For Halloween week, we're going deep into the Archive for Adam and Josh's 2013 Sacred Cow review of William Friedkin's The Exorcist. 

Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠. 

For Halloween week, we're going deep into the Archive for Adam and Josh's 2013 Sacred Cow review of William Friedkin's The Exorcist.&nbsp;
Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join <a href="https://filmspotting.supportingcast.fm/join?sc_promo=summer">the Filmspotting Family⁠</a>.&nbsp;

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).

New and classic movie reviews and top 5 lists.

Filmspotting

Since 2005, Filmspotting has featured Adam Kempenaar and Josh Larsen's in-depth movie reviews and Top 5 lists, delivering "weekly installments of affable, insightful film analysis" (The New York Times). Today, the Filmspotting feed also offers an expanded lineup of original movie and pop culture shows.

Since 2005, Filmspotting has featured Adam Kempenaar and Josh Larsen's in-depth movie reviews and Top 5 lists, delivering "weekly installments of affable, insightful film analysis" (The New York Times). Today, the Filmspotting feed also offers an expanded lineup of original movie and pop culture shows.

The Exorcist (1973) | Archive

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/f4608a61-382e-4663-8a0d-b4f00129791b/transcript

For the final episode in Spook-tober, Jordan and Matt share the defining scares of their childhoods and respond to listener requests for campy and creeping dread horror movies. And then — the horror! — Jordan takes a turn hosting America’s fastest growing game show: Portmanteau-To-Toe. 

Intro (00:00:00–00:03:07)

The Movies That (De)Formed Us (00:03:08–00:39:56)

Listener Request Seg: Campy and Creeping Dread Horror Movies (00:39:57–01:09:09)

Notes / Game: Portmanteau-To-Toe (01:09:09–01:24:09)

New to Streaming / Credits (01:24:10–01:32:31)

Show Notes

Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠

Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (available now!):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠

Matt’s book tour!

matt-singer.net

Bazooga jingle by Andy Wilkowske

https://www.andrewwilkowske.com/

Feedback: Email us at feedback@filmspottingSVU.com

Follow Matt on Blue Sky: @mattsinger.bsky.social

Follow Jordan on Blue Sky: @jhoffman.bsky.social

Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠

Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠

For the final episode in Spook-tober, Jordan and Matt share the defining scares of their childhoods and respond to listener requests for campy and creeping dread horror movies. And then &mdash; the horror! &mdash; Jordan takes a turn hosting America&rsquo;s fastest growing game show: Portmanteau-To-Toe.&nbsp;
Intro (00:00:00&ndash;00:03:07)
The Movies That (De)Formed Us (00:03:08&ndash;00:39:56)
Listener Request Seg: Campy and Creeping Dread Horror Movies (00:39:57&ndash;01:09:09)
Notes / Game: Portmanteau-To-Toe (01:09:09&ndash;01:24:09)
New to Streaming / Credits (01:24:10&ndash;01:32:31)
Show Notes
Now Streaming on Bazooga - A Filmspotting: SVU Archive<a href="https://www.google.com/search?q=https%3A%2F%2Fletterboxd.com%2Fsamvanhallgren%2Flist%2Fnow-streaming-on-bazooga-a-filmspotting-svu%2F">⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠</a>
Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (available now!):<a href="https://www.google.com/search?q=https%3A%2F%2Fwww.penguinrandomhouse.com%2Fbooks%2F790241%2Ffunny-business-by-matt-singer%2F">⁠</a><a href="https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/%E2%81%A0"> https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠</a>
Matt&rsquo;s book tour!
<a href="http://matt-singer.net">matt-singer.net</a>
Bazooga jingle by Andy Wilkowske
<a href="https://www.andrewwilkowske.com/">https://www.andrewwilkowske.com/</a>
Feedback: Email us at feedback@filmspottingSVU.com
Follow Matt on Blue Sky: @mattsinger.bsky.social
Follow Jordan on Blue Sky: @jhoffman.bsky.social
Follow the Show:<a href="https://www.google.com/search?q=https%3A%2F%2Fwww.instagram.com%2Fsuperpulse%2F">⁠ https://www.instagram.com/superpulse/⁠</a><a href="https://www.google.com/search?q=https%3A%2F%2Fwww.facebook.com%2FFilmspottingSvu">⁠ https://www.facebook.com/FilmspottingSvu⁠</a>
Follow the Show:<a href="https://www.google.com/search?q=https%3A%2F%2Fwww.instagram.com%2Fsuperpulse%2F">⁠ https://www.instagram.com/superpulse/⁠</a><a href="https://www.google.com/search?q=https%3A%2F%2Fwww.facebook.com%2FFilmspottingSvu">⁠ </a><a href="https://www.facebook.com/FilmspottingSvu%E2%81%A0">https://www.facebook.com/FilmspottingSvu⁠</a>

