Behind every headline about school bullying lies a story of pain, silence, and loss, stories that Tewas: No Light at the End of the Tunnel brings powerfully to life on stage. The play is based on real experiences of students and families across Malaysia, exploring how trauma ripples through lives and communities. We speak to the production’s director and writer Hilyati Ramli, and its scenographer and choreographer Izzard Padzil, about how the show is giving voice to the unheard, and using theatre as a space for healing and dialogue.



Image Credit: JDEV Studios

Behind every headline about school bullying lies a story of pain, silence, and loss, stories that <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.cloudjoi.com/shows/4293-tewas-no-light-at-the-end-of-the-tunnel">Tewas: No Light at the End of the Tunnel</a> brings powerfully to life on stage. The play is based on real experiences of students and families across Malaysia, exploring how trauma ripples through lives and communities. We speak to the production’s director and writer Hilyati Ramli, and its scenographer and choreographer Izzard Padzil, about how the show is giving voice to the unheard, and using theatre as a space for healing and dialogue.Image Credit: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.cloudjoi.com/org/524-jdev-studios">JDEV Studios</a>

Don’t be afraid of the arts. You too can enjoy it! Don't believe us? Tune in to Front Row to find out about the best shows and exhibitions that will recharge your brain and restore your spirit, as told by the producers, performers and artists themselves.

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Tewas: No Light at the End of the Tunnel

Into Still Life is a performance that invites us to slow our pace and notice the quiet relationships between stillness and movement. It looks at how tension, balance, and presence shape our experience of the world. We hear more from the artists behind it, Aiwei Foo and Kent Lee, from the Shaman Tearoom.


Image Credit: Shaman Tearoom

<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.cloudjoi.com/shows/4743-into-still-life">Into Still Life</a> is a performance that invites us to slow our pace and notice the quiet relationships between stillness and movement. It looks at how tension, balance, and presence shape our experience of the world. We hear more from the artists behind it, Aiwei Foo and Kent Lee, from the <a target="_blank" rel="noopener noreferrer nofollow" href="https://linktr.ee/shamantearoom">Shaman Tearoom</a>. Image Credit: Shaman Tearoom

 Into Still Life

Audiovisual art can sound a little mysterious if you’ve never encountered it, but TEKKA wants to change that. The festival is making its first appearance in Kuala Lumpur with performances, workshops, and conversations that invite everyone to explore how sound and visuals can interact. Here to guide us through what TEKKA is trying to spark are its Founder and Creative Director, Wee Jia Foong, and Visual Designer and Artist, Syed Muhammad.



Image Credit: klpac/ TEKKA

Audiovisual art can sound a little mysterious if you’ve never encountered it, but <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.cloudjoi.com/shows/tekka-2025">TEKKA</a> wants to change that. The festival is making its first appearance in Kuala Lumpur with performances, workshops, and conversations that invite everyone to explore how sound and visuals can interact. Here to guide us through what TEKKA is trying to spark are its Founder and Creative Director, Wee Jia Foong, and Visual Designer and Artist, Syed Muhammad.Image Credit: klpac/ TEKKA

TEKKA - Audiovisual Festival

Taman Melawati is about to come alive with a very special community festival, one that brings together arts, environment, youth, and neighbourhood spirit. It’s called the Jalinan x Little River Festival 2025, and it’s the first time two grassroots movements are joining forces: Jalinan, a monthly arts and community programme centred on Jalan Negara Kita; and the Little River Festival, a project rooted in nearly eight years of weekly river restoration work along the Klang River. This year’s theme, “From the River to the Streets,” connects Melawati’s recent flooding with the way our everyday behaviour — from waste to development — shapes the health of our rivers and our neighbourhoods. The festival, which is the first Gombak Hulu Langat Geopark Community event organised and led by the community, aims to bring that story to life through workshops, exhibitions, and youth-led activities all across the community. Joining us to share more are Nazura Rahime, who is the co-founder of Jalan Negara Kita, and Kennedy Michael, the founder of Community Action Nexus and Alliance of River Three.


Photo Credit: Nazure Rahime

Taman Melawati is about to come alive with a very special community festival, one that brings together arts, environment, youth, and neighbourhood spirit. It’s called the Jalinan x Little River Festival 2025, and it’s the first time two grassroots movements are joining forces: Jalinan, a monthly arts and community programme centred on Jalan Negara Kita; and the Little River Festival, a project rooted in nearly eight years of weekly river restoration work along the Klang River. This year’s theme, “From the River to the Streets,” connects Melawati’s recent flooding with the way our everyday behaviour — from waste to development — shapes the health of our rivers and our neighbourhoods. The festival, which is the first Gombak Hulu Langat Geopark Community event organised and led by the community, aims to bring that story to life through workshops, exhibitions, and youth-led activities all across the community. Joining us to share more are Nazura Rahime, who is the co-founder of <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/jalannegarakita/">Jalan Negara Kita</a>, and Kennedy Michael, the founder of Community Action Nexus and <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/artrivercpr/">Alliance of River Three</a>. Photo Credit: Nazure Rahime

Tewas: No Light at the End of the Tunnel

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