Hi, I'm Steve Krouse. Welcome to my podcast and open-journal research project to create the future of coding.

I believe the tools we currently use to create software can be drastically improved. Join me on my journey to discover the future of coding.

Every week I alternate between recapping my own research and talking with programming language and interface experts.

You can follow my progress at futureofcoding.org.

Hi, I'm Steve Krouse. Welcome to my podcast and&nbsp;<a href="http://futureofcoding.org/journal">open-journal</a>&nbsp;research project to create the future of coding.
I believe the tools we currently use to create software can be drastically improved. Join me on my journey to discover the future of coding.
Every week I alternate between recapping my own research and talking with programming language and interface experts.
You can follow my progress at <a href="http://futureofcoding.org">futureofcoding.org</a>.

A romp through the field of computer programming, grapling with our history and wondering what should come next. A mix of deeply technical talk, philosophy, art, dark lore, and good takes. Hosted by Ivan Reese, Jimmy Miller, and Lu Wilson.

A romp through the field of computer programming, grapling with our history and wondering what should come next. A mix of deeply technical talk, philosophy, art, dark lore, and good takes. Hosted by <a href="https://ivanish.ca/">Ivan Reese</a>, <a href="https://jimmyhmiller.github.io/">Jimmy Miller</a>, and <a href="https://todepond.com/">Lu Wilson</a>.

Feeling of Computing

An imaginative, ruminative romp through the land of poisoned sand. What even are computers, where did they come from, and how might we make them radically different. Hosted by Ivan Reese, Jimmy Miller, and Lu Wilson.

An imaginative, ruminative romp through the land of poisoned sand. What even are computers, where did they come from, and how might we make them radically different. Hosted by <a href="https://ivanish.ca/">Ivan Reese</a>, <a href="https://jimmyhmiller.github.io/">Jimmy Miller</a>, and <a href="https://todepond.com/">Lu Wilson</a>.

Welcome to the Future of Coding

One of the biggest goals of this show — our raisin detour, if you will — is to encourage people to look at computer programming differently. It's not just a job, or a way to make the computer do what you want. Code isn't just the material you sculpt into apps and games and websites. The very act of programming itself, and the languages we make and use to do that programming, reflect who we are as people. Programming languages say something.

Esolangs — esoteric programming languages — are programming languages created for these more self-reflective purposes. To some, they're defined by what they're not: not for serious use, not for education, not for efficiency. To others, they're a bunch of funny jokes that people can commiserate through after suffering the steep learning curve of becoming a programmer. A few find in them an opportunity to explore strange computational models, or baffling syntax designs. But is there more to them? Could there be?

In this episode, we're discussing a preprint of the paper Let's Take Esoteric Programming Languages Seriously by Jeremy Singer and Steve Draper, and struggling with what it even means to give esoteric languages their due.

