Virginia Hall’s prison cell in northeastern Spain was something out of a nightmare. Hall imagined the moment in which the Spanish police would hand her over to the Gestapo and their glee at having finally captured "The Limping Lady." Hall knew the Nazis wouldn’t risk letting her escape. They’d transfer her to a secret facility, interrogate her, torture her, and kill her. Or sometimes the Nazis kept their prisoners alive and attempted to leverage them against the Allies. Months of psychological torture would give way to more physical punishments. Dousing with freezing water. Electric shocks. Beatings and cutting. This was the way of the Nazis.

Virginia's Hall's American nationality was maybe the one thing that could save her. In late 1942, Spain was still considered technically neutral in the war. The Spanish dictator Francisco Franco had offered Hitler Spain’s allegiance in return for aid in nation-building. There was a division of Spanish volunteers fighting for the German army, but Spain still remained reluctant and fickle. 

Andrew Orr says, "Franco's regime is ideologically complex and people still fight over whether or not it was fascist or just really authoritarian and traditionalist. Regardless of how anyone's individual sees it, the regime was very friendly to Nazi Germany and especially fascist Italy because Italy and Germany had backed Franco in the civil war. So Spain tended politically to like the Axis powers a lot."

But Virginia Hall’s capture by the Spanish was too big a threat to the British. Hall knew too much, and the Nazis could assume that the British would change battle strategy once the Special Operations Executive, Hall’s intelligence agency, discovered she’d been captured. Hall’s information would be useless to the Axis Powers, and so she was as good as dead. 


This episode contains interviews with:

• Andrew Orr: a professor in the Department of History at Kansas State University, a specialist in modern military history, intelligence operations in the Middle East, imperialism, civil-military relations, and the history of French Communist Party identity; author of Women and the French Army

• Chris Costa: Executive Director of the International Spy Museum, a 34-year veteran of the Department of Defense, and he served 25 years in the United States Army working in counterintelligence, human intelligence and with special operations forces in Central America, Europe, and the Middle East.

• Judith Pearson: expert on Virginia Hall and author of the book The Wolves at the Door: The True Story of America’s Greatest Female Spy

• Dr. Ludivine Broch: A scholar of World War II French history and lecturer at the University of Westminster, UK; Editor of Contemporary European History, associate fellow of the Birbeck Institute for the study of Antisemitism; co-founder of the French History Network

• Brad Catling: great nephew of Virginia Hall

Learn more at diversionaudio.com/good-assassins



“Good Assassins” is a production of Diversion Audio, in association with iHeartPodcasts. Featuring the voices of Matthew Amendt, Orlagh Cassidy, Raphael Corkhill, Manoel Felciano, Sean Gormley, Mikaela Izquierdo, Lenne Klingaman, Andrew Polk, John Pirkis, Steve Routman.

This season is hosted by Stephan Talty and written by C.D. Carpenter. Produced and directed by Kevin Thomsen for Real Jetpacks Productions. Story Editing by Jacob Bronstein with editorial direction from Scott Waxman. Additional research and reporting by Sophie McNulty. Theme music by Tyler Cash. Sound Design, Mixing, and Mastering by Paul Goodrich. Sound Editing by Justin Kilpatrick. Executive Producers: Jacob Bronstein, Mark Francis and Scott Waxman for Diversion Audio. 

