Does it make any difference where we see art? For one multidisciplinary artist and feminist, it’s crucial—not just because of who sees it, but what stories get told. Meet Amanda Phingbodhipakkiya. Born to Thai and Indonesian immigrants, she studied neuroscience at Columbia and worked at an Alzheimer’s research lab before becoming a full-time artist, educator, and activist. Today, she chooses to display her work in reclaimed urban spaces and to champion the experience and stories of underrepresented communities.  Discover what drives her passion for using public art as a tool for change, proudly displayed outside the walls of traditional museums.

Guest: Amanda Phingbodhipakkiya, multidisciplinary artist, educator, and activist

www.metmuseum.org/frameofmind #FrameofMind

Does it make any difference where we see art? For one multidisciplinary artist and feminist, it’s crucial—not just because of who sees it, but what stories get told. Meet Amanda Phingbodhipakkiya. Born to Thai and Indonesian immigrants, she studied neuroscience at Columbia and worked at an Alzheimer’s research lab before becoming a full-time artist, educator, and activist. Today, she chooses to display her work in reclaimed urban spaces and to champion the experience and stories of underrepresented communities.  Discover what drives her passion for using public art as a tool for change, proudly displayed outside the walls of traditional museums.

Guest: Amanda Phingbodhipakkiya, multidisciplinary artist, educator, and activist

<a href="https://www.metmuseum.org/perspectives/series/frame-of-mind" rel="nofollow" target="_blank">www.metmuseum.org/frameofmind</a> #FrameofMind

Are you looking for ways to calm your mind and find inspiration? Frame of Mind , an uplifting podcast from The Metropolitan Museum of Art , can help. Hear practical tips and all kinds of personal stories from artists and activists, a barber and a nurse, museum staff, and others about how art supports their well-being. At a time when well-being is more important than ever, learn how art has the power to connect, inspire, and restore us wherever we are.

Are you looking for ways to calm your mind and find inspiration? Frame of Mind , an uplifting podcast from <a href="http://www.metmuseum.org">The Metropolitan Museum of Art</a> , can help. Hear practical tips and all kinds of personal stories from artists and activists, a barber and a nurse, museum staff, and others about how art supports their well-being. At a time when well-being is more important than ever, learn how art has the power to connect, inspire, and restore us wherever we are.

Calm your mind and find inspiration in art with Frame of Mind, an uplifting podcast from The Met.

Frame of Mind

How can encountering art in public spaces be a powerful tool for public health? Meet multidisciplinary artist Amanda Phingbodhipakkiya, who reclaims urban spaces to uplift underrepresented communities.

Art Closer to Home

Today, Frame of Mind is featuring an episode from another podcast from The Met, Immaterial. Each episode tells the stories of artists' materials to explore how and why people make art. 

In this episode, we cover stone. Throughout art museums around the world, you’ll find ancient stone statues of rulers and marble monuments immortalizing noblemen. These objects were made to survive decay and destruction, to remain intact and whole. But from the moment that stone is extracted from the earth, it is bound to become a more fragmented version of itself–chiseled, chipped, and sometimes shattered over time. 

In this episode, we examine the many ways that stone breaks. How can a statue’s cracks and cavities tell a more complex story of our humanity?

Guests:

Jack Soultanian, Conservator, Objects Conservation, The Met

Carolyn Riccardelli, Conservator, Objects Conservation, The Met

Robert Macfarlane, nature writer and mountaineer

Erhan Tamur, former Andrew W. Mellon Postdoctoral Curatorial Fellow, The Met

Sarah Graff, Curator, Ancient Near Eastern Art, The Met

Featured artworks:

Tullio Lombardo, Adam, ca. 1490–95: https://www.metmuseum.org/art/collection/search/197822 

Statues of Gudea, Neo-Sumerian, ca. 2120–2090 BCE: https://www.metmuseum.org/art/collection/search/329072

https://www.metmuseum.org/art/collection/search/324061

https://collections.louvre.fr/en/ark:/53355/cl010119539

For a transcript of the episode and more information, visit metmuseum.org/immaterialstone

#MetImmaterial

Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.