Links

$ Each of these episodes is a labour of love. If you appreciate that labour, slip us a five on Patreon. As is the norm, you'll get a second RSS feed with a bonus episode each and ev-er-y month. Except this month, there's actually two (2) bonus episodes, for the simple reason that this podcast swells with bubbles of hot waxy fluid that spill the container of my Ableton Live when they pop. The first pop is a half hour cut from this esolangs ep, the three of us brainstorming esolangs we'd enjoy, super casual and playful, perfect for building your parasocial podcast relationship, you'll love it. The second bonus, as I'm sure you've been expecting, is three hours of Jimmy and I relaying our experiences with Silksong, unpacking its few contentious design decisions, fawning over exquisite details, the good shit. So yeah, hand us one hundred nickles, help Ivan repair his basement, enjoy more of… whatever this is.
Daniel Temkin 🛌 😴💤😘
esoteric.codes
Daniel's new book, Forty-Four Esolangs
Joana Chicau
The Less Humble Programmer
Esolangs Wiki
Entropy, an esolang by (total dreamboat) Daniel Temkin
Unnecessary, the 4:33 of esolangs, by Keymaker
Turing Paint by Byron Knoll, which is similar to Brian Silverman's Wireworldand Lu's Cableworld
Ivan's Visual Programming Codex, a collection of all the cool visual programming things Ivan has come across in his travels.
Riskopoly — The Game of Capitalist Imperialism!
Fanny#In_slang
Brainfuck and Whitespace are two canonical esolangs.
Our episode on Structure of a Programming Language Revolution, which includes extended discussion of Ivan's father-in-law's lookalike.
Dreamberd is one of Lu's Esoteric programming languages, which has a (let's just say) "interesting" relationship with AI.
The Story of Mel
Piet, Befunge, and Malbolge are more classic, oft-cited esolangs.
Fractran deserves special mention, since the language is comprised entirely of fractions, which is pretty neat.
MarkovJunioralso deserves special mention. Seriously, go look at the examples. Wild stuff. It's by Maxim Gumin, who also did the famous WaveFunctionCollapse project.
We did an entire interview episode about Orca with creator Devine Lu Linvega, who more recently made Tote, a reversible rewriting sandbox.
Reversible computing, something Ivan is particularlyinterested in.
XKCD's comic X, about a programming language that uses fonts creatively.
ArnoldC is one of those esolangs, like Shakespeare, Chef (which, actually, is kinda good actually if you actually have to eat whatever you code), or LOLCODE
Wat; still hits.
Bodyfuck
Evil.css, "subtle and not-so-subtle CSS rules that will slowly drive people insane"
Hest doesn't exist.
Code golfing is the practice of making your code as succinct as possible, often at the expense of readability (though it leads certain people to write really good coffeescript). The International Obfuscated C Code Contest is related, in that it's about writing C code where unreadability is the goal.
Jimmy would like to challenge y'all to write Fizz Buzz with no booleans, no conditionals, no pattern matching, or other things that are like disguised booleans.
Arroost is a musical programming environment Lu made to NORMALIZE SHARING SCRAPPY FIDDLES. Inform is a natural programming language for interactive storytelling. PuzzleScript is a rewriting language for making tile-based puzzle games. Each of these sits at an interesting spot somewhere on the twisty boundary between the programming meaning of "expression" and the human meaning of "expression".
The School for Poetic Computation occasionally runs a class called Digital Love Languages.
Coming Out Simulator and other works by Nicky Case, and dys4ia by Anna Anthropy, are wonderful examples of the sort of deeply personal expression Lu and Ivan would like to see in programming tools.
What music does Ivan listen to? Well… here's most of it.
What music does Ivan make? Well… here's some of it. But Jimmy is fond of Diminished Fifth, an attempt to make some shrinking music with ClojureScript. It's no Merzbow.
Zachtronics games, like exapunks — are they esolangs? A good number of recent videogames have included conlangs (constructed languages), such as 2023's fabulous Chants of Sennaar — but beware of spoilers, as some of these games might use the obscurity of the conlang to hide secrets in plain sight. Minecraft, natch, has a conlang for enchantments, and it's worth mentioning that redstone is an esolang of a sort. And then there's the Turing tarpit games, like Baba is You… the list goes on.
Perhaps Tidal Cycles and Strudel are esolangs? Perhaps also the Game of Life?
Hedy is an unabashed push to do something different!
Jonathan Richman's He Gave Us The Wine To Taste It is probably my favourite of the various attempts artists have made to plead with their audiences: don't overthink this! (Friends of the show might be familiar with this one.)
Isomorf let you view your program with your choice of syntax. It's like Hedy, but less humanitarian.
Poe's Law is not Postel's law

Music used in this episode:
Two songs from Ivan's Organs.
One from AG,BO.
A slice of Diminished Fifth.
The shortest track of this, the shortest track of that.
The last song in the episode isn't on the internet, but the demo is.
Jonathan Richman's He Gave Us The Wine To Taste It

! Send us email, join the FoC community, and find us on-line:
Iv: 🐘🦋🌐
Jm: 🐘🦋🌐
Lu: 🐘🦋🌐

