The Poetics Collective, under the banner of VerSeS Music Ensembles, will be performing the romantic and expressive works of Johannes Brahms, Robert Schumann and Clara Schumann. Featuring Robert Schumann's  Kinderszenen (Scenes from Childhood), Clara Schumann's Three Romances for Violin and Piano, Opus 22, and Johannes Brahms's Liebeslieder Waltzes, Opus 52, this program delves into the richness of German Romantic music, featuring both instrumental works and a variety of lieder (songs). These lieders will demonstrate the composers’ skill in setting text to music for solo voice or instrument. We speak to pianists Darrel Chan and Iau Jo Yee from The Poetics Collective, to find out what's in store.

<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/thepoeticscollective">The Poetics Collective</a>, under the banner of <a target="_blank" rel="noopener noreferrer nofollow" href="https://versespj.com/">VerSeS Music Ensembles</a>, will be performing the romantic and expressive works of Johannes Brahms, Robert Schumann and Clara Schumann. Featuring Robert Schumann's&nbsp; Kinderszenen (Scenes from Childhood), Clara Schumann's Three Romances for Violin and Piano, Opus 22, and Johannes Brahms's Liebeslieder Waltzes, Opus 52, this program delves into the richness of German Romantic music, featuring both instrumental works and a variety of lieder (songs). These lieders will demonstrate the composers’ skill in setting text to music for solo voice or instrument. We speak to pianists Darrel Chan and Iau Jo Yee from The Poetics Collective, to find out what's in store.

Don’t be afraid of the arts. You too can enjoy it! Don't believe us? Tune in to Front Row to find out about the best shows and exhibitions that will recharge your brain and restore your spirit, as told by the producers, performers and artists themselves.

Front Row

“Brahms and The Schumanns” by The Poetics Collective

When we talk about the death penalty, it is often discussed in numbers, laws, and policy debates. But behind every sentence is a human life, and a ripple effect that reaches families, lawyers, prison officers, and entire communities. At a time when Malaysia has repealed the mandatory death penalty but continues to retain capital punishment in law, questions about justice, humanity, and accountability remain deeply unresolved. Tali Tukang Gantung is a new theatre project presented by the Malaysian Centre for Constitutionalism and Human Rights (MCCHR), the Anti-Death Penalty Asia Network (ADPAN) and Amnesty International Malaysia, that draws directly from real interviews with people connected to Malaysia’s death penalty system, bringing their lived experiences to the stage. Joining us to talk about this powerful work are performer Deena Dakshini, who carries these stories in a solo performance, and Janice Ananthan, the show's producer and a Project Officer at the Anti Death Penalty Asia Network (ADPAN). 

When we talk about the death penalty, it is often discussed in numbers, laws, and policy debates. But behind every sentence is a human life, and a ripple effect that reaches families, lawyers, prison officers, and entire communities. At a time when Malaysia has repealed the mandatory death penalty but continues to retain capital punishment in law, questions about justice, humanity, and accountability remain deeply unresolved. <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.cloudjoi.com/shows/4685-tali-tukang-gantung">Tali Tukang Gantung</a> is a new theatre project presented by the Malaysian Centre for Constitutionalism and Human Rights (MCCHR), the Anti-Death Penalty Asia Network (ADPAN) and Amnesty International Malaysia, that draws directly from real interviews with people connected to Malaysia’s death penalty system, bringing their lived experiences to the stage. Joining us to talk about this powerful work are performer Deena Dakshini, who carries these stories in a solo performance, and Janice Ananthan, the show's producer and a Project Officer at the Anti Death Penalty Asia Network (ADPAN).

Tali Tukang Gantung

At its heart, Lorong Cermin is a story about people trying to move forward while carrying the weight of the past. Set in a town recovering from a devastating flood, the musical explores strained family ties, unspoken feelings, and the quiet hope that comes with rebuilding. We discuss how the cast brings these emotions to the stage, the challenges of performing in an original musical, and what this story might stir in audiences, with cast members Elysa Lee and Ong Xiao Wen.


Image Credit: klpac

At its heart, <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.cloudjoi.com/shows/lorong-cermin">Lorong Cermin</a> is a story about people trying to move forward while carrying the weight of the past. Set in a town recovering from a devastating flood, the musical explores strained family ties, unspoken feelings, and the quiet hope that comes with rebuilding. We discuss how the cast brings these emotions to the stage, the challenges of performing in an original musical, and what this story might stir in audiences, with cast members Elysa Lee and Ong Xiao Wen. Image Credit: klpac

Lorong Cermin

What happens when identity slips, and the body moves between showing and hiding? Body For Nobody sits in that quiet, in-between space, using movement, sound, and ritual to invite us to slow down and pay attention. Joining me to talk about this new full-length dance work is its creator, choreographer and dancer Ethel Deidre, developed through the REFLEKT Residency by Goethe-Institut Malaysia.

What happens when identity slips, and the body moves between showing and hiding? <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.cloudjoi.com/shows/4805-body-for-nobody">Body For Nobody</a> sits in that quiet, in-between space, using movement, sound, and ritual to invite us to slow down and pay attention. Joining me to talk about this new full-length dance work is its creator, choreographer and dancer Ethel Deidre, developed through the REFLEKT Residency by Goethe-Institut Malaysia.

“Brahms and The Schumanns” by The Poetics Collective

In 1 playlist(s)

Front Row

Social links

Follow podcast

Recent clips