Campy and Creeping Dread Horror, plus The Movies That (De)Formed Us | SVU 

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/45e1dcf4-193e-491b-8cc4-b4f0005aa477/transcript

Film critic Bilge Ebiri (Vulture, New York Magazine) joins Michael Phillips to test one of Alfred Hitchcock's most famous assertions: "There is a distinct difference between suspense and surprise."

Drawing on Hitchcock classics including Sabotage, Rear Window, Notorious, and Psycho, Michael and Bilge explore why the 'Master of Suspense' believed audiences should dread an explosion more than simply be startled by one. They discuss Hitchcock's notorious "grave error" in Sabotage, the enduring power of the night-vision sequence in The Silence of the Lambs, the unresolved terror of Zodiac, and what contemporary filmmakers such as Jordan Peele and Zach Cregger have learned from Hitchcock's approach.

Join the conversation by emailing ⁠themovieracket@filmspotting.net⁠.

Film critic Bilge Ebiri (Vulture, New York Magazine) joins Michael Phillips to test one of Alfred Hitchcock's most famous assertions: "There is a distinct difference between suspense and surprise."
Drawing on Hitchcock classics including&nbsp;Sabotage, Rear Window, Notorious, and Psycho, Michael and Bilge explore why the 'Master of Suspense' believed audiences should dread an explosion more than simply be startled by one. They discuss Hitchcock's notorious "grave error" in Sabotage, the enduring power of the night-vision sequence in The Silence of the Lambs, the unresolved terror of Zodiac, and what contemporary filmmakers such as Jordan Peele and Zach Cregger have learned from Hitchcock's approach.
Join the conversation by emailing&nbsp;<a href="mailto:themovieracket@filmspotting.net" data-encore-id="textLink" data-slate-node="element" data-slate-inline="true">⁠themovieracket@filmspotting.net⁠</a>.

"There is a distinct difference between suspense and surprise" with Bilge Ebiri | The Movie Racket

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/ce7e54c7-ad82-406e-b850-b4ef00e300e9/transcript

How do you reimagine a beloved novel like Jane Austen’s Sense & Sensibility without losing what people love — and expect — from an Austen adaptation? Whatever it is, director Georgia Oakley appears to have figured it out. Adam and Josh praise Oakley’s earthy and unfussy film. Plus, a recap of their weekend at the Chicago International Film Festival, which included a screening of Pawel Pawilkowski’s Fatherland, and — for Josh — a 30th anniversary screening of Cheryl Dunye’s Watermelon Woman. Also, Josh’s review of Whalefall, and listeners rank the most anticipated movies of the fall.  

This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off.

(Timecodes will not be precise with ads.)

Intro (00:00:00-00:03:08)

Sense & Sensibility (00:03:09-00:25:34)

Filmspotting Family (00:25:35-00:30:35)

Sense & Sensibility, cont. (00:30:36-00:46:38)

Fatherland (00:46:39-01:07:00)

Watermelon Woman, Whalefall (01:07:01-01:13:34)

Polls (01:13:35-01:25:35)

Credits / New Releases (01:25:36-01:31:25)

Notes:

-Refocus Film Festival

https://refocusfilmfestival.org/

Feedback:

-Email us at feedback@filmspotting.net⁠⁠

⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content.

