high fantasy novel. I talk about the need for interiority (a character's internal thoughts and voice) when providing much-needed context and framing for the first scene. I discuss how "show, don't tell" is more of an opportunity than a hard-and-fast rule. And, of course, I let you know when in the first page I would've stopped reading...if I wasn't critiquing. Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. You can find the first critique prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

If your main character is "overpowered," that's not necessarily a bad thing. The key is to make sure you find weaknesses that complement both the character and the story they're driving. So today on Fantasy Writing for Barbarians, I take a look at a prompt asking for feedback on a particularly overpowered protagonist. I use plenty of familiar examples of "op" characters done well and discuss the beauty of adding "contradictions" to powerful characters in order to make them more compelling and intriguing to readers. Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. You can find the first discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Let's be real. A lot of authors (especially men like me) tend to fall short when writing female characters, let alone protagonists. There are all kinds of stereotypes, cliches, and blindspots that we're told to avoid. But at a certain point, it can all start to feel like we're fulfilling a checklist. When really, our goal should be to write complex characters that resonate with readers across the gender spectrum. So today on a special extended episode of Fantasy Writing for Barbarians, I don't just give my own advice on writing female protagonists. I bring in some other perspectives too, including an extra prompt and of course some notes from one of our very own producers. Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. You can find the first discussion prompt we referenced on the show right here, as well as the second prompt here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Your novel is a novel, not a movie or TV show. And that's not a bad thing! We can do a ton with novels that won't work nearly as well in a screenplay and vice versa. So if you find yourself struggling to make your writing more "cinematic," or for it to follow a visual scene in your head, this might be the episode for you. Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Our special guest today is Brenna English-Loeb, a literary agent for Transatlantic Literary Agency and the founder of BEL Tower Editorial, a developmental editing business where she helps authors craft rich, compelling stories across multiple genres, including of course fantasy. Brenna English-Loeb was kind enough to answer a bunch of questions from our community and beyond, like how to know when it's time to do a developmental edit, if TikTok is "ruining" books, and how to set your query up for success. She also gives helpful advice on book titles, magic systems, dealing with criticism, and examples of genres/pitches she would like to see more of from fantasy authors. Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord.  Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Just say no to prologues. Right? Well, usually, yes. But there's a reason a lot of the most famous fantasy novels of all time just so happen to have (you guessed it) prologues. Even though a prologue or prelude or "chapter 0" is most likely unnecessary and maybe even detrimental to your own novel, it's smart to understand how they can sometimes work well in the best case scenario. So today on Fantasy Writing for Barbarians, I take a look at an advice prompt from an author with a rather unique story framing device at the beginning that we think needs a little work. I discuss prologues, of course, but also the importance of starting your novel in the right place and assuring the reader that you have the story under control when it comes to POV, exposition, and more. Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Today on Fantasy Writing for Barbarians, I critique a magic system from an author who worries their idea might put them in a corner down the road. I get into the differences between hard and soft magic systems, some positive indicators that you're developing a good one, and ultimately how to make sure the rules and creative support and enhance your story and character. Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

One of the hardest things about writing a fantasy novel (or any novel) is starting. Where do you even begin? And how do you know if you're even ready? Today on Fantasy Writing for Barbarians, I talk all about overcoming those creative blocks that can mess up our writing process. Especially if you're just trying to get started. I take a look at an advice prompt from an aspiring writer who feels like they've done all the prep work they can, but now when it comes to sitting down and doing the thing, they can't quite find the words. If that sounds like something you've gone through either currently or in the past, then this advice is for you, too. Email your show feedback and/or advice prompts to fantasywritingforbarbarians@gmail.com or join our Discord. You can find the discussion prompt we referenced on the show right here. Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.