Anime music, a full symphony orchestra, and over 120 musicians on one stage - that’s the promise of Encounter: Anime 2.0. Presented by AOrchestra, this community-driven concert brings iconic anime themes to life through brand-new orchestral arrangements, featuring music from Naruto, Jujutsu Kaisen, One Piece, Studio Ghibli, and more. We find out more from producer Alvin Ong, the Founder of AOrchestra, and violinist Justin Lai, one of the show's conductors, and a member of AOrchestra.

Anime music, a full symphony orchestra, and over 120 musicians on one stage - that’s the promise of <a target="_blank" rel="noopener noreferrer nofollow" href="https://onetix.com.my/events/encounter-anime-20/486">Encounter: Anime 2.0</a>. Presented by AOrchestra, this community-driven concert brings iconic anime themes to life through brand-new orchestral arrangements, featuring music from Naruto, Jujutsu Kaisen, One Piece, Studio Ghibli, and more. We find out more from producer Alvin Ong, the Founder of AOrchestra, and violinist Justin Lai, one of the show's conductors, and a member of AOrchestra.

Don’t be afraid of the arts. You too can enjoy it! Don't believe us? Tune in to Front Row to find out about the best shows and exhibitions that will recharge your brain and restore your spirit, as told by the producers, performers and artists themselves.

Front Row

Encounter: Anime 2.0

There are some conversations that only come with time, shared history, and a lot of lived experience. God’s Waiting Room feels like one of those conversations. Opening klpac’s 2026 season, this new play looks at old age, companionship, and the strange in-between space of waiting, through characters who are funny, irritable, vulnerable, and deeply human. It is written and directed by Joe Hasham OAM, with Dato' Dr. Faridah Merican returning to the stage in a role that feels especially close to home. We spend some time with both of them to talk about the play, their journey, and what it means to keep telling stories at this stage of life.

There are some conversations that only come with time, shared history, and a lot of lived experience. <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.cloudjoi.com/shows/gods-waiting-room">God’s Waiting Room</a> feels like one of those conversations. Opening klpac’s 2026 season, this new play looks at old age, companionship, and the strange in-between space of waiting, through characters who are funny, irritable, vulnerable, and deeply human. It is written and directed by Joe Hasham OAM, with Dato' Dr. Faridah Merican returning to the stage in a role that feels especially close to home. We spend some time with both of them to talk about the play, their journey, and what it means to keep telling stories at this stage of life.

God’s Waiting Room

When we talk about the death penalty, it is often discussed in numbers, laws, and policy debates. But behind every sentence is a human life, and a ripple effect that reaches families, lawyers, prison officers, and entire communities. At a time when Malaysia has repealed the mandatory death penalty but continues to retain capital punishment in law, questions about justice, humanity, and accountability remain deeply unresolved. Tali Tukang Gantung is a new theatre project presented by the Malaysian Centre for Constitutionalism and Human Rights (MCCHR), the Anti-Death Penalty Asia Network (ADPAN) and Amnesty International Malaysia, that draws directly from real interviews with people connected to Malaysia’s death penalty system, bringing their lived experiences to the stage. Joining us to talk about this powerful work are performer Deena Dakshini, who carries these stories in a solo performance, and Janice Ananthan, the show's producer and a Project Officer at the Anti Death Penalty Asia Network (ADPAN). 

When we talk about the death penalty, it is often discussed in numbers, laws, and policy debates. But behind every sentence is a human life, and a ripple effect that reaches families, lawyers, prison officers, and entire communities. At a time when Malaysia has repealed the mandatory death penalty but continues to retain capital punishment in law, questions about justice, humanity, and accountability remain deeply unresolved. <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.cloudjoi.com/shows/4685-tali-tukang-gantung">Tali Tukang Gantung</a> is a new theatre project presented by the Malaysian Centre for Constitutionalism and Human Rights (MCCHR), the Anti-Death Penalty Asia Network (ADPAN) and Amnesty International Malaysia, that draws directly from real interviews with people connected to Malaysia’s death penalty system, bringing their lived experiences to the stage. Joining us to talk about this powerful work are performer Deena Dakshini, who carries these stories in a solo performance, and Janice Ananthan, the show's producer and a Project Officer at the Anti Death Penalty Asia Network (ADPAN).

Tali Tukang Gantung

At its heart, Lorong Cermin is a story about people trying to move forward while carrying the weight of the past. Set in a town recovering from a devastating flood, the musical explores strained family ties, unspoken feelings, and the quiet hope that comes with rebuilding. We discuss how the cast brings these emotions to the stage, the challenges of performing in an original musical, and what this story might stir in audiences, with cast members Elysa Lee and Ong Xiao Wen.


Image Credit: klpac

At its heart, <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.cloudjoi.com/shows/lorong-cermin">Lorong Cermin</a> is a story about people trying to move forward while carrying the weight of the past. Set in a town recovering from a devastating flood, the musical explores strained family ties, unspoken feelings, and the quiet hope that comes with rebuilding. We discuss how the cast brings these emotions to the stage, the challenges of performing in an original musical, and what this story might stir in audiences, with cast members Elysa Lee and Ong Xiao Wen. Image Credit: klpac

Encounter: Anime 2.0

In 1 playlist(s)

Front Row

Social links

Follow podcast

Recent clips