Film critic Robert Daniels (⁠RogerEbert.com⁠, The New York Times) joins Michael Phillips to test one of Hollywood's most enduring bits of studio wisdom, attributed to producer Samuel Goldwyn: "Pictures are for entertainment, messages should be delivered by Western Union." From I Am a Fugitive from a Chain Gang, High Noon, and The Best Years of Our Lives to Origin, Don't Look Up, and Triangle of Sadness, Michael and Robert discuss why some films are elevated by their ideas while others collapse under them, and whether the most effective message movies are the ones that never look like message movies at all. Join the conversation by emailing ⁠movieracket@filmspotting.net⁠.

Film critic Robert Daniels (<a href="http://RogerEbert.com" data-encore-id="textLink" data-slate-node="element" data-slate-inline="true">⁠RogerEbert.com⁠</a>, The New York Times) joins Michael Phillips to test one of Hollywood's most enduring bits of studio wisdom, attributed to producer Samuel Goldwyn: "Pictures are for entertainment, messages should be delivered by Western Union." From I Am a Fugitive from a Chain Gang, High Noon, and The Best Years of Our Lives to Origin, Don't Look Up, and Triangle of Sadness, Michael and Robert discuss why some films are elevated by their ideas while others collapse under them, and whether the most effective message movies are the ones that never look like message movies at all. Join the conversation by emailing <a href="mailto:movieracket@filmspotting.net" data-encore-id="textLink" data-slate-node="element" data-slate-inline="true">⁠movieracket@filmspotting.net⁠</a>.

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"Pictures are for entertainment, messages should be delivered by Western Union" with Robert Daniels | The Movie Racket

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