For Halloween week, we're going deep into the Archive for Adam and Josh's 2013 Sacred Cow review of William Friedkin's The Exorcist. 

Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠. 

For Halloween week, we're going deep into the Archive for Adam and Josh's 2013 Sacred Cow review of William Friedkin's The Exorcist.&nbsp;
Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join <a href="https://filmspotting.supportingcast.fm/join?sc_promo=summer">the Filmspotting Family⁠</a>.&nbsp;

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).

New and classic movie reviews and top 5 lists.

Filmspotting

Since 2005, Filmspotting has featured Adam Kempenaar and Josh Larsen's in-depth movie reviews and Top 5 lists, delivering "weekly installments of affable, insightful film analysis" (The New York Times). Today, the Filmspotting feed also offers an expanded lineup of original movie and pop culture shows.

Since 2005, Filmspotting has featured Adam Kempenaar and Josh Larsen's in-depth movie reviews and Top 5 lists, delivering "weekly installments of affable, insightful film analysis" (The New York Times). Today, the Filmspotting feed also offers an expanded lineup of original movie and pop culture shows.

The Exorcist (1973) | Archive

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/f4608a61-382e-4663-8a0d-b4f00129791b/transcript

Adam and Josh finally get a chance to talk about the movie that everyone is talking about: Nathan Fielder and Lance Oppenheim’s You Can See Everything. Along with some (well demarcated!) Spoiler Talk about the movie, they share poll results about the best docs of the 2020s (so far), and Josh weighs in on Laika’s Wildwood and the Palme d’Or-winning Fjord from Romania’s Cristian Mungiu.    

This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off.

(Timecodes will not be precise with ads.)

Intro (00:00:00-00:02:42)

You Can See Everything (00:02:43-00:27:11)

Filmspotting Family (00:27:12-00:33:27)

You Can See Everything cont. (00:33:28-00:54:31) 

Spoiler Talk: You Can See Everything (00:54:31-00:1:17:22) 

Wildwood (01:17:23-01:23:10)

Fjord (001:23:11-01:28:15)

Polls (01:28:16-01:39:10)

Credits / New Releases (01:39:11-01:43:16)

Notes:

Feedback:

-Email us at feedback@filmspotting.net⁠⁠

⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content.

Support:

-Join the Filmspotting Family for bonus shows, archive access, and more.

http://filmspottingfamily.com

-Filmspotting Shop for T-shirts and more.

⁠https://www.filmspotting.net/shop⁠⁠⁠⁠

Follow:

-Watch Filmspotting on YouTube:

⁠https://youtube.com/filmspotting⁠

-Adam/Filmspotting

⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠

-Josh/LarsenOnFilm

⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky

Adam and Josh finally get a chance to talk about the movie that everyone is talking about: Nathan Fielder and Lance Oppenheim&rsquo;s You Can See Everything. Along with some (well demarcated!) Spoiler Talk about the movie, they share poll results about the best docs of the 2020s (so far), and Josh weighs in on Laika&rsquo;s Wildwood and the Palme d&rsquo;Or-winning Fjord from Romania&rsquo;s Cristian Mungiu.&nbsp;&nbsp;&nbsp;&nbsp;
This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits.<a href="https://experience.regmovies.com/join-unlimited?utm_source=podcast&amp;utm_medium=referral&amp;utm_campaign=filmspotting"> Use code FILMSPOT26 to take 15% off.</a>
(Timecodes will not be precise with ads.)
Intro (00:00:00-00:02:42)
You Can See Everything (00:02:43-00:27:11)
Filmspotting Family (00:27:12-00:33:27)
You Can See Everything cont. (00:33:28-00:54:31)&nbsp;
Spoiler Talk: You Can See Everything (00:54:31-00:1:17:22)&nbsp;
Wildwood (01:17:23-01:23:10)
Fjord (001:23:11-01:28:15)
Polls (01:28:16-01:39:10)
Credits / New Releases (01:39:11-01:43:16)
Notes:
Feedback:
-Email us at <a href="mailto:feedback@filmspotting.net">feedback@filmspotting.net⁠⁠</a>
⁠⁠⁠⁠-<a href="https://forms.gle/PGVFAm4GvbmPJWqG8">⁠Ask Us Anything⁠</a>⁠⁠⁠⁠ and we might answer your question in bonus content.
Support:
-Join the Filmspotting Family for bonus shows, archive access, and more.
<a href="https://filmspotting.supportingcast.fm/join?sc_promo=summer&amp;utm_source=podcast&amp;utm_medium=1077&amp;utm_campaign=summer">http://filmspottingfamily.com</a>
-Filmspotting Shop for T-shirts and more.
<a href="https://www.filmspotting.net/shop">⁠https://www.filmspotting.net/shop⁠</a>⁠⁠⁠
Follow:
-Watch Filmspotting on YouTube:
<a href="https://youtube.com/filmspotting">⁠https://youtube.com/filmspotting⁠</a>
-Adam/Filmspotting
<a href="https://letterboxd.com/filmspotting/">⁠Letterboxd⁠</a> |<a href="https://instagram.com/filmspotting%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0">⁠ Instagram⁠</a> |<a href="https://facebook.com/filmspotting%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0">⁠ Facebook⁠</a> |<a href="https://bsky.app/profile/filmspotting.bsky.social"> ⁠Bluesky⁠</a>
-Josh/LarsenOnFilm
<a href="https://letterboxd.com/larsenonfilm%E2%81%A0%E2%81%A0%E2%81%A0">⁠Letterboxd⁠</a> |<a href="https://www.instagram.com/larsenonfilm/"> ⁠Instagram⁠</a> |<a href="https://facebook.com/larsenonfilm">⁠ Facebook⁠</a> |<a href="https://bsky.app/profile/larsenonfilm.bsky.social"> ⁠Bluesky</a>