Production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.

Sound design by Ariana Martinez and Kristin Muller.
Original music by Austin Fisher.
Fact-checking by Mary Mathis and Claire Hyman.

Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.

Today, Frame of Mind is featuring an episode from another podcast from The Met, Immaterial. Each episode tells the stories of artists' materials to explore how and why people make art. 
In this episode, we cover stone. Throughout art museums around the world, you’ll find ancient stone statues of rulers and marble monuments immortalizing noblemen. These objects were made to survive decay and destruction, to remain intact and whole. But from the moment that stone is extracted from the earth, it is bound to become a more fragmented version of itself–chiseled, chipped, and sometimes shattered over time. 
In this episode, we examine the many ways that stone breaks. How can a statue’s cracks and cavities tell a more complex story of our humanity?
Guests:
Jack Soultanian, Conservator, Objects Conservation, The Met
Carolyn Riccardelli, Conservator, Objects Conservation, The Met
Robert Macfarlane, nature writer and mountaineer
Erhan Tamur, former Andrew W. Mellon Postdoctoral Curatorial Fellow, The Met
Sarah Graff, Curator, Ancient Near Eastern Art, The Met
Featured artworks:
Tullio Lombardo, Adam, ca. 1490–95: <a href="https://www.metmuseum.org/art/collection/search/197822 ">https://www.metmuseum.org/art/collection/search/197822 </a>
Statues of Gudea, Neo-Sumerian, ca. 2120–2090 BCE: <a href="https://www.metmuseum.org/art/collection/search/329072">https://www.metmuseum.org/art/collection/search/329072</a>
<a href="https://www.metmuseum.org/art/collection/search/324061">https://www.metmuseum.org/art/collection/search/324061</a>
<a href="https://collections.louvre.fr/en/ark:/53355/cl010119539">https://collections.louvre.fr/en/ark:/53355/cl010119539</a>
For a transcript of the episode and more information, visit metmuseum.org/immaterialstone
#MetImmaterial
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.
Production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.
Sound design by Ariana Martinez and Kristin Muller. Original music by Austin Fisher. Fact-checking by Mary Mathis and Claire Hyman.
Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.

Immaterial: Stone

Have you heard people say visiting a museum is good for you? Why is that? Grace Calame-Mars, a Nursing Professional Development Specialist, and Carolyn Halpin-Healy, an Art Educator at The Met, know the first-hand benefit of art in museums as a tool to help our well-being. Hear about the art therapy program they helped organize for medical professionals at NYU Langone Hospital, where close-looking exercises improved clinical observation skills and strengthened empathy, which became especially valuable tools during the COVID-19 pandemic.

Guests: Grace Calame-Mars, nurse educator at NYU Langone and Carolyn Halpin-Healy, art educator

Objects mentioned in this episode:

Pieter Bruegel the Elder (Netherlandish, 1525–1569). The Harvesters, 1565. Oil on wood, 47 x 63 3/4 in. (119 x 162 cm). The Metropolitan Museum of Art, New York, Rogers Fund, 1919 (19.164)

Figure: Seated Couple, eighteenth–early nineteenth century. Mali, Dogon peoples. Wood, metal, H. 28 3/4 x W. 8 5/8 x D. 8 in. (73 x 21.9 x 20.3 cm). The Metropolitan Museum of Art, New York, Gift of Lester Wunderman, 1977 (1977.394.15)

Jacques Louis David (French, 1748–1825). The Death of Socrates, 1787. Oil on canvas, 51 x 77 1/4 in. (129.5 x 196.2 cm). The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Wolfe Fund, 1931 (31.45)

www.metmuseum.org/frameofmind #FrameofMind

Have you heard people say visiting a museum is good for you? Why is that? Grace Calame-Mars, a Nursing Professional Development Specialist, and Carolyn Halpin-Healy, an Art Educator at The Met, know the first-hand benefit of art in museums as a tool to help our well-being. Hear about the art therapy program they helped organize for medical professionals at NYU Langone Hospital, where close-looking exercises improved clinical observation skills and strengthened empathy, which became especially valuable tools during the COVID-19 pandemic.