Support:

-Join the Filmspotting Family for bonus shows, archive access, and more.

http://filmspottingfamily.com

-Filmspotting Shop for T-shirts and more.

⁠https://www.filmspotting.net/shop⁠⁠⁠⁠

Follow:

-Watch Filmspotting on YouTube:

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-Adam/Filmspotting

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-Josh/LarsenOnFilm

⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky

How do you reimagine a beloved novel like Jane Austen&rsquo;s Sense &amp; Sensibility without losing what people love &mdash; and expect &mdash; from an Austen adaptation? Whatever it is, director Georgia Oakley appears to have figured it out. Adam and Josh praise Oakley&rsquo;s earthy and unfussy film. Plus, a recap of their weekend at the Chicago International Film Festival, which included a screening of Pawel Pawilkowski&rsquo;s Fatherland, and &mdash; for Josh &mdash; a 30th anniversary screening of Cheryl Dunye&rsquo;s Watermelon Woman. Also, Josh&rsquo;s review of Whalefall, and listeners rank the most anticipated movies of the fall.&nbsp;&nbsp;
This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits.<a href="https://experience.regmovies.com/join-unlimited?utm_source=podcast&amp;utm_medium=referral&amp;utm_campaign=filmspotting"> Use code FILMSPOT26 to take 15% off.</a>
(Timecodes will not be precise with ads.)
Intro (00:00:00-00:03:08)
Sense &amp; Sensibility (00:03:09-00:25:34)
Filmspotting Family (00:25:35-00:30:35)
Sense &amp; Sensibility, cont. (00:30:36-00:46:38)
Fatherland (00:46:39-01:07:00)
Watermelon Woman, Whalefall (01:07:01-01:13:34)
Polls (01:13:35-01:25:35)
Credits / New Releases (01:25:36-01:31:25)
Notes:
-Refocus Film Festival
<a href="https://refocusfilmfestival.org/">https://refocusfilmfestival.org/</a>
Feedback:
-Email us at <a href="mailto:feedback@filmspotting.net">feedback@filmspotting.net⁠⁠</a>
⁠⁠⁠⁠-<a href="https://forms.gle/PGVFAm4GvbmPJWqG8">⁠Ask Us Anything⁠</a>⁠⁠⁠⁠ and we might answer your question in bonus content.
Support:
-Join the Filmspotting Family for bonus shows, archive access, and more.
<a href="https://filmspotting.supportingcast.fm/join?sc_promo=summer&amp;utm_source=podcast&amp;utm_medium=1077&amp;utm_campaign=summer">http://filmspottingfamily.com</a>
-Filmspotting Shop for T-shirts and more.
<a href="https://www.filmspotting.net/shop">⁠https://www.filmspotting.net/shop⁠</a>⁠⁠⁠
Follow:
-Watch Filmspotting on YouTube:
<a href="https://youtube.com/filmspotting">⁠https://youtube.com/filmspotting⁠</a>
-Adam/Filmspotting
<a href="https://letterboxd.com/filmspotting/">⁠Letterboxd⁠</a> |<a href="https://instagram.com/filmspotting%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0">⁠ Instagram⁠</a> |<a href="https://facebook.com/filmspotting%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0">⁠ Facebook⁠</a> |<a href="https://bsky.app/profile/filmspotting.bsky.social"> ⁠Bluesky⁠</a>
-Josh/LarsenOnFilm
<a href="https://letterboxd.com/larsenonfilm%E2%81%A0%E2%81%A0%E2%81%A0">⁠Letterboxd⁠</a> |<a href="https://www.instagram.com/larsenonfilm/"> ⁠Instagram⁠</a> |<a href="https://facebook.com/larsenonfilm">⁠ Facebook⁠</a> |<a href="https://bsky.app/profile/larsenonfilm.bsky.social"> ⁠Bluesky</a>

Sense & Sensibility (2026), plus Fatherland and Whalefall | #1086

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/1b242d3e-a3e4-4e7f-a322-b4eb000b6363/transcript

The Exorcist (1973) | Archive

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