David Robert Mitchell’s The End of Oak Street drops an ordinary family into extraordinary circumstances, forcing them to focus all their energy on surviving— and maybe, just maybe, learning to understand each other along the way. That structure, combined with Oak Street’s Spielbergian spectacle, pointed us toward 2005’s War of the Worlds, which fuses H.G. Wells’ 1898 novel to images and emotions that draw on the attacks of 9/11. How that approach holds up a quarter-century removed from the events that inspired it is up for discussion this week, along with where War of the Worlds falls on the Steven Spielberg Alien-Encounter Continuum, and just how close that sentimental ending comes to ruining the movie entirely. Then in Feedback, a listener, with an assist from Orson Welles, invites us to get galaxy-brained on the nature of homage as it relates to cinema generally and this podcast specifically. 

Please share your thoughts about War of the Worlds, The End of Oak Street, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.

David Robert Mitchell&rsquo;s&nbsp;The End of Oak Street&nbsp;drops an ordinary family into extraordinary circumstances, forcing them to focus all their energy on surviving&mdash; and maybe, just maybe, learning to understand each other along the way. That structure, combined with&nbsp;Oak Street&rsquo;s Spielbergian spectacle, pointed us toward 2005&rsquo;s&nbsp;War of the Worlds,&nbsp;which fuses H.G. Wells&rsquo; 1898 novel to images and emotions that draw on the attacks of 9/11. How that approach holds up a quarter-century removed from the events that inspired it is up for discussion this week, along with where&nbsp;War of the Worlds&nbsp;falls on the Steven Spielberg Alien-Encounter Continuum, and just how close that sentimental ending comes to ruining the movie entirely. Then in Feedback, a listener, with an assist from Orson Welles, invites us to get galaxy-brained on the nature of homage as it relates to cinema generally and this podcast specifically.&nbsp;
Please share your thoughts about War of the Worlds, The End of Oak Street, or anything else in the world of film, by sending an email or voice memo to&nbsp;<a href="mailto:comments@nextpictureshow.net">comments@nextpictureshow.net</a>, or leaving a short voicemail at (773) 234-9730.
This episode is presented by⁠&nbsp;<a href="https://www.regmovies.com/join-unlimited" data-saferedirecturl="https://www.google.com/url?q=https://www.regmovies.com/join-unlimited&amp;source=gmail&amp;ust=1787709697979000&amp;usg=AOvVaw3NPGXA9CASQQoGwbqMxEDC">⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠</a>, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).

New and classic movie reviews and top 5 lists.

Filmspotting

The Family That's Prey Together, Pt. 2 — War of the Worlds (2005)

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/a1832622-08b2-416f-9959-b4b1003596fe/transcript