Virginia Hall’s prison cell in northeastern Spain was something out of a nightmare. Hall imagined the moment in which the Spanish police would hand her over to the Gestapo and their glee at having finally captured "The Limping Lady." Hall knew the Nazis wouldn’t risk letting her escape. They’d transfer her to a secret facility, interrogate her, torture her, and kill her. Or sometimes the Nazis kept their prisoners alive and attempted to leverage them against the Allies. Months of psychological torture would give way to more physical punishments. Dousing with freezing water. Electric shocks. Beatings and cutting. This was the way of the Nazis.
Virginia's Hall's American nationality was maybe the one thing that could save her. In late 1942, Spain was still considered technically neutral in the war. The Spanish dictator Francisco Franco had offered Hitler Spain’s allegiance in return for aid in nation-building. There was a division of Spanish volunteers fighting for the German army, but Spain still remained reluctant and fickle. 
Andrew Orr says, "Franco's regime is ideologically complex and people still fight over whether or not it was fascist or just really authoritarian and traditionalist. Regardless of how anyone's individual sees it, the regime was very friendly to Nazi Germany and especially fascist Italy because Italy and Germany had backed Franco in the civil war. So Spain tended politically to like the Axis powers a lot."
But Virginia Hall’s capture by the Spanish was too big a threat to the British. Hall knew too much, and the Nazis could assume that the British would change battle strategy once the Special Operations Executive, Hall’s intelligence agency, discovered she’d been captured. Hall’s information would be useless to the Axis Powers, and so she was as good as dead. 
 This episode contains interviews with: • <a href="https://www.k-state.edu/history/faculty-staff/orr.html">Andrew Orr</a>: a professor in the Department of History at Kansas State University, a specialist in modern military history, intelligence operations in the Middle East, imperialism, civil-military relations, and the history of French Communist Party identity; author of <a href="https://www.amazon.com/Women-French-during-World-1914-1940/dp/0253026776">Women and the French Army</a> • <a href="https://www.spymuseum.org/host-an-event/spy-speaker-series/chris-costa/">Chris Costa</a>: Executive Director of the International Spy Museum, a 34-year veteran of the Department of Defense, and he served 25 years in the United States Army working in counterintelligence, human intelligence and with special operations forces in Central America, Europe, and the Middle East. • <a href="https://judithlpearson.com/about/">Judith Pearson</a>: expert on Virginia Hall and author of the book <a href="https://www.amazon.com/Wolves-Door-Americas-Greatest-Female/dp/159921072X">The Wolves at the Door: The True Story of America’s Greatest Female Spy</a> • <a href="https://www.westminster.ac.uk/about-us/our-people/directory/broch-ludivine">Dr. Ludivine Broch</a>: A scholar of World War II French history and lecturer at the University of Westminster, UK; Editor of <a href="https://www.cambridge.org/core/journals/contemporary-european-history/volume/9E8D2E2953C49F95CC7D4D3553CCB108">Contemporary European History</a>, associate fellow of the <a href="https://bisa.bbk.ac.uk">Birbeck Institute for the study of Antisemitism</a>; co-founder of the <a href="http://frenchhistorysociety.co.uk/blog/">French History Network</a> • Brad Catling: great nephew of Virginia Hall Learn more at <a href="https://bit.ly/goodassassins">diversionaudio.com/good-assassins</a> 
“Good Assassins” is a production of Diversion Audio, in association with iHeartPodcasts. Featuring the voices of Matthew Amendt, Orlagh Cassidy, Raphael Corkhill, Manoel Felciano, Sean Gormley, Mikaela Izquierdo, Lenne Klingaman, Andrew Polk, John Pirkis, Steve Routman. This season is hosted by Stephan Talty and written by C.D. Carpenter. Produced and directed by Kevin Thomsen for Real Jetpacks Productions. Story Editing by Jacob Bronstein with editorial direction from Scott Waxman. Additional research and reporting by Sophie McNulty. Theme music by Tyler Cash. Sound Design, Mixing, and Mastering by Paul Goodrich. Sound Editing by Justin Kilpatrick. Executive Producers: Jacob Bronstein, Mark Francis and Scott Waxman for Diversion Audio.

The unbelievable but true story of the greatest spy of World War II. The Nazis don't know her name, but they want this woman dead. A mysterious agent is strategically dismantling their violent grasp on France and not only leading her own resistance factions but inspiring others. The Gestapo sends their devious double-agent, the priest Robert Alesh, to hunt down The Limping Lady before she threatens their entire push for Western Europe. But Virginia Hall was tougher and more resilient than they ever expected. Bestselling author and journalist Stephan Talty returns with Season 2 of Good Assassins: the dramatic story of a different kind of spy. Written by CD Carpenter (“American Hostage”) and produced by the award-winning team at Diversion Audio.