Guests: Grace Calame-Mars, nurse educator at NYU Langone and Carolyn Halpin-Healy, art educator

Objects mentioned in this episode:

Pieter Bruegel the Elder (Netherlandish, 1525–1569). <a href="https://www.metmuseum.org/art/collection/search/435809" rel="nofollow" target="_blank">The Harvesters</a>, 1565. Oil on wood, 47 x 63 3/4 in. (119 x 162 cm). The Metropolitan Museum of Art, New York, Rogers Fund, 1919 (19.164)

<a href="https://www.metmuseum.org/art/collection/search/310325" rel="nofollow" target="_blank">Figure: Seated Couple</a>, eighteenth–early nineteenth century. Mali, Dogon peoples. Wood, metal, H. 28 3/4 x W. 8 5/8 x D. 8 in. (73 x 21.9 x 20.3 cm). The Metropolitan Museum of Art, New York, Gift of Lester Wunderman, 1977 (1977.394.15)

Jacques Louis David (French, 1748–1825). <a href="https://www.metmuseum.org/art/collection/search/436105" rel="nofollow" target="_blank">The Death of Socrates</a>, 1787. Oil on canvas, 51 x 77 1/4 in. (129.5 x 196.2 cm). The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Wolfe Fund, 1931 (31.45)

<a href="https://www.metmuseum.org/perspectives/series/frame-of-mind" rel="nofollow" target="_blank">www.metmuseum.org/frameofmind</a> #FrameofMind

Hear how art therapy exercises improved nurses’ clinical observation skills and strengthened empathy, valuable tools during the COVID-19 pandemic.

Art and Medicine

Can art save your life? According to Virgil Ortiz, an artist from the Cochiti Pueblo in New Mexico, it can. For Virgil, making pottery with traditional materials and methods is a kind of therapy, a fundamental expression of his culture across generations. Virgil describes how the process itself brings him a sense of purpose and connection to his family, including the prayers he recites before he and his nephews dig clay from their ancestral lands. Given this living legacy, it was a significant moment for Virgil to visit The Met for the first time and see his culture represented in the Charles and Valerie Diker Collection of Native American art. Tune in to hear his story about art’s connection to belonging.

Guest: Virgil Ortiz, artist and teacher

Learn more about the Art of Native America: The Charles and Valerie Diker Collection at www.metmuseum.org/diker

www.metmuseum.org/frameofmind #FrameofMind

Can art save your life? According to Virgil Ortiz, an artist from the Cochiti Pueblo in New Mexico, it can. For Virgil, making pottery with traditional materials and methods is a kind of therapy, a fundamental expression of his culture across generations. Virgil describes how the process itself brings him a sense of purpose and connection to his family, including the prayers he recites before he and his nephews dig clay from their ancestral lands. Given this living legacy, it was a significant moment for Virgil to visit The Met for the first time and see his culture represented in the Charles and Valerie Diker Collection of Native American art. Tune in to hear his story about art’s connection to belonging.

Guest: Virgil Ortiz, artist and teacher

Learn more about the Art of Native America: The Charles and Valerie Diker Collection at <a href="https://www.metmuseum.org/exhibitions/listings/2018/art-of-native-america-diker-collection" rel="nofollow" target="_blank">www.metmuseum.org/diker</a>

<a href="https://www.metmuseum.org/perspectives/series/frame-of-mind" rel="nofollow" target="_blank">www.metmuseum.org/frameofmind</a> #FrameofMind

Discover how creating earthenware pottery connects artist Virgil Ortiz to his Native American heritage, ancestral lands, and what it means to see his culture represented at The Met.

Art Closer to Home

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