Our conversations on heritage buildings have always had a mix of everything and is pretty even in its distribution, but for some people out there, their notion of heritage might tend to skew towards focusing on British colonial buildings, rather than vernacular or rural architecture. So, in this episode, to play a bit of a devil’s advocate, we decided to explore that question - do we focus too much on British colonial architecture?



Photo credit: gumbao / Shutterstock.com

Our conversations on heritage buildings have always had a mix of everything and is pretty even in its distribution, but for some people out there, their notion of heritage might tend to skew towards focusing on British colonial buildings, rather than vernacular or rural architecture. So, in this episode, to play a bit of a devil’s advocate, we decided to explore that question - do we focus too much on British colonial architecture?Photo credit: gumbao / Shutterstock.com

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I Love KL

Do We Focus Too Much On British Colonial Architecture?

Over the past four years, the Borneo Laboratory has woven together artists of diverse backgrounds and practices through their art. Aiming to bridge divisions and rekindle our shared roots through the ancestral wisdom drawn from Borneo's craft practices, Malayan communities, and global communities, the Lain Lain Project unveils these narratives through an evocative, thought-provoking exhibition, The Lain Lain Project. This trilogical exhibition features "Serumpun", which explores the endeavours of 12 Bornean-based craft communities and their commitment to preserving ancestral wisdom in the face of eroding traditions due to extraction economies, "Big Trip", which looks at how ancestral wisdom and rooted practices cultivate broader global connections, and "Lain-lain in Kuala Lumpur" that initiates an ongoing dialogue to unravel the intricacies of lain-lain within the Malayan landscape.



On the show to tell us about the stories and experiences from which the exhibition grew, contextualising the Lain-lain narrative for a KL audience, and what we can expect at the exhibition is curator Wendy Teo, Director of the Borneo Laboratory.



The Lain Lain Exhibition is open to the public now until 20th October 2024 at GMBB. 



Image credit: Borneo Laboratory | Facebook

Over the past four years, the Borneo Laboratory has woven together artists of diverse backgrounds and practices through their art. Aiming to bridge divisions and rekindle our shared roots through the ancestral wisdom drawn from Borneo's craft practices, Malayan communities, and global communities, the Lain Lain Project unveils these narratives through an evocative, thought-provoking exhibition, The Lain Lain Project. This trilogical exhibition features "Serumpun", which explores the endeavours of 12 Bornean-based craft communities and their commitment to preserving ancestral wisdom in the face of eroding traditions due to extraction economies, "Big Trip", which looks at how ancestral wisdom and rooted practices cultivate broader global connections, and "Lain-lain in Kuala Lumpur" that initiates an ongoing dialogue to unravel the intricacies of lain-lain within the Malayan landscape.On the show to tell us about the stories and experiences from which the exhibition grew, contextualising the Lain-lain narrative for a KL audience, and what we can expect at the exhibition is curator Wendy Teo, Director of the Borneo Laboratory.The Lain Lain Exhibition is open to the public now until 20th October 2024 at GMBB.&nbsp;Image credit: Borneo Laboratory | Facebook

The Lain Lain Exhibition - Embracing Differences

We might be tempted to believe that to set off some of the city's best pyrotechnic nighttime spectaculars, you just gotta ignite the light and let it shine.



But what happens before the fuses are lit?



This week on I Love KL, we're joined by fireworks programmer Jeffry Bahary, the man behind the 2017 SEA Games fireworks and countless more firework spectacles around the world. From inspiration to ignition, Jeffry enlightens us on what it takes to put together a firework show, getting into the industry, the not-too-worrying growing popularity of drone shows filling our night skies of late, and some tricks of the trade.



Photo credit: khairi ahmad / Shutterstock.com

We might be tempted to believe that to set off some of the city's best pyrotechnic nighttime spectaculars, you just gotta ignite the light and let it shine.But what happens before the fuses are lit?This week on I Love KL, we're joined by fireworks programmer Jeffry Bahary, the man behind the 2017 SEA Games fireworks and countless more firework spectacles around the world. From inspiration to ignition, Jeffry enlightens us on what it takes to put together a firework show, getting into the industry, the not-too-worrying growing popularity of drone shows filling our night skies of late, and some tricks of the trade.Photo credit: khairi ahmad / Shutterstock.com

Fireworks - The Spark Behind the Spectacle

Part of the tradition of commemorating Hari Raya Aidilfitri is to get fresh attire in the form of Baju Raya. Traditionally, Baju Melayu is the go-to outfit for men, but these days, people look for other options too as alternatives. Then, there are also those that modernise the Baju Melayu in various different ways. Sometimes, to mass approval, and other times, to deafening criticism. In this episode of I Love KL, we go back to basics and break down the traditional Baju Melayu attire, from top to toe, as well as explore the evolution of this long-worn attire and ponder whether it’s always necessary to modernise them?

Part of the tradition of commemorating Hari Raya Aidilfitri is to get fresh attire in the form of Baju Raya. Traditionally, Baju Melayu is the go-to outfit for men, but these days, people look for other options too as alternatives. Then, there are also those that modernise the Baju Melayu in various different ways. Sometimes, to mass approval, and other times, to deafening criticism. In this episode of I Love KL, we go back to basics and break down the traditional Baju Melayu attire, from top to toe, as well as explore the evolution of this long-worn attire and ponder whether it’s always necessary to modernise them?

Do We Focus Too Much On British Colonial Architecture?

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