Season 1 was a Top 10 hit with millions of listeners, making it one of the Top 20 new podcasts of 2021. Season 1 is part spy thriller, part detective case, part Holocaust history. The untold story of the epic spy mission to hunt down a savage, escaped Nazi murderer. Led by a brilliant undercover agent who lost his entire family in the Holocaust, the hunt for the infamous Butcher of Latvia was a secretive espionage operation that forever altered the fates of all ex-Nazis. Including chilling interviews with the Butcher’s victims and illuminating accounts of the Mossad spies themselves, Good Assassins Season 1 reveals for the first time this little-known chapter of history and the pulse-pounding undercover operation that brought The Butcher to justice.

Learn more at diversionaudio.com/good-assassins

The unbelievable but true story of the greatest spy of World War II. The Nazis don't know her name, but they want this woman dead. A mysterious agent is strategically dismantling their violent grasp on France and not only leading her own resistance factions but inspiring others. The Gestapo sends their devious double-agent, the priest Robert Alesh, to hunt down The Limping Lady before she threatens their entire push for Western Europe. But Virginia Hall was tougher and more resilient than they ever expected. Bestselling author and journalist Stephan Talty returns with Season 2 of Good Assassins: the dramatic story of a different kind of spy. Written by CD Carpenter (“American Hostage”) and produced by the award-winning team at Diversion Audio. Season 1 was a Top 10 hit with millions of listeners, making it one of the Top 20 new podcasts of 2021. Season 1 is part spy thriller, part detective case, part Holocaust history. The untold story of the epic spy mission to hunt down a savage, escaped Nazi murderer. Led by a brilliant undercover agent who lost his entire family in the Holocaust, the hunt for the infamous Butcher of Latvia was a secretive espionage operation that forever altered the fates of all ex-Nazis. Including chilling interviews with the Butcher’s victims and illuminating accounts of the Mossad spies themselves, Good Assassins Season 1 reveals for the first time this little-known chapter of history and the pulse-pounding undercover operation that brought The Butcher to justice.
Learn more at <a href="https://bit.ly/goodassassins">diversionaudio.com/good-assassins</a><a href="https://bit.ly/goodassassins"></a>

Good Assassins

Virginia Hall’s prison cell in northeastern Spain was something out of a nightmare. Hall imagined the moment in which the Spanish police would hand her over to the Gestapo and their glee at having finally captured "The Limping Lady." Hall knew the Nazis wouldn’t risk letting her escape. They’d transfer her to a secret facility, interrogate her, torture her, and kill her. Or sometimes the Nazis kept their prisoners alive and attempted to leverage them against the Allies. Months of psychological torture would give way to more physical punishments. Dousing with freezing water. Electric shocks. Beatings and cutting. This was the way of the Nazis.  Virginia's Hall's American nationality was maybe the one thing that could save her. In late 1942, Spain was still considered technically neutral in the war. The Spanish dictator Francisco Franco had offered Hitler Spain’s allegiance in return for aid in nation-building. There was a division of Spanish volunteers fighting for the German army, but Spain still remained reluctant and fickle.   Andrew Orr says, "Franco's regime is ideologically complex and people still fight over whether or not it was fascist or just really authoritarian and traditionalist. Regardless of how anyone's individual sees it, the regime was very friendly to Nazi Germany and especially fascist Italy because Italy and Germany had backed Franco in the civil war. So Spain tended politically to like the Axis powers a lot."  But Virginia Hall’s capture by the Spanish was too big a threat to the British. Hall knew too much, and the Nazis could assume that the British would change battle strategy once the Special Operations Executive, Hall’s intelligence agency, discovered she’d been captured. Hall’s information would be useless to the Axis Powers, and so she was as good as dead.

8. Return of The Limping Lady (Season 2)

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/2d1bd668-815c-4f26-b79c-af48011e3472/transcript