See you in dreamland~

https://feelingof.com/episodes/078/

One of the biggest goals of this show &mdash; our raisin detour, if you will &mdash; is to encourage people to look at computer programming differently. It's not just a job, or a way to make the computer do what you want. Code isn't just the material you sculpt into apps and games and websites. The very act of programming itself, and the languages we make and use to do that programming, reflect who we are as people. Programming languages say something.
Esolangs &mdash; esoteric programming languages &mdash; are programming languages created for these more self-reflective purposes. To some, they're defined by what they're not: not for serious use, not for education, not for efficiency. To others, they're a bunch of funny jokes that people can commiserate through after suffering the steep learning curve of becoming a programmer. A few find in them an opportunity to explore strange computational models, or baffling syntax designs. But is there more to them? Could there be?
In this episode, we're discussing a preprint of the paper <a href="https://arxiv.org/abs/2505.15327v1">Let's Take Esoteric Programming Languages Seriously</a> by Jeremy Singer and Steve Draper, and struggling with what it even means to give esoteric languages their due.
Links
$ Each of these episodes is a labour of love. If you appreciate that labour, slip us a five on <a href="https://www.patreon.com/feelingofcomputing">Patreon</a>. As is the norm, you'll get a second RSS feed with a bonus episode each and ev-er-y month. Except this month, there's actually two (2) bonus episodes, for the simple reason that this podcast swells with bubbles of hot waxy fluid that spill the container of my Ableton Live when they pop. The first pop is a half hour cut from this esolangs ep, the three of us brainstorming esolangs we'd enjoy, super casual and playful, perfect for building your parasocial podcast relationship, you'll love it. The second bonus, as I'm sure you've been expecting, is three hours of Jimmy and I relaying our experiences with Silksong, unpacking its few contentious design decisions, fawning over exquisite details, the good shit. So yeah, hand us one hundred nickles, help Ivan repair his basement, enjoy more of&hellip; whatever this is.
<ul>
<li><a href="https://danieltemkin.com/">Daniel Temkin</a> 🛌 😴💤😘</li>
<li><a href="https://esoteric.codes/">esoteric.codes</a></li>
<li>Daniel's new book, <a href="https://mitpress.mit.edu/9780262553087/forty-four-esolangs/">Forty-Four Esolangs</a></li>
<li><a href="https://joanachicau.com/">Joana Chicau</a></li>
<li><a href="https://dhq.digitalhumanities.org/vol/17/2/000698/000698.html">The Less Humble Programmer</a></li>
<li><a href="https://esolangs.org/wiki/Main_Page">Esolangs Wiki</a></li>
<li><a href="https://esolangs.org/wiki/Entropy">Entropy</a>, an esolang by (total dreamboat) Daniel Temkin</li>
<li><a href="https://esolangs.org/wiki/Unnecessary">Unnecessary</a>, the <a href="https://en.wikipedia.org/wiki/4:33">4:33</a> of esolangs, by <a href="http://yiap.nfshost.com/">Keymaker</a></li>
<li><a href="https://byronknoll.com/turing.html">Turing Paint</a> by Byron Knoll, which is similar to Brian Silverman's <a href="https://en.wikipedia.org/wiki/Wireworld">Wireworld</a>and Lu's <a href="https://youtu.be/WMJ1H3Ai-qs?t=466">Cableworld</a></li>
<li>Ivan's <a href="http://ivanish.ca/codex">Visual Programming Codex</a>, a collection of all the cool visual programming things Ivan has come across in his travels.</li>
<li><a href="https://www.gilwood.org/riskopoly.htm">Riskopoly &mdash; The Game of Capitalist Imperialism!</a></li>
<li><a href="https://en.wikipedia.org/wiki/Fanny#In_slang">Fanny#In_slang</a></li>
<li><a href="https://esolangs.org/wiki/Brainfuck">Brainfuck</a> and <a href="https://esolangs.org/wiki/Whitespace">Whitespace</a> are two canonical esolangs.</li>
<li>Our episode on <a href="https://feelingof.com/episodes/058/">Structure of a Programming Language Revolution</a>, which includes extended discussion of Ivan's father-in-law's lookalike.</li>
<li><a href="https://github.com/TodePond/GulfOfMexico">Dreamberd</a> is one of Lu's Esoteric programming languages, which has a (let's just say) "interesting" relationship with AI.</li>
<li><a href="https://en.wikipedia.org/wiki/The_Story_of_Mel">The Story of Mel</a></li>
<li><a href="https://esolangs.org/wiki/Piet">Piet</a>, <a href="https://esolangs.org/wiki/Befunge">Befunge</a>, and <a href="https://esolangs.org/wiki/Malbolge">Malbolge</a> are more classic, oft-cited esolangs.</li>
<li><a href="https://esolangs.org/wiki/Fractran">Fractran</a> deserves special mention, since the language is comprised entirely of fractions, which is pretty neat.</li>
<li><a href="https://github.com/mxgmn/MarkovJunior">MarkovJunior</a> also deserves special mention. Seriously, go look at the examples. Wild stuff. It's by Maxim Gumin, who also did the famous <a href="https://github.com/mxgmn/WaveFunctionCollapse">WaveFunctionCollapse</a> project.</li>
<li>We did an entire interview episode about <a href="https://feelingof.com/episodes/045/">Orca</a> with creator <a href="https://xxiivv.com/">Devine Lu Linvega</a>, who more recently made <a href="https://wiki.xxiivv.com/site/tote.html">Tote</a>, a reversible rewriting sandbox.</li>
<li><a href="https://en.wikipedia.org/wiki/Reversible_computing">Reversible computing</a>, something Ivan is <a href="https://mastodon.social/@spiralganglion/112282956696254310">particularly</a> <a href="https://mastodon.social/@spiralganglion/112284014138207711">interested</a> in.</li>
<li>XKCD's comic <a href="https://xkcd.com/2309/">X</a>, about a programming language that uses fonts creatively.</li>
<li><a href="https://esolangs.org/wiki/ArnoldC">ArnoldC</a> is one of those esolangs, like <a href="https://esolangs.org/wiki/Shakespeare">Shakespeare</a>, <a href="https://esolangs.org/wiki/Chef">Chef</a> (which, actually, is kinda good actually if you actually have to eat whatever you code), or <a href="https://esolangs.org/wiki/LOLCODE">LOLCODE</a></li>
<li><a href="https://www.destroyallsoftware.com/talks/wat">Wat</a>; still hits.</li>