You Can See Everything, plus Wildwood and Fjord | #1088

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/42929336-7d0b-4459-a811-b4f901519c96/transcript

As co-director of You Can See Everything, Nathan Fielder is unusually present in front of the camera, arguably overshadowing the film’s ostensible subject, disgraced Theranos founder Elizabeth Holmes. That’s just the start of the film’s unconventionalities, which we’ll get into more next week, but first we’re revisiting a 1979 comedy that predicts Fielder’s turn as the stealth protagonist of his own documentary. As a prototype of the mockumentary form, as well as a satire of the then-nascent genre of reality television, Albert Brooks’ deeply meta debut feature Real Life encourages the audience to recognize an essential fact about documentary filmmaking, which is that cameras inevitably affect the behavior of those in front of it. And this week in Feedback, we correct an oversight in our recent discussion of The Social Network, and touch on some of the other titles we considered for this pairing.

Please share your thoughts about Real Life, You Can See Everything, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.

As co-director of You Can See Everything, Nathan Fielder is unusually present in front of the camera, arguably overshadowing the film&rsquo;s ostensible subject, disgraced Theranos founder Elizabeth Holmes. That&rsquo;s just the start of the film&rsquo;s unconventionalities, which we&rsquo;ll get into more next week, but first we&rsquo;re revisiting a 1979 comedy that predicts Fielder&rsquo;s turn as the stealth protagonist of his own documentary. As a prototype of the mockumentary form, as well as a satire of the then-nascent genre of reality television, Albert Brooks&rsquo; deeply meta debut feature Real Life encourages the audience to recognize an essential fact about documentary filmmaking, which is that cameras inevitably affect the behavior of those in front of it. And this week in Feedback, we correct an oversight in our recent discussion of The Social Network, and touch on some of the other titles we considered for this pairing.
Please share your thoughts about Real Life, You Can See Everything, or anything else in the world of film, by sending an email or voice memo to <a href="mailto:comments@nextpictureshow.net">comments@nextpictureshow.net</a>, or leaving a short voicemail at <a href="tel:(773)%20234-9730">(773) 234-9730</a>.
This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.

Albert Brooks's ahead-of-its-time mockumentary.

Direct to Camera, Pt. 1 — Real Life (1979)

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/030527ed-1727-47d2-abf7-b4f700371402/transcript

What better way to kick off Noir-vember than with a Sacred Cow review of arguably the greatest noir ever made, Billy Wilder's 1944 classic Double Indemnity. Originally reviewed in 2022 as part of the Barbara Stanwyck Marathon. 

Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠. 

What better way to kick off Noir-vember than with a Sacred Cow review of arguably the greatest noir ever made, Billy Wilder's 1944 classic Double Indemnity. Originally reviewed in 2022 as part of the <a href="https://www.filmspotting.net/stanwyck">Barbara Stanwyck Marathon</a>.&nbsp;
Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join <a href="https://filmspotting.supportingcast.fm/join?sc_promo=summer">the Filmspotting Family⁠</a>.&nbsp;

The ballad of Walter and Phyllis (and Walter and Barton).

Double Indemnity | Archive

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/b171d3b3-c410-4df9-8876-b4f7015ab591/transcript

The Exorcist (1973) | Archive

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