<li><a href="https://esoteric.codes/blog/bodyfuck-gestural-code">Bodyfuck</a></li>
<li><a href="https://github.com/tlrobinson/evil.css/">Evil.css</a>, "subtle and not-so-subtle CSS rules that will slowly drive people insane"</li>
<li><a href="https://ivanish.ca/hest/">Hest</a> doesn't exist.</li>
<li><a href="https://en.wikipedia.org/wiki/Code_golf">Code golfing</a> is the practice of making your code as succinct as possible, often at the expense of readability (though it leads certain people to write really good coffeescript). The <a href="https://en.wikipedia.org/wiki/International_Obfuscated_C_Code_Contest">International Obfuscated C Code Contest</a> is related, in that it's about writing C code where unreadability is the goal.</li>
<li>Jimmy would like to challenge y'all to write <a href="https://en.wikipedia.org/wiki/Fizz_buzz">Fizz Buzz</a> with no booleans, no conditionals, no pattern matching, or other things that are like disguised booleans.</li>
<li><a href="https://arroost.com/">Arroost</a> is a musical programming environment Lu made to <a href="https://www.todepond.com/explore/arroost/">NORMALIZE SHARING SCRAPPY FIDDLES</a>. <a href="https://ganelson.github.io/inform-website/">Inform</a> is a natural programming language for interactive storytelling. <a href="https://www.puzzlescript.net/">PuzzleScript</a> is a rewriting language for making tile-based puzzle games. Each of these sits at an interesting spot somewhere on the twisty boundary between the programming meaning of "expression" and the human meaning of "expression".</li>
<li>The <a href="https://sfpc.study/">School for Poetic Computation</a> occasionally runs a class called <a href="https://sfpc.study/sessions/fall-24/digital-love-languages">Digital Love Languages</a>.</li>
<li><a href="https://ncase.itch.io/coming-out-simulator-2014">Coming Out Simulator</a> and other works by <a href="https://ncase.me/">Nicky Case</a>, and <a href="https://w.itch.io/dys4ia">dys4ia</a> by <a href="https://w.itch.io/">Anna Anthropy</a>, are wonderful examples of the sort of deeply personal expression Lu and Ivan would like to see in programming tools.</li>
<li>What music does Ivan listen to? <a href="https://www.last.fm/user/sisoft">Well&hellip; here's most of it.</a></li>
<li>What music does Ivan make? <a href="http://spiralganglion.bandcamp.com/">Well&hellip; here's some of it.</a> But Jimmy is fond of <a href="https://ivanish.ca/diminished-fifth/">Diminished Fifth</a>, an attempt to make some <a href="https://ivanish.ca/jerk/">shrinking music</a> with ClojureScript. It's no <a href="https://en.wikipedia.org/wiki/Merzbow">Merzbow</a>.</li>
<li><a href="https://en.wikipedia.org/wiki/Zachtronics">Zachtronics</a> games, like <a href="https://feelingof.org/episodes/056">exapunks</a> &mdash; are they esolangs? A good number of recent videogames have included <a href="https://en.wikipedia.org/wiki/Constructed_language">conlangs</a> (constructed languages), such as 2023's fabulous <a href="https://thinkygames.com/games/chants-of-sennaar/">Chants of Sennaar</a> &mdash; but beware of spoilers, as some of <a href="https://thinkygames.com/features/how-fictional-languages-are-perfect-for-the-metroidbrainia-formula/">these games</a> might use the obscurity of the conlang to hide secrets in plain sight. Minecraft, natch, has a <a href="https://apexminecrafthosting.com/minecraft-the-language-of-enchantment/">conlang for enchantments</a>, and it's worth mentioning that <a href="https://minecraft.wiki/w/Redstone_components">redstone</a> is an esolang of a sort. And then there's the <a href="https://en.wikipedia.org/wiki/Turing_tarpit">Turing tarpit</a> games, like <a href="https://en.wikipedia.org/wiki/Baba_Is_You">Baba is You</a>&hellip; the list goes on.</li>
<li>Perhaps <a href="https://tidalcycles.org/">Tidal Cycles</a> and <a href="https://strudel.cc/">Strudel</a> are esolangs? Perhaps also the <a href="https://en.wikipedia.org/wiki/Conway%27s_Game_of_Life">Game of Life</a>?</li>
<li><a href="https://www.hedy.org/">Hedy</a> is an unabashed push to do something different!</li>
<li>Jonathan Richman's <a href="https://www.youtube.com/watch?v=fXUsp0TK6JU&amp;t=308s">He Gave Us The Wine To Taste It</a> is probably my favourite of the various attempts artists have made to plead with their audiences: don't overthink this! (Friends of the show might be familiar with <a href="https://ivanish.ca/dont-do-math/">this one</a>.)</li>
<li><a href="https://futureofcoding.org/catalog/isomorf.html">Isomorf</a> let you view your program with your choice of syntax. It's like Hedy, but less humanitarian.</li>
<li><a href="https://en.wikipedia.org/wiki/Poes_law">Poe's Law</a> is not <a href="https://en.wikipedia.org/wiki/Robustness_principle">Postel's law</a></li>
</ul>
Music used in this episode:
<ul>
<li>Two songs from Ivan's <a href="https://ivanish.ca/organs/">Organs</a>.</li>
<li>One from <a href="https://ivanish.ca/above-genus-below-order/">AG,BO</a>.</li>
<li>A slice of <a href="https://ivanish.ca/diminished-fifth/">Diminished Fifth</a>.</li>
<li>The shortest track of <a href="https://ivanish.ca/this-score-is-butt-ugly/">this</a>, the shortest track of <a href="https://ivanish.ca/alarum-within/">that</a>.</li>
<li>The last song in the episode isn't on the internet, but <a href="https://ivanish.ca/oven-cleaner/">the demo</a> is.</li>
<li>Jonathan Richman's <a href="https://www.youtube.com/watch?v=fXUsp0TK6JU&amp;t=308s">He Gave Us The Wine To Taste It</a></li>
</ul>
! Send us <a href="mailto:hello@feelingof.com?subject=Email%20from%20a%20listener">email</a>, join the <a href="file:///community">FoC community</a>, and find us on-line:
<ul>
<li>Iv: <a href="https://mastodon.social/@spiralganglion">🐘</a> <a href="https://bsky.app/profile/spiralganglion.com">🦋</a> <a href="https://ivanish.ca/">🌐</a></li>
<li>Jm: <a href="https://hachyderm.io/@jimmyhmiller">🐘</a> <a href="https://bsky.app/profile/jimmyhmiller.bsky.social">🦋</a> <a href="https://jimmyhmiller.github.io/">🌐</a></li>
<li>Lu: <a href="https://mas.to/@todepond">🐘</a> <a href="https://bsky.app/profile/todepond.com">🦋</a> <a href="https://www.todepond.com/">🌐</a></li>
</ul>
See you in dreamland~
https://feelingof.com/episodes/078/

Let's Take Esoteric Programming Languages Seriously

A classic "80-year predictions" episode. How did we do, humanity?

Here's the article (free with ads): As We May Think

Links

$ Patreon
We're considering changing The Name of the FoC community, podcast, et cetera.
Transatlantic Accent, and all the ships at sea.
This episode's advertisements: Ex-Lax, Mifflin, et cetera.
The New Media Reader is a good read(er).
Blue Prince is surely everyone's 2025 GOTY. You'll find ample discussion of its twisty design in our bonus feed.
Oppenheimer was probably my least favourite David Nolen movie.
ENIAC was, for a time, the computer.
Engelbart
The Polaroid instant camera dates back to the 1940s!
Google Glass and Ray-Ban Meta, sigh
Wikipedia's List of Existing Technologies Predicted in Science Fiction
Apparently microfilm and microfiche are both instances of microform.
Boy Milk, no explanation needed.
Sean M. Carroll, physicist.
Claude Shannon, information theorist ;)
AI Is Not Your Friend appeared in The Atlantic on May 9th, 2025.
Amazon Mechanical Turk is "artificial artificial intelligence".
Awesome GitHub lists
Daring Fireball and Kottke.org are two long-running blogs that helped popularize the "linkblog" form.
The Wirecutter was our previous top pick for product recommendations, but their history of shilling junk and our growing concerns about e-waste have led us to downgrade them in our rankings.
Devine (the other Lu) maintains a pair of wikis, one for hundredrabbits and another for research and projects.
Alexander Obenauer also does a lovely job publishing research notes.
Unison and Dynamicland are two strong visions for the future of computing.

Music:
lemon (tussed/screwed because everyone listens at 2x)

! Send us email, join the FoC community, and find us on-line:
I: 🐘🦋🌐
J: 🐘🦋🌐
K: N/A
L: 🐘🦋🌐

See you in the future!

https://futureofcoding.org/episodes/077

A classic "80-year predictions" episode. How did we do, humanity?
Here's the article (free with ads): <a href="https://worrydream.com/refs/Bush%20-%20As%20We%20May%20Think%20(Life%20Magazine%209-10-1945).pdf">As We May Think</a>
Links
$ <a href="https://www.patreon.com/futureofcoding">Patreon</a>
<ul>
<li>We're considering changing <a href="https://futureofcoding.org/the-name">The Name</a> of the FoC community, podcast, et cetera.</li>
<li><a href="https://en.wikipedia.org/wiki/Good_American_Speech">Transatlantic Accent</a>, and all the ships at sea.</li>
<li>This episode's advertisements: <a href="https://en.wikipedia.org/wiki/Senna_glycoside">Ex-Lax</a>, <a href="https://en.wikipedia.org/wiki/Isopropyl_alcohol#Medical">Mifflin</a>, et cetera.</li>
<li>The <a href="https://www.newmediareader.com/">New Media Reader</a> is a good read(er).</li>
<li><a href="https://www.youtube.com/watch?v=W2hB9PjugK0">Blue Prince</a> is surely everyone's 2025 <a href="https://en.wikipedia.org/wiki/List_of_Game_of_the_Year_awards">GOTY</a>. You'll find ample <a href="https://www.patreon.com/posts/exasperated-127597451">discussion</a> of its <a href="https://www.patreon.com/posts/hour-and-half-of-129954399">twisty design</a> in our bonus feed.</li>
<li><a href="https://www.youtube.com/watch?v=bK6ldnjE3Y0">Oppenheimer</a> was probably my least favourite David Nolen movie.</li>
<li><a href="https://en.wikipedia.org/wiki/ENIAC">ENIAC</a> was, for a time, the computer.</li>
<li><a href="https://futureofcoding.org/episodes/056">Engelbart</a></li>
<li>The <a href="https://en.wikipedia.org/wiki/Instant_camera">Polaroid instant camera</a> dates back to the 1940s!</li>
<li><a href="https://en.wikipedia.org/wiki/Google_Glass#Criticism">Google Glass</a> and <a href="https://en.wikipedia.org/wiki/Ray-Ban_Meta#Privacy_and_ethical_concerns">Ray-Ban Meta</a>, sigh</li>
<li>Wikipedia's <a href="https://en.wikipedia.org/wiki/List_of_existing_technologies_predicted_in_science_fiction">List of Existing Technologies Predicted in Science Fiction</a></li>
<li>Apparently microfilm and microfiche are both instances of <a href="https://en.wikipedia.org/wiki/Microform">microform</a>.</li>
<li><a href="https://earthsown.com/products/organic-almond-unsweetened-original-chilled-carton/">Boy Milk</a>, no explanation needed.</li>
<li><a href="https://en.wikipedia.org/wiki/Sean_M._Carroll">Sean M. Carroll</a>, physicist.</li>
<li><a href="https://en.wikipedia.org/wiki/Claude_Shannon">Claude Shannon</a>, information theorist ;)</li>
<li><a href="https://archive.ph/SfhuK">AI Is Not Your Friend</a> appeared in The Atlantic on May 9th, 2025.</li>
<li><a href="https://en.wikipedia.org/wiki/Amazon_Mechanical_Turk">Amazon Mechanical Turk</a> is "artificial artificial intelligence".</li>
<li><a href="https://github.com/topics/awesome">Awesome</a> GitHub lists</li>
<li><a href="https://daringfireball.net/">Daring Fireball</a> and <a href="https://kottke.org/">Kottke.org</a> are two long-running blogs that helped popularize the <a href="https://en.wikipedia.org/wiki/Linklog">"linkblog"</a> form.</li>
<li><a href="https://en.wikipedia.org/wiki/Wirecutter_(website)">The Wirecutter</a> was our previous top pick for product recommendations, but their history of shilling junk and our growing concerns about e-waste have led us to downgrade them in our rankings.</li>
<li><a href="https://futureofcoding.org/episodes/045">Devine</a> (the other Lu) maintains a pair of wikis, one for <a href="https://100r.co/site/knowledge.html">hundredrabbits</a> and another for <a href="https://wiki.xxiivv.com/">research and projects</a>.</li>
<li><a href="https://alexanderobenauer.com/">Alexander Obenauer</a> also does a lovely job publishing research notes.</li>
<li><a href="https://www.unison-lang.org/">Unison</a> and <a href="https://dynamicland.org/">Dynamicland</a> are two strong visions for the future of computing.</li>
</ul>
Music:
<ul>
<li>lemon (tussed/screwed because everyone listens at 2x)</li>
</ul>
! Send us <a href="mailto:admin@futureofcoding.org?subject=Email%20from%20a%20listener">email</a>, join the <a href="https://futureofcoding.org/community">FoC community</a>, and find us on-line:
<ul>
<li>I: <a href="https://mastodon.social/@spiralganglion">🐘</a> <a href="https://bsky.app/profile/spiralganglion.com">🦋</a> <a href="https://ivanish.ca/">🌐</a></li>
<li>J: <a href="https://hachyderm.io/@jimmyhmiller">🐘</a> <a href="https://bsky.app/profile/jimmyhmiller.bsky.social">🦋</a> <a href="https://jimmyhmiller.github.io/">🌐</a></li>
<li>K: N/A</li>
<li>L: <a href="https://mas.to/@todepond">🐘</a> <a href="https://bsky.app/profile/todepond.com">🦋</a> <a href="https://www.todepond.com/">🌐</a></li>
</ul>
See you in the future!
<a href="https://futureofcoding.org/episodes/077">https://futureofcoding.org/episodes/077</a>

As We May Think by Vannevar Bush

You know Alan Turing, right?

And the Turing test?

Have you actually read the paper that introduced it,

Computing Machinery and Intelligence?

No?!

You… you are not prepared.

With very special guest:Felienne Hermans

Notes

$ Patreon
Mystery AI Hype Theatre 3000 podcast, from Emily M. Bender and Alex Hanna. "Always read the footnotes"
[The Language Game](https://en.wikipedia.org/wiki/Language_game_(philosophy) by Ludwig Wittgenstein
Can Machines Think? by W. "Billy" Mays
Lu's paper with Dave Ackley, Dialogues on Natural Code describes how the symbiote will spread to consume all of humanity.
Reclaiming AI as a Theoretical Tool for Cognitive Science by Iris van Rooij et al.
Ned Block's Blockhead
Nick Cave's thoughts on AI song lyrics. For instance: "Writing a good song is not mimicry, or replication, or pastiche, it is the opposite. […] It is the breathless confrontation with one’s vulnerability, one’s perilousness, one’s smallness, pitted against a sense of sudden shocking discovery; it is the redemptive artistic act that stirs the heart of the listener, where the listener recognizes in the inner workings of the song their own blood, their own struggle, their own suffering."
What Computers Can't Do by Hubert Dryfus
Wittgenstein on Rules by Saul Kripke
Is chess the drosophila of artificial intelligence? by Nathan Ensmenger
Computers as Theatre by Brenda Laurel

! Send us email, especially questions or topics you'd like us to discuss on future episodes, share your wildest ideas in the Slack, and:
IVAN: 🐘🦋🌐
JIMM: 🐘🦋🌐
TODE: 🐘🦋🌐
FELI: 🐘🦋🌐

See you in the future!

https://futureofcoding.org/episodes/076

You know <a href="https://en.wikipedia.org/wiki/Alan_Turing">Alan Turing</a>, right?
And the <a href="https://en.wikipedia.org/wiki/Turing_test">Turing test</a>?
Have you actually read the paper that introduced it,
<a href="https://courses.cs.umbc.edu/471/papers/turing.pdf">Computing Machinery and Intelligence</a>?
No?!
You&hellip; you are not prepared.
<hr>
With very special guest: <a href="https://www.felienne.com/">Felienne Hermans</a>
Notes
$ <a href="https://www.patreon.com/futureofcoding">Patreon</a>
<ul>
<li><a href="https://www.dair-institute.org/maiht3k/">Mystery AI Hype Theatre 3000</a> podcast, from <a href="https://en.wikipedia.org/wiki/Emily_M._Bender">Emily M. Bender</a> and <a href="https://en.wikipedia.org/wiki/Alex_Hanna_%28research_scientist%29">Alex Hanna</a>. "Always read the footnotes"</li>
<li>[The Language Game](<a href="https://en.wikipedia.org/wiki/Language_game_(philosophy)">https://en.wikipedia.org/wiki/Language_game_(philosophy)</a> by <a href="https://en.wikipedia.org/wiki/Ludwig_Wittgenstein">Ludwig Wittgenstein</a></li>
<li><a href="https://www.cambridge.org/core/services/aop-cambridge-core/content/view/13C1D582F132D7F24734C48683AA3552/S003181910002266Xa.pdf/can-machines-think.pdf">Can Machines Think?</a> by <a href="https://en.wikipedia.org/wiki/Wolfe_Mays">W. "Billy" Mays</a></li>
<li>Lu's paper with <a href="https://www.cs.unm.edu/~ackley/">Dave Ackley</a>, <a href="https://www.todepond.com/code/">Dialogues on Natural Code</a> describes how the symbiote will spread to consume all of humanity.</li>
<li><a href="https://link.springer.com/content/pdf/10.1007/s42113-024-00217-5.pdf">Reclaiming AI as a Theoretical Tool for Cognitive Science</a> by <a href="https://irisvanrooijcogsci.com">Iris van Rooij</a> et al.</li>
<li><a href="https://en.wikipedia.org/wiki/Ned_Block">Ned Block</a>'s <a href="https://en.wikipedia.org/wiki/Blockhead_(thought_experiment)">Blockhead</a></li>
<li><a href="https://en.wikipedia.org/wiki/Nick_Cave">Nick Cave</a>'s thoughts on <a href="https://www.theredhandfiles.com/chat-gpt-what-do-you-think/">AI song lyrics</a>. For instance: "Writing a good song is not mimicry, or replication, or pastiche, it is the opposite. [&hellip;] It is the breathless confrontation with one&rsquo;s vulnerability, one&rsquo;s perilousness, one&rsquo;s smallness, pitted against a sense of sudden shocking discovery; it is the redemptive artistic act that stirs the heart of the listener, where the listener recognizes in the inner workings of the song their own blood, their own struggle, their own suffering."</li>
<li><a href="https://en.wikipedia.org/wiki/Hubert_Dreyfus%27s_views_on_artificial_intelligence">What Computers Can't Do</a> by <a href="https://en.wikipedia.org/wiki/Hubert_Dreyfus">Hubert Dryfus</a></li>
<li><a href="https://en.wikipedia.org/wiki/Wittgenstein_on_Rules_and_Private_Language">Wittgenstein on Rules</a> by <a href="https://en.wikipedia.org/wiki/Saul_Kripke">Saul Kripke</a></li>
<li><a href="https://homes.luddy.indiana.edu/nensmeng/files/Ensmenger2012-Chess.pdf">Is chess the drosophila of artificial intelligence?</a> by <a href="https://luddy.indiana.edu/contact/profile/?profile_id=197">Nathan Ensmenger</a></li>
<li><a href="https://www.cs.cmu.edu/~social/reading/Laurel-ComputersAsTheatre.pdf">Computers as Theatre</a> by <a href="https://en.wikipedia.org/wiki/Brenda_Laurel">Brenda Laurel</a></li>
</ul>
! Send us <a href="mailto:admin@futureofcoding.org?subject=Email%20from%20a%20listener">email</a>, especially questions or topics you'd like us to discuss on future episodes, share your wildest ideas in the <a href="https://futureofcoding.org/community">Slack</a>, and:
<ul>
<li>IVAN: <a href="https://mastodon.social/@spiralganglion">🐘</a> <a href="https://bsky.app/profile/spiralganglion.com">🦋</a> <a href="https://ivanish.ca/">🌐</a></li>
<li>JIMM: <a href="https://hachyderm.io/@jimmyhmiller">🐘</a> <a href="https://bsky.app/profile/jimmyhmiller.bsky.social">🦋</a> <a href="https://jimmyhmiller.github.io/">🌐</a></li>
<li>TODE: <a href="https://mas.to/@todepond">🐘</a> <a href="https://bsky.app/profile/todepond.com">🦋</a> <a href="https://www.todepond.com/">🌐</a></li>
<li>FELI: <a href="https://mastodon.social/@Felienne">🐘</a> <a href="https://bsky.app/profile/felienne.bsky.social">🦋</a> <a href="https://www.felienne.com/">🌐</a></li>
</ul>
See you in the future!
<a href="https://futureofcoding.org/episodes/076">https://futureofcoding.org/episodes/076